Monthly Archives: February 2020

A Look at Medicine & Medical Facilities in Early Tucson / Exhibition, June 12-December 31, 2012

Promotional material designed by Marty Taylor, University of Arizona Libraries

Introduction: This was the second exhibit I curated at the Science Engineering Library. Once again, I found a treasure trove of information in Special Collections, including photographs, news clippings, books, pamphlets and brochures as well as advertisements in local magazines, directories and other sources. I learned a great deal about the topic, including some very interesting facts about tuberculosis and its treatment. Finding information on the Pima County Hospital was also very enlightening, as was learning about the various sanitariums that existed across the community. Another fun project!

News Release:

A new exhibit at the University of Arizona (UA) reviews 100 years of health care history in Tucson. “A Look at Medicine and Medical Facilities in Early Tucson” showcases Tucson’s system, and business, of health care from the mid-19th century to the mid-20th century. The exhibit is on display from June 19 – Dec. 31, 2012 at the UA Science-Engineering Library, 744 N Highland Ave.

“A Look at Medicine and Medical Facilities in Early Tucson” reviews the history of Tucson health care through three categories: physicians, hospitals, and Tucson’s approach to treating tuberculosis.

Included in the exhibit are profiles, photographs, and biographical information of 9 early Tucson physicians. One of Arizona’s most colorful and distinguished physicians, Dr. George E. Goodfellow, earned his medical degree in 1876 and became a self-taught expert on bullet wounds. He went on to make medical history in Tucson for performing the world’s first successful prostate removal surgery.

Tucson’s hospitals

Of interesting note for Pima County physicians was a county ordinance passed in 1875 that required local physicians to file their diplomas from accredited schools with the county recorder or face a fine up to $50. The Territory of Arizona did not take similar action until 1881.

The exhibit also offers a brief historical review through photographs, books, and ephemera of Tucson’s early hospitals including St. Mary’s Hospital, Pima County General Hospital, and the Veteran’s Administration Hospital.

The patient population at Tucson area hospitals ballooned in the early 20th century, an increase brought on by patients seeking treatment for tuberculosis which, by that time, was responsible for 12 out of every 100 deaths in the United States. Up to 25% of all newcomers to the Southwest over that period arrived in the region to recover their health, choosing the Southwest for its warm, dry air and their faith in its healing properties. Notable among those who came for the healing climate are Governor A.P.K. Safford, Sam Hughes, Hiram Dodge, “Doc” Holliday, and Harold Bell Wright.

More hospitals

Tucson sanatoriums, including Whitwell Hospital, the Desert Sanatorium, Comstock Hospital, Pastime Park, focused on treating tuberculosis patients. While wealthy patients were received care at resort-like sanatoriums, those without financial means were treated in Tentville, a “squalid ghetto” located in the area north of Speedway Blvd. between Park and North First Avenues. Photographs and ephemera included in the exhibit offer a brief history of Tucson’s sanatoriums.



“A Look at Medicine and Medical Facilities in Early Tucson” was curated to coincide with Tucson’s 237th birthday, an occasion where Tucsonans are encouraged to recognize our community’s history, culture, arts and environment.

Treating tuberculosis in the desert….
A room at the Desert Sanatarium in Tucson.

   

Tucson’s sanitariums
Tucson’s earliest physicians
Tucson’s VA Hospital
Medicine at Ft. Lowell
                                                                            

A Look at Tucson’s Cultural & Architectural Treasures/ Exhibition and Program (2012)

Promotional material designed by Marty Taylor, University of Arizona Libraries

A List of materials used in this exhibit

This exhibit was housed in the Main Library. I enjoyed putting it together. Dr. Brooks Jeffery graciously agreed to give a lecture on the architecture of Tucson. It was a fun project.

Happy Birthday Tucson: A Look at Tucson’s Cultural and Architectural Treasures

This exhibit celebrates Tucson’s 237th birthday. It includes a selection of books and other items about Tucson,  and a variety of materials on music and architecture. The section on classical music features music programs going back over 100 years, plus photos of the Temple of Music and Art and the original Tucson Symphony Orchestra. The mariachi music section features local musicians, including Lalo Guerrero, Linda Ronstadt and Los Changuitos Feos as well as other local groups and singers. Featured in the architecture section are a number of churches, including the San Xavier mission. A special section is devoted to photos taken of the Fox Theatre back in the 1930s by the Campbell and Pereira Studios.  Included is the original program for the opening of the movie, Arizona, for which the Old Tucson movie set was built. Most of the materials on display are either from the private collection of Joseph R. Diaz or from Special Collections.

Mexican Music in Tucson

Mexican music has long been a staple of Tucson’s cultural life. Today,  the Old Pueblo is known as one of the premiere centers for the study and performance of mariachi music, which is taught from the primary grades through the college level in many of the schools in the region. In addition, every April,  hundreds of students from throughout the country  gather here to participate in the Tucson International Mariachi Conference to learn music from some of mariachi’s top musicians, such as Mariachi Vargas de Tecalitlan, Mariachi Los Camperos de Nati Cano, and Tucson’s own Mariachi Cobre.  Tucson is also the hometown of the legendary  Lalo Guerrero and Linda Ronstadt.  Los Changuitos Feos, one of the nations’s first  youth mariachi groups,  was formed in Tucson in the early 1960’s, and is still going strong. The recordings featured in this exhibit are all of local musicians and are from the private collection of Joseph R. Diaz

Classical Music in Tucson

Tucson’s love for European art music goes back over 100 years. Some of the genre’s greatest orchestras and conductors have graced the stages of the Tucson Opera House, the Rialto Theatre, The Tucson High School auditorium and the Temple of Music and Art (shown in the photo on the right). The Tucson Symphony has a long standing history in the community and the photo in this exhibit is of the original group, founded in the 1920s. The Saturday Morning Music Club, a group of enthusiastic classical music supporters, was for a long time the primary force behind providing the community with rich musical  experiences. The programs featured in this exhibit are from UA Special Collections.

Religious Architecture and Sculpture  in Tucson

Over the years, Tucson has been home to a number of beautiful church buldings, the best known of which is the San Xavier Mission, a National Historic Landmark which  was founded by Father Eusebio Kino in 1692. Contruction of the current church began in 1783 and was completed in 1797. The oldest intact European structure in Arizona, the church’s interior is filled with marvelous original statuary and mural paintings. A renovation of the structure and interior was recently completed. It is truly a Tucson treasure!

More churches of Tucson

The Fox Theatre

Originally budgeted at $200,000, the Fox Theatre would eventually cost $300,000 including furnishings. Designed as a dual vaudeville/movie house, the Fox featured a stage, full fly-loft, and dressing rooms beneath the stage. The combined effects of “talkies” and the Depression limited the opportunities for live performance, and the dressing rooms were never completed.

Opening night, April 11, 1930, proved to be the biggest party the small community of Tucson had ever seen. With Congress Street closed and waxed for dancing, four live bands, a live radio broadcast and free trolley rides Downtown, the party was one not to be missed.Those lucky enough to have bought tickets in advance—3,000 or so people—enjoyed the show inside as well as out. The film “Chasing Rainbows,” a MovieTone short, and a Mickey Mouse cartoon were well received by both audiences that evening, and the Fox Theatre began its 40 ­year life as the center of Tucson’s entertainment world.

The photos in this exhibit, taken in the early 1930s,  are from the Campbell and Pereira Collection, housed in Special Collections. The program to the movie, Arizona, is  from the private collection of Joseph R. Diaz.

Architecture in Tucson

Tucson has a number of beautifully constructed buildings. Featured here are The Pioneer Hotel building, The Geronimo Apartments building, The Pima County Courthouse, the El Conquistador Hotel and the Santa Rita Hotel, as well as a number of private residences and postcards of hotels. For more information on Tucson’s architecture, see  A Guide to Tucson Architecture, by R. Jeffery Brooks and Ann M. Nequette. (Science-Engineering Library and Special Collections NA 735.T8 N46 2002). 

Judith Chafee: Iconoclast /Exhibition (2018)

Exhibit curated by Bob Diaz, Special Collections, The University of Arizona Libraries

Promotional material designed by Marty Taylor, University of Arizona Libraries

Monday, January 22, 2018 – 9:00am to Friday, July 6, 2018 – 6:00pm

Special Collections

The University of Arizona Libraries

Introduction:

Putting this exhibit together was a labor of love. I started out knowing very little about local architect, Judith Chafee, but learned a great deal from organizing her papers, which are housed in Special Collections, and working with her assistant, Kathryn McGuire a local architect and co-author of the book, “Powerhouse: The Life and Work of Architect Judith Chafee. As I poured over her work looking for material to include in the exhibition, I came to the realization that Chafee was an artistic genius, well ahead of her time. She was the first woman to graduate from Yale’s architecture program. She finished at the  top of her class, and won prestigious awards along the way. A highlight of the whole experience for me was meeting Chafee’s daughter and granddaughter, who made a special trip to Tucson to see the exhibition. They were very impressed by it. It made me feel just great knowing that they liked it. All that work I had put into this project paid off! Attendance at both of the events that were held in conjunction with the exhibit was beyond my expectations, and both were very well received. This exhibition was one of my favorites.

From the UA News Service:

A remarkable American architect, Judith Chafee was a true trailblazer, both as an architect par excellence, and as a woman in a male-dominated profession. She is celebrated as a visionary modernist whose structures harmoniously blend with their host environments.

This exhibit highlights key events and projects from her life and work. Materials will include photographs, drawings, artwork and more. 

A sample exhibit section
Judith Chafee with one of her many pets
“The Architect: Judith Chafee”, story by KUAZ, available for viewing in the exhibit lobby..

For more information see:

“Judith Chafee: Geographical Powers”. January 23, 2018. Program held in conjunction with the above exhibit.

“Judith Chafee: Breaking Barriers in a Man’s World”. March 13, 2018. Program held in conjunction with the above exhibit.

The Judith Chafee Papers Page–Special Collections, The University of Arizona Libraries

The Judith Chafee Papers Collection Guide

Powerhouse: The LIfe and Work of Judith Chafee

Christopher Domin and Kathryn McGuire, authors

“Powerhouse is the first book on the singular life and career of American architect Judith Chafee (1932-1998). Chafee was an unrepentant modernist on the forefront of sustainable design. Her architecture shows great sensitivity to place, especially the desert landscapes of Arizona. Chafee was also a social justice advocate and a highly respected woman in a male-dominated profession. After graduating from the Yale University Architecture School, where her advisor was Paul Rudolph, she went on to work in the offices of legends including Rudolph, Walter Gropius, Eero Saarinen, and Edward Larrabee Barnes. In addition to her architectural legacy, her decades of teaching helped shape a generation of architects. Chafee’s drawings and archival images of her work are complemented by stunning photography by Ezra Stoller and Bill Timmerman”. –from the Princeton Architectural Press site.

It was very nice of Kathy McGuire to mention me in the acknowledgements section (see below) of the book. I learned a great deal from her during our visits, and without her guidance the exhibition would not have been as informative and interesting as it turned out to be.

1968 in America / Exhibition (September 4, 2018-December 7, 2018)

Exhibit banner and poster designed by Marty Taylor, UA Libraries.

My most recent and last exhibit for Special Collections was a look back at 1968, 50 years later. I was only 9 years old at the time, but remember the era vividly. I had a brother in Vietnam, and two of my siblings were in California enjoying themselves in San Francisco, along with thousands of other young people. I spent the year collecting baseball cards and playing flag football with the other kids in the neighborhood. The assasinations of Martin Luther King, Jr. and Bobby Kennedy didn’t impact me that much, as I was not old enough to understand what was happening in the larger world. The music I listened to was usually the popular stuff one heard on the radio, and the Beatles, of course. Doing this exhibit brought back a lot of memories. It also impressed upon me that it was an amazing time, with so much going on, culturally, musically, and politically.

September 4, 2018-December 7, 2018,

Special Collections, The University of Arizona Libraries

From the UA News Service:

One of the most volatile years in the history of the United States was 1968. The Tet Offensive escalated the war in Vietnam, we lost two monumental leaders – Martin Luther King Jr. and Robert F. Kennedy – to assassination, and riots broke out across the nation. As students protested the war, popular music became a powerful voice for their generation. At the same time, the civil rights and Black Power movements inspired environmentalists, women, Chicanos, Native Americans and the gay and lesbian community to add their voices to the discourse.

This exhibit showcases a variety of materials from University Libraries’ Special Collections. Explore hidden treasures highlighting politics, news, art, literature and culture from 50 years ago – including underground press publications, sports and music memorabilia and photographs from the University of Arizona.

I found a bunch of “psychedelic”, 60s style handkerchiefs that I used for the exhibit cases.
60s memorabilia from a private collection.
More 60s memorabilia. Collection courtesy of Bob Diaz.
This section of the exhibit provided a chronological look at local, national and world events that happened in 1968.
A poster from the Tom Miller collectoin. The Yippees played a prominent role in the youth movement of the 60s.
A scene from Aengus Anderson’s short film on 1968 in America. Morgan Maxwell Jr. is on the far right side just to the left of the police officer.
Video program that accompanies the exhibit, created by Aengus Anderson.
Another scene from Aengus Anderson’s film.
A list of Arizona casualties of the Vietnam War in 1968. From the Arizona Daily Star Index.
Members of a student athlete leadership club visiting the exhibit

Company Town / Exhibition and Program (2012)

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Company Town poster. Designed by Marty Taylor.

Company Town: Arizona’s Mining Communities During 100 Years of Statehood, was the first exhibit I curated completely on my own in my new job as exhibits and events coordinator in Special Collections at the University of Arizona. The exhibit was located in the Science-Engineering Library, in a much smaller exhibit space than the Special Collections gallery. It was a fun project and one I was very eager to work on. I enjoyed doing the research on mining in Arizona and found that Special Collections has a rich treasure trove of historical information on mining. In the exhibit, I featured information on Ajo, Globe-Miami, San Manuel Superior, Jerome, Bisbee, Clifton-Morenci, and Ray/Sonora, and included original photographs, books and other materials. I learned a lot from this project along the way. Feedback I was given included that I used way too much material and that I should not have used sticky dots on any of the materials. I also didn’t include enough written annotations. The Dean of the College of Mining wasn’t too happy either because I included a section on labor strife in Arizona. She even asked the University administration to intervene on her behalf to pressure me to remove the information on labor issues, but the Vice-Provost and the Dean of the Library defended my right to include “controversial” information in the exhibit. Below, I’ve included an article written by the UA News service, with links to further information, including a video of the exhibit and an article written for the Arizona Daily Star by Ernesto Portillo, Jr.. I also planned one program, a lecture by Dr. Anny Ochoa O’Leary. A news story and the transcript of her talk are linked below.

SAMSUNG

January 6, 2012: Exhibit – ‘Company Town: Arizona’s Copper Mining Communities During 100 Years of Statehood |UA News …

“Company Town: Arizona’s Copper Mining Communities During 100 Years of Statehood,” a new exhibit at the UA Science-Engineering Library, shares 100 years of stories, struggles and triumphs from Arizona’s copper mining communities.

The history of mining in Arizona is rich and colorful with silver, gold and copper all having been discovered and mined in the state. The first mining company was established in Ajo in the 1850s; the arrival of the railroad brought a booming industry to Clifton-Morenci, Bisbee and Jerome.

Throughout the 20th century, while mining companies made significant profits, the mining workers’ salary was often not a living wage. Conditions in the mines were dangerous and unhealthy; many miners developed a lung disease now referred to as “miner’s lung.” In this context, labor relations between workers and the mine owners throughout Arizona’s history have been volatile, and at times violent.

“Company Town” features an in-depth selection of photographs, pamphlets, original manuscripts, federal and state reports and personal papers drawn from UA Special Collections. The materials on display detail the history of eight Arizona mining communities – Ajo, Bisbee, Clifton-Morenci, Globe-Miami, Jerome, Ray-Sonora, San Manuel and Superior – and show that these communities were more than just a mine, and the people more than just mining workers.

One community in particular, Clifton-Morenci, was the epicenter of the Arizona copper mine strike of 1983. Anna Ochoa O’Leary, a professor in the UA department of Mexican American and Raza Studies, lived in Clifton during the strike and was the president of the Morenci Miners Women’s Auxiliary in Clifton from 1985 to 1986. 

FOR MORE INFORMATION, SEE ALSO:

*Materials used in the Company Town Exhibit

*January 6, 2012-March 30, 2012: Company Town: Arizona’s Copper Mining Communities During 100 Years of Statehood | Special Collections

*News article from the Arizona Daily Star: Neto’s Tucson: Mining’s history interwoven With Arizona’s, February 12, 2012.

* Mine Exhibit Brought to Life Through Special Collections | UANews (video feature story)

Pura Salsa on the Chicano Connection (02/19/20)

Salsa!

Listen to part one of last night’s show here.

Listen to part two of last night’s show here.

I was very tired yesterday when I got home from work at 5, so I took a nap, thinking I could just sleep for half an hour and wake up in plenty of time to work on my radio show from 5:30 to 7pm. As luck would have it, however, I overslept and woke up at 5:50 rather than 5:30. I thought to myself, oh oh, what am I gonna do? I don’t have a lot of time to prepare this show. I hate having to rush, but the clock was ticking away. I decided, to heck with it, I’m just going to play nothing but songs that last 5 minutes or longer. Where could I find a whole show’s worth of songs that were that long? And then the lightbulb went on! Last week I had played an all-English language dance music show, so this week I decided I would play an all Spanish language dance show and feature nothing but salsa! Those songs are all usually 4 to 6 minutes long and they’re quite danceable too. So lo and behold, that’s exactly what I did. I went through my small collection of salsa and musica tropical and came up with a good handful of tunes, all of which were at least 4 minutes long. I gave folks a heads up on Facebook that I would be having another dance party, but that this time the featured music would be a mix of salsa and Latin jazz, and one friend in particular got very excited and told me she had just put her dancing shoes on and was ready to boogie the night away. I dubbed the title of the show, “Salsa A to Z”. I almost made it all the way through the alphabet, but had to skip one or two artists because I had run out of time. That same friend who was ready to bop the night away later told me she thought it was a perfect show. Wow, sometimes you never know how things are going to turn out. I have to admit that initially I wasn’t all that excited about doing an all salsa show, as I was bummed that I had to rush things, and I usually like to mix things up, but I’m glad at least one person liked it.

Happy Birthday, Tio Raul!

I wasn’t sure if it was my tio Raul’s birthday yesterday or not, but my cousin Carmen just confirmed it, so here’s a tribute to him.

He was born during the Revolution in Mexico, in San Luis Potosi, on February 18, 1913, the same day that his father was born back in 1885 in Asturias, Spain. Because of the war, it wasn’t long before my grandfather, his wife Zeferina, and my tio Raul moved up north to Arizona. He was less than a year old, in fact. My tios Valentin and Mino were born a few years later, in Ray/Sonora, Arizona, a mining town near Superior that is now long gone.

My grandparents with three of their sons–Raul, Val and Mino. Ray/Sonora, Az. circa 1919.
Tio Raul and Tia Prudencia

Uncle Raul and Aunt Prudence married in the late 30s. She was born in Cananea, Sonora, but moved to Superior when she was a young girl.

They ran a bakery and a store together in Superior, and then later he delivered milk to the people of the town and surrounding region. Tio Raul was well known and loved in his community, and was very generous to those in need.

My dad’s cousin Serino, Tio Mino, Tio Raul, Tio Val, my dad Alfredo and Tia Prudencia, around 1945-46.
Tio Raul and Tio Tony

Uncle Raul had tons of cigar boxes all over the place, it seemed. He smoked cigars all the time, and it was rare indeed to ever see him without one hanging from his mouth. …I took a few of these boxes home with me once and still have them somewhere. The lids are falling off because they’re so old.

My cousin Olivia wrote the following for inclusion in our family history book, titled “Diaz Family: Spain To America”. Olivia passed away recently. She was the eldest of all our cousins.

Uncle Raul’s eldest daughter, Olivia.
Alfred and Jo, (my mom and dad), with Uncle Raul and Aunt Prudence, some time in the mid-60s.

I used to love to go up to Superior with my parents, aunts, uncles and cousins to Uncle Raul’s house. It wasn’t very big, but we all managed to fit and we all had plenty to eat. He ran the dairy in Superior and outside was a big refrigerator where he kept the milk and other products he sold. We used to sneak in and help ourselves to chocolate milk all the time. I also loved banging on the old piano that was kept in a closet in one of the rooms. It seems like just yesterday.

The Diaz siblings, sometime in the 70s.

I’ll also never forget the time when we all found ourselves (about 30 of us cousins) in my uncle’s living room with our faces glued to the small black and white television. The Ed Sullivan show was on and his special guests that night were none other than the BEATLES! Wow. This was the first time I’d ever seen them and one of their first ever appearances on national tv. Life sure changed for everyone after that experience. We all became Beatle wannabes. My brother Rudy grew his hair long and joined a band, and we all had our favorites. Mine was Paul…

Tio Raul is seated in between his sisters Carmen and Helen. He always had a cigar in hand. He would give us his cigar boxes to play with when we were kids.
My dad, Alfredo, Tio Mino, Tio Raul and Tia Eva, Mino’s wife.
My mom Josephine, Aunt Prudence and Aunt Helen.

Aunt Prudence suffered from arthritis most of her adult life. She preceded Uncle Raul in death at the age of 69 in 1983.

Aunt Prudence’s obituary

Tio Raul died two years later at the age of 72.

Tio Raul’s family at our first family reunion in 1993.
Tio Raul’s family at our second family reunion in 2007.
Raul T. Diaz

La Familia de Antonio Díaz Palácios

Antonio Díaz Palácios

My paternal grandfather, Antonio Díaz Palácios, (1885-1954), was a native of Asturias, Spain.

This is one of several versions of the Diaz family coat of arms. I found this one at the Spanish History Museum in Albuquerque, New Mexico.
Asturias, Spain.
Coat of Arms of the Municipality of Morcin, Asturias, Spain.

To learn more about the Kingdom of Asturias, way back in the “olden days”, see this article, titled, “The Asturian Kingdom: Chroniclers and Kings, 791-910”, by Roger Collins, from the book, Caliphs and Kings: Spain, 796-1031, published by Wiley, 2012.

This is a map of the region known as Morcin, which is directly to the south of Oviedo. My grandfather was born in a region (or parish) called San Sebastian de Morcin. It is on the lower left side of the map.

His parents were Josefa Palácios and Valentin Díaz. Valentin’s parents, my great-great grandparents, were Raymundo Fernandez Díaz and Maria Garcia. My grandfather had several siblings, including Soledad Díaz Palacios, Natalia Díaz Palácios,  Rosita Díaz, Alfredo Díaz, Elvira Díaz and Belarma Díaz.

My great-great grandparents, Maria Garcia and Raymundo Díaz Fernández.
The house in San Sebastian de Morcín, where my grandfather was born.
Another view of my grandfather’s house.
La Carbayosa, the church in San Sebastian de Morcin.

My grandfather was born in 1885, at a time when Spain’s influence and strength as a world power were well on the wane. In the early 1900’s, King Alfonso XIII hoped to gain back Spain’s prestige as a world power, as it had recently suffered a humiliating defeat at the hands of the US in the Spanish-American War. Flexing its military muscle once again, Spain went to  war with Morocco (called the 2nd Rif War) to secure control of Morocco’s mineral wealth. Thousands of young working class Spanish men were drafted as conscripts, while their richer brethren were able to pay their way out of service. It was a bloody war, and many, many lives were lost. This did not sit well with the Spanish people.  According to one source, “in 1909, troops embarked for Morocco protested the inequalities of military service. A general strike was proclaimed at Barcelona and other Catalonian cities …” It appears that the people of Asturias felt the same way about the war, and like thousands of other young men who left Asturias during the early twentieth century, my grandfather came to North America  to avoid  induction into the Spanish Army. He set sail to the Americas from the port of Gijon at the age of 21, never to return to his place of birth.

Port of Gijon, Asturias, Spain

My grandfather’s ship landed in Havana, Cuba in 1906, but after a short period of time, he decided that he did not like it there, as it was under U.S. occupation and there was tension in the air.  He landed in Veracruz and worked in the shipyards there for a short while.

The port of Havana
Mexico.
My grandfather and his cousin Emilio Palacio are on this list of immigrant arrivals into Texas and Arizona. They are 4th and 5th from the bottom.

By 1907, however, he made his way to the United States, and ended up in the Clifton-Morenci region, working in the mines there. One day my grandfather got into an argument with a bully, who demanded my grandfather give him a cigar, and when my grandfather didn’t comply, he started a fight with him, and he lunged at my grandfather with a knife, barely missing his body. My grandfather grabbed a pool cue and hit the man over the head with it, knocking him out cold.

Clifton, Az. overlooking the river.

Fearing for his life and thinking that he killed the man, my grandfather fled south to Mexico, ending up in Zacatecas, where he worked in the silver mines.

Around 1912, my grandfather  met my grandmother, Zeferina Torres Gallegos(1895-1939), a native of the state of Zacatecas. My father said she was from Sombrerete, although others in the family thought she was from the capital of Zacatecas, also called Zacatecas, which is supposedly where they met. I recently discovered their marriage certificate:

Here’s a song about the beautiful city, Zacatecas, Zacatecas.

I’ve also recently discovered additional documentation. Zeferina’s father’s name was Blas Torres Perez. His parents were Seberiano Torres and Diega Perez. They also had other children including Dionisio, Maria, Longinas, Juana, and Nicolas. They baptized Blas on February 4, 1866 at San Matias, Pinos, Zacatecas.

La Parroquia de San Mateos, Pinos, Zacatecas, where my great great grandfather Blas Torres Perez was baptized in 1866.

Blas married Matiana Gallegos in Pinos, Zacatecas on May 10, 1884. He was 18 (b. 1866) and she was only 13. Matiana’s mother’s name was Feliciana Gallegos.

My grandmother had at least two siblings, Epigmenia Simon Torres Gallegos, and Gabina Torres, who died in infancy. Not much else is known about my grandmother’s  early life, except that she was from a Spanish family and had a sister who likely moved north to the US as some point. My hunch is that my grandmother was born in Pinos, Zacatecas, as that is where her parents married and the location of her brother Epigmenia Simon’s grave. He died on November 28, 1986 at the age of 85.

Here’s one of a handful of songs about Zacatecas.

Pinos, Zacatecas was likely my grandmother’s place of birth.

My aunt Josie tried very hard to find out more about our grandmother, even going so far as to travel to Zacatecas to find out anything she could about her. She came up with nothing, unfortunately. It didn’t help that she had the names of her grandparents wrong. My grandmothers birth certificate indicates that her parents names were Florentina Garcia and Jose Torres. Not true.

My grandmother Zeferina Diaz Torres.

 The Mexican Revolution hit Zacatecas in 1912, and my grandparents moved to San Luis Potosi where they were married at San Pedro, Cerro de San Pedro, San Luis Potosi (San Luis Potosi) on March 26, 1912. My uncle Raul Diaz was born there the following year, in 1913.

Raul Diaz’s baptism record.

In 1915, my grandfather was a payroll manager at the mine at which he worked. One early morning, he found a gun pointed in his face. It was the revolutionaries, demanding money. They took it, along with my grandmother’s wedding dress and other valuables, and left him with these words, “Que no salga el sol, Diaz”…which meant you better be gone by the time the sun comes up!

Here’s a song about the Battle of Zacatecas. My grandparents were in Mexico at the time, and this battle, the bloodiest of the Mexican Revolution, took place just west of where they lived at the time.

San Pedro, Cerro de San Pedro, San Luis Potosi, Mexico, the likely place of my grandparents wedding.

At that point, my grandparents decided to leave Mexico for good. They entered the U.S. through the El Paso port of entry in 1915.

The El Paso Port of Entry in the early 1900’s.

They soon made their way to central Arizona, a region rich in copper mining and jobs. They settled in Ray-Sonora, and lived there for several years. They were one of a handful of Spanish immigrant families living there. Two of my uncles, Valentin and Belarmino, were born in Ray. Valentin was born on March 8, 1917 and Belarmino’s date of birth was February 7, 1919.

Antonio and Zeferina Diaz with their children Raul, Valentin and Belarmino, 1919.
Ray-Sonora, Az.
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My grandparents portrait in a brand new frame, May 23, 2020. I had the original photo restored several years ago.

After a few years spent working in the mines, my grandfather fell ill with miner’s consumption, a debilitating lung condition. He left mining behind, and moved his young family to the Verde Valley  region of northern Arizona, where he started a dairy farm. My dad grew up working the fields, fishing and delivering milk to the neighboring communities. What a different life it must’ve been! For a quick, historical overview of the region, see the following description: Irrigation in the Verde Valley

The Verde Valley.

During this period, from 1920 to 1936, five more Diaz children, including my father, Alfred T. Diaz, were born and raised in and around Camp Verde. While the Great Depression made it difficult for the family, they got by somehow, even if it meant moving again and again.

1926. Camp Verde schoolchildren, including my dad Alfred and his brother Mino. Both are kneeling on the far left.
The Verde Valley region, where my father was born (Jerome) and raised.
My grandfather managed the UVX Dairy, located in Bridgeport, in the Twenties. I only recently found a photo of this milk container.
1930 Census

Meantime, in the mid to late 30’s, back in Spain, the Spanish Civil War was taking place, and the Republican forces fought some heavy battles against the nationalist fascist forces in my grandfather’s home state of Asturias. The following song, “Asturias” depicts some of the actual footage of the Spanish Civil War. I included it here primarily because the tune is so beautiful. The words are bittersweet when combined with the film footage. (For more information about what is known as the “Asturias Offensive” see this article from Wikipedia).

Around this time, my grandfather moved from the Verde Valley up to Flagstaff and then to Superior, a mining town just south of Globe, where he  went back to work in the mines. Along the way, many of his cattle died from the cold, and my dad told me once that cholera had infected other livestock, killing them all off. The Great Depression hit the family hard. One day, my father remembered that our grandfather had gone to the bank to withdraw money, only to find the doors locked and shuttered. He lost practically everything he had.

In 1938, my grandfather’s cousin, Emilio Palacios, who owned a bar in Clemenceau, Az, passed away, within a year or two after his own wife’s passing. My grandfather adopted his nine children and took care of them. Below is an article that appeared in the Arizona Republic in 1938.

The Superior mine smelter.
Superior, Az.

By this time, my grandparents had nine children of their own–Raul, Valentin, Belarmino, Alfredo, Antonio, Rafael, Josefina, Helen and Carmen. Having so many children to care for, and moving so much took its toll on my  grandmother. She contracted uterine cancer, and died shortly after the family moved to Superior. She is buried in the cemetary there.

My grandmother’s death certificate. The names of her parents were noted incorrectly, and it took many, many years to realize this. Her real parents were Blas Torres Perez and Matiana Gallegos.
my grandmother is buried in cemetery in Superior, Az. I took this photo back in the 1970s sometime.
1940 Census
Tata and some of his children, including Tony, Josie, Carmen, Helen and Alfredo.
My grandfather and his children, Superior, circa 1940.
My grandfather Antonio with some of his children, including Ralph, Josie, Helen and Carmen. I don’t know who the two smallest girls are.

My grandfather had his hands full after grandmother died. His youngest two daughters, Helen and Carmen, were well below the age of 10. As luck would have it, he met a lady named Angelita, a widow with children of her own. They decided to marry, and remained together until my grandfather died in 1954.

My grandfather and his second wife, Angelita. They were both widowed. Angelita’s first husband, Francisco Ramirez, died in 1941, and my grandmother Zeferina Torres died in 1939. Angelita and Antonio both had several children when they married in the early 1940s, so their household was packed with kids. They were together for over 12 years, until my grandfather’s death in 1954.
Nana Angie with my sister Irene. Angie was her nina. circa 1945.

In the late 40s my grandfather moved his family to Tucson. My dad says he had rented ranches in various places around town, including on Silver Lake Rd. near the Santa Cruz River, up in the Sabino Canyon area by the Rillito River, and also on the other side of town at a ranch formerly known as the Sotomayor Ranch, near River Rd and Oracle Rd.

1950 Census
Nana Angie with one of the family cows.
Aunt Helen and the kids on the ranch
My sister Becky and brothers Charles and Rudy at Tata’s ranch, around 1951-52.
Nana Angie, my brother Charles, and my Mom, taking a break…

My four oldest brothers and sisters grew up going to the ranch with my mom and dad on the weekends. Mom loved being there and used to tell us how much she enjoyed spending time with our Nana Angie and our Tata, making tortillas outside, cooking food and sleeping under the stars at night. She would also love to tell us how our Tata would get my brother Carlos to help him milk the cows, and that he sometimes he would squirt milk straight from the cow right into his mouth. Becky says that Tata would get a little tipsy sometimes and get up on a table and dance flamenco, and he would point at all his grandchildren, saying to them, “ustedes son Espanoles!” My sister Irene also fondly recalls our Tata driving her back and forth to school at St. Peter and Paul Elementary school when she was a little girl. He would also sell vegetables that he bought at a discount from the local grocery chains to the people in the poorer sections of town more often than not giving it away to those who could not afford it. He was quite a guy. My brothers and sisters all spoke fluent Spanish as kids. I’m sure he had a lot to do with it. Wish I had known him. I was five years too late!

My father, Alfredo Diaz, at the ranch.
My mom Josephine with my grandfather in the early 50s.
The Arizona Daily Star, October 20, 1953. Selling off the last of the livestock. The move to the house on Riverview was about to happen.

My grandfather  moved one last time to a house just north of Speedway on Riverview. He spent his last days there, and died on December 8, 1954. He was 69 years old. He’s buried in Superior, next to his wife Zeferina.

My grandfather’s obituary, Arizona Daily Star, December 10, 1954
The children of Antonio and Zeferina Diaz, circa 1961. Top row: Valentin, Carmen, Helen, Josephine, Raul. Seated: Alfredo, Rafael, Antonio Jr., and Belarmino.
The next generation of Diaz family members at a gathering in Superior in the mid-70s.
Nana Angie lived a long time. She never left the house on Riverview.

Gospel music

Here are some great gospel tunes. Enjoy!

Alex Bradford and Marion Williams: Take Me To the Water

Alex Bradford: Too Close to Heaven

Alex Bradford and the Bradford Singers: Close to Thee

The Caravans: None But the Righteous (different version of “Take me to the Water”)

The Caravans: Where Is Your Faith In God

The Five Blind Boys of Mississippi: Sending Up My Timber

Aretha Franklin: Climbing Higher Mountains

Mike Jemison, Yolanda Adams and Shirley Caesar: Oh Happy Day/How I Got Over

Dottie Peoples: Little Wooden Church

The Meditation Singers: Jesus Be A Fence

We’ll see how long this stays up…It’s the full movie titled “Amazing Grace”, recorded in 1972 and released in 2019.

Here’s another Aretha gospel tune that I just found (2/3/25).

It’s Time for a Dance Party on the Chicano Connection (02/12/20)

Listen to part one of last night’s show here.

Playlist for Part One:

Rufus with Chaka Khan/Dance Wit Me–Aretha Franklin/What a Fool Believes–Grace Jones/I’m Not Perfect (But I’m Perfect For you)–The Weather Girls/It’s Raining Men–The Pointer Sisters/I’m so Excited–Wham/Wake Me Up (Before You Go Go)–Madonna/Like a Prayer-Natalie Cole/This Will Be (An Everlasting Love)–Lipps, Inc./Funky Town–Cher/Take Me Home–Alicia Bridges/I Love the Nightlife–Deniece Williams/Let’s Hear It For the Boy (partial)

Listen to part two of last night’s show here.

Playlist for Part Two:

Deniece Williams/Let’s Hear It For the Boy(partial)–Aretha Franklin/Who’s Zoomin’ Who?–Whitney Houston/How Will I Know?–Gladys Knight/Love Overboard–Chaka Khan/I Feel For You–Darlene Love/He’s Sure the Man I Love–The Staple Singers/I’ll Take You There–Madonna/Holiday–Natalie Cole/Pink Cadillac–Etta James/Jump Into My Fire–Grace Jones/Pull Up to the Bumper Baby–Labelle/Lady Marmalade–Aretha Franklin/Deeper Love

I didn’t know what the heck I was going to feature on the program yesterday. I’ve been so focused on getting my website updated that I haven’t had much time to pay attention to birthdays or holidays etc. When I finally sat down to start preparing it, it occurred to me that I needed a good workout, as I haven’t been exercising regularly lately, and I thought about doing an oldies show, but for some reason, I decided on featuring 70’s and 80’s dance music. I started by looking at Aretha Franklin’s music from the 80s. I wanted to hear songs that had a strong dance beat, so I decided on stuff like “What a Fool Believes”, “Who’s Zoomin’ Who?” and “Deeper Love.”, all three of which I played last night. I actually had six of her songs in mind, but once I got started pulling other material, I ended up playing just three of them.

Because I wanted the show to be a dance show, I decided to open it with an invitation, and played “Dance Wit Me” by Rufus and Chaka Khan. I then played Aretha’s version of “What A Fool Believes” and Grace Jones song, “I’m Not Perfect, But I’m Perfect for you”. From there, I did my usual introduction and let folks know that the evening was going to be nothing but dance music by women, and proceeded with “It’s Raining Men” by the Weather Girls. I also played Madonna’s song “Like A Prayer” , Lipps, Inc. tune “Funky Town”,and other stuff. One of my boo boos included playing the song “Wake Me Up, Before You Go Go”, by Wham. I miscued the darned song, thinking I was going to play the Deneice Williams’ tune, “Let’s Hear It for the Boy”. I ended up joking about George Michael sneaking in and being one of the girls… oh well. I played the song by Williams later in the program.

The show proceeded without too many other boo boos, but one other big one occurred when, to my horror, Cher’s song, “Take Me Home”, started, rather than “I Love the Nightlife” by Alicia Bridges. Another miscue. Damn, that was the very first time I’ve ever played Cher. I think she’s tacky, stuck up and rude, and I don’t like her. I’ve never played her and never will again. I cut that song short, as a result, and segued into the Alicia Bridges song.

Other than those two miscues, everything else turned out fine. I included stuff by Whitney Houston, The Staple Singers, Labelle, Gladys Knight and others. I had a blast and danced my ass off for two whole hours. I’m now very sore, but I needed a good workout. I hope folks enjoyed the music!

I have no idea what I’ll be playing next week. That’s what makes this all so much fun!

The Role of Women in the Mexican Revolution as Portrayed Through the Corrido / Program, November 18, 2010

For the second program I coordinated, I invited UA professors Celestino Fernandez and Raquel Rubio-Goldsmith to speak about the role of women in the Mexican Revolution as portrayed through the corrido. We also had music that evening (corridos!), featuring Justin Enriquez and Juan Aguilar, of the group “Los Cuatro Vientos” who were joined by two additonal musicians from the restaurant, La Fuente. It was a night to remember!

Dr. Raquel Rubio-Goldsmith
Dr. Celestino Fernandez

From the news release: “Raquel Rubio Goldsmith, historian and lecturer in the UA Department of Mexican American and Raza Studies, will discuss the significant role women played during the Mexican Revolution. Celestino Fernandez, Professor, UA Department of Sociology, will discuss the corrido as a popular song form and its importance in communicating values, issues and ideas during the Revolution and into the present. The presentations will be illustrated by a performance from the local musical quartet Los Cuatro Vientos”.

The program was videotaped and is available for viewing below. It is divided into 8 separate sections. My thanks to Antonio Arroyo for filming it.

Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7
Part 8
La Adelita, probably the most famous of all the corridos of the Revolution.

Several years later, in 2016, I presented a lecture on the corrido Mexicano in Special Collections. It was titled, “What’s to Know about corridos anyway? I included it in my blog back then. It includes references for further reading and a number of corridos performed by some of Mexico’s best singers. Enjoy!

Happy Birthday, Tio Eddie (02/08/26-07/08/97)

My mom’s brother Eduardo Rascon was born on February 8, 1926 in Superior, Arizona. He was the second of five children born to Josefa Ortega and Donato Rascon.

Uncle Eddie’s birth certificate

At one point, I had a photo of him as an adult. It was taken at my mom’s house and in the photo with him was my aunt Dora. I loaned the photo to my tio Donato, and unfortunately he never gave it back, so the only photos I have to share are ones from his childhood.

Uncle Eddie and his siblings. He’s the one seated in the middle. The other children are Dora on his left, my mom Josefina standing above him, and his brother Donato on the right. Tia Mary was either too young or not yet born when this photo was taken.
Image may contain: 36 people
Uncle Eddie in grammar school in Superior Arizona. He is in the second row from the bottom and the fourth boy from the left in that row. This photo was probably taken in 1931-32.
Uncle Eddie and my mom at their first holy communion in Superior Az, mid-30s.

Uncle Eddie had his share of troubles. When he was young, he had a few run-ins with the law and was put in jail for having, along with another young guy, stolen someone’s car. He was called up to serve in the military in the mid-40s, although I’m not sure in which branch he served, or even if he actually did serve. The article below is from the December 3, 1948 edition of the Arizona Daily Star. Uncle Eddie’s name is included in the list of young men from Tucson who were called in for a pre-induction physical.

In 1958, Uncle Eddie married Maria Luisa Canez (Mary Lou) when he was 32 and she was 30, and they had two children. A son named Ruben died in infancy and another, Eduardo Jr., is my age and lives in Tucson, if I’m not mistaken, but I haven’t seen him in many years. The family used to live way out in Flowing Wells, and they had a gorgeous antique buffet, that my grandmother held onto for the longest time. It’s funny how one remembers these things…

My tios divorced in 1970 and Uncle Eddie lived alone for a long time in a trailer in South Tucson. He was a gardener for the University of Arizona. I distinctly remember him raking the grounds outside the Social Sciences building while I was in class one year. I was always happy to see him and I made sure to say hello whenever I ran into him on campus. I remember that my mom was very fond of him too.

Uncle Eddie died on July 8, 1997 and is buried at the Holy Hope Cemetery in Tucson.

Happy Birthday, Tio Mino!

Today, February 7, 2020, is my late uncle Belarmino Diaz’s 101st birthday. (02/07/1919-06/16/2005). He was born in 1919 in Ray, Arizona if I’m not mistaken (could’ve been somewhere in the Verde Valley), and was closest in age to my dad, who was born the following year in Jerome, Az.

Camp Verde, Az, schoolchildren, mid 1920s. Uncle Mino is in the bottom row in the middle. My father, Alfredo is to his left.
My dad’s family, Superior, Az. (late 30s or early 40s). Uncle Mino is in the back, between my Uncle Raul and my dad.
Uncle Mino is third fom the left, flanked by my father Alfredo and my uncle Val. A cousin named Serino is on the far left. This photo was likely taken in the early 1940s in Superior, Az.

I remember my uncle well, although I never spent a lot of time around him, at least not as much as my other uncles. He was probably the quietest of all the siblings in my dad’s family. He was a World War II veteran and served in the US Army. He and his wife Eva, whom he married in 1944, settled in Phoenix and lived there the rest of their lives.

Uncle Mino and his wife Eva Delgado.

They had three children, Belarmino Jr., James, and Helen. At the time of my aunt’s death in 2003, they also had 7 grandchildren and 5 great grandchildren.

The only times I ever saw Tio Mino and his family were when we had big family gatherings in Superior, Oracle or Tucson. The above photo was taken in 2007 at one such gathering, our second family reunion. Below is a photo of another such event, back in the early 60s in Superior. Uncle Mino is seated on the far right.

At a family gathering in Superior, early 60s.
Uncle Mino is in the middle. He’s wearing glasses. This was taken in the 1970s sometime.
Uncle Mino and Aunt Eva
At the Diaz Family Reunion, 1993
Tia Eva’s obituary

My cousin Helen Molina, tio Mino’s daughter, wrote a beautiful tribute to her dad and mom in the book “Diaz Family, Spain to America: A Story of An American Family”. (It’s available for sale at lulu.com). She shares a lot of details about my tio that are quite interesting, including the fact that he was a male nurse in the Army and that he sailed home from Europe on the Queen Mary after the war.

Tio Mino’s Obituary, Arizona Republic, June 22, 2005
Some of my uncle Mino’s children and grandchilren. Helen is seated in the middle and Jimmy is to her right. At the Diaz Familly Reunion, 2007

I sure miss my tios and my dad. These family gatherings were some of the happiest times of my childhood. Aunt Helen and Carmen are still with us. The rest have all passed, but their memory lives on! Que viva la Famila Diaz de Supirio, Arizona!

Architectural Collections at the University of Arizona Libraries

Introduction:

You may be wondering, oh boy, what’s he up to now? Why architecture? Let me explain…In 2011, I was transferred from the Fine Arts Library to Special Collections at the University of Arizona Libraries. I have done a variety of work while there, including managing the department’s exhibits and events programming and curating exhibits. While that work was extremely rewarding and I had a great time creating some fun exhibits and programs, in 2019, my duties changed. I now serve as curator for the Library’s performing arts and architectural collections and I manage reference service for the department. My passion for local history and love of local architecture help fuel my desire to learn all I can about the topic, particularly about the various architects who have worked in Tucson and Arizona. My intention with this posting is to introduce folks to the collections housed in Special Collections and to promote use of these collections among students, scholars and the general public.

THE ARIZONA ARCHITECTURAL ARCHIVES

The University of Arizona has had an architecture degree program in place since at least the 1960s and for a time, the School of Architecture had its own departmental library. However, over the years, because of decreased state funding, budgets for things like departmental libraries have shrunk to the point that collections and services have been consolidated where possible and facilities such as the Architecture Library have been closed. The College of Architecture’s library closed in the mid-2000s and the bulk of its collections were absorbed by the University Libraries.

The majority of the architecture-related holdings housed in Special Collections at the University of Arizona come from a collection called the “Arizona Architectural Archives”. This collection was started in 1976 at the College of Architecture Library and its purpose was “to provide documentation of the architecturally significant structures in Arizona, and of the architects and builders who have played a significant role in their field in the state”.

(Gresham, 1982. “Collections of Drawings and other records related to the buildings and the practice of architecture in Arizona”. Arizona Architectural Archives).

Initially, the collection included works by the following architects:

Place and Place (1918-1967) 88 projects are represented, most of which were completed before 1955. Roy Place  is credited with creating the “style” of the UA campus. Many of the early campus structures were built by his firm, which at the time was called Lyman and Place. John B. Lyman, who had moved to Tucson in 1917 partnered with Roy Place to build the Mines and Engineering Building, the Steward Observatory, the University Library (now the Arizona State Museum) and the Memorial Fountain, among other structures on the UA campus. After Lyman left the firm in 1924, Roy Place continued building on campus and his son joined him as a partner in 1940. Place also designed the Pima County Courthouse, Mansfeld Jr. High, the Arizona School for the Deaf and Blind,  and the Pioneer Hotel. He died in 1950 and his son Lew continued the work of the firm until 1976. The collection of drawings by Roy Place and his associates was donated by Lew Place in 1976. 

Pima County Courthouse, Roy Place, 1928.

Henry O. Jaastad A Norwegian born in 1872,  Jaastad immigrated to the US in 1886. He moved to Tucson in 1902 and worked as a cabinet maker and carpenter. He also studied electrical engineering at the University of Arizona. He became an architect in 1908 and designed mainly residential buildings. He was a member of the Tucson City Council and also mayor from 1933 to 1947. He expanded his architectural practice over the years and built churches, schools and hospital buildings as well as other buildings for public use. He died in 1965 at the age of 93. Public buildings built by Jaastad include Roskruge Jr. High, Drachmann School, the Southern Arizona Bank, and the YWCA buildings.  Nearly 300 projects were completed. Annie Graham Rockfellow worked for him as the lead designer for the firm but never received proper credit for her work.

Henry O. Jaastad

Annie Graham Rockfellow
Annie Graham Rockfellow
El Conquistador Hotel
El Conquistador Hotel, 1928. Annie Rockfellow, designer.

D. Burr DuBois 1901-1979. DuBois graduated from the School of Architecture at the University of Michigan and moved to Tucson in 1926. He worked for a number of different architects including Henry O. Jaastad and James MacMillan, but always did his own work as well. He built the Himmel branch of the Tucson Public Library and was responsible for several additons to various University of Arizona buildings, including the Student Union Memorial building. His collection includes 570 drawings and five boxes of records and cover the time period, 1937-1968.

Apache Santa Cruz Hall, D. Burr DuBois, 1957.

Russell Hastings  1909-1979. Hastings moved to Tucson in 1931 to study archaeology but didn’t stay long, but he returned in 1939. By 1950 he had become a registered architect with the State of Arizona and he designed residential  buildings, schools and other dwellings. These include the Adair Funeral Home, the Immaculate Heart Academy, Magee Jr. High, two A & W restaurants and many residential dwellings. The collection includes 110 projects and over 1000 drawings done between 1950-1978. 

Adair Funeral Home

Over time, since the closing of the School of Architecture Library, the Arizona Architectural Archives collection was moved to a variety of locations. The University of Arizona Libraries acquired the bulk of the collection in 2011, although some of it now resides at the Tucson division of the Arizona Historical society. (See library_Architectural-Drawing.pdf)

While inventories of the collections that are housed in Special Collections exist, they are not yet publicly available. However, they can be searched and viewed with assistance and advance notice. You can reach me at jrdiaz@email.arizona.edu or contact Special Collecions at: askspcoll@email.arizona.edu and I or one of my colleagues will be more than happy to help you.

NEW ADDITIONS:

The following collections are available to the public, and, with the exception of the Joesler drawings noted below, have finding aids that are available in Arizona Archives Online. They include:

Judith Chafee Papers MS 606: This collection includes a variety of materials pertaining to the life and work of architect Judith Chafee. The majority of the collection are project files and architectural plans corresponding to Chafee’s award winning designs, but it also includes photographs, artwork, poetry, publications, office documents, and teaching files from Chafee’s time as an architecture professor. A brand new book about Judith Chafee, titled Powerhouse: The Life and Work of Judith Chafee, written by Kathryn McGuire and Christopher Domin, is now available. A companion exhibit is also available for viewing at the School of Architecture.

Judith Chafee
Judith Chafee
Judith Chafee, The Ramada House, 1975.
Biographical profile of Judith Chafee produced by KUAT Television

Thomas Gist papers, 1918-2000 MS 655 “This collection consists of the personal and professional papers and drawings of Tucson architect, Tom Gist (1918-2000). His unique design and building style made his homes an important part of Tucson’s Historical Districts. The bulk of the material relate to his work as an architect and include his drawings, plans, contracts, and other important information pertaining to his work. The rest of the collection stems from his personal life and contains various awards, degrees, photos, scrapbooks, and journals including his work with the Tucson National History club.” (from the finding aid)

Thomas Gist and his wife
A Tom Gist home.

John W. Murphey records 1919-1972 (bulk 1920-1950)  MS 603 Along with Leo B. Keith and Helen Geyer Murphey , his wife, John W. Murphey  owned and operated a number of commercial ventures in Southern Arizona beginning in the 1920s. In 1928 the John W. Murphey  and Leo B. Keith Building Company was incorporated and Josias Joesler was hired as the firm’s architect. Fourteen years later, in 1942, the company was re-organized as the Murphey  and Keith partnership, at which time Josias Joesler sold his shares. Into the 1950s, Murphey and his associates constructed homes, performed renovations, sold property, and leased houses in the Tucson area. Large projects include whites-only housing developments such as the Catalina Foothills Estates and Broadway Village, commercial spaces at Broadway Village and St. Phillips Plaza, the Hacienda Del Sol hotel, and the El Conquistador hotel. After Joesler’s death in 1956, Murphey  began working with architects Blanton and Cole.

Josias Joesler: Born in Switzerland in 1895, Joesler was educated in various places throughout Europe. He moved to Los Angeles in 1926, and shortly thereafter met John and Helen Murphey. After settling in Tucson in 1927, Joesler worked with John Murphey for thirty years, until his death in 1956. Joesler designed over 400 projects, including commercial buildings, churches and residences. St. Phillips Plaza and St. Phillips in The Hills are among his many works that showcase his love for the Spanish neo-colonial style of architecture. Today, his Tucson homes are highly sought out and they command a hefty price. For more information see: Josias Joesler | Through Our Parents’ Eyes.

Josias Joesler
Broadway Village. Josias Joesler, architect.

The Joesler Collection of Architectural Drawings is available for viewing in Special Collections. Digital versions of these drawings are also available online at: https://content.library.arizona.edu/digital/collection/Joesler

Drawing by Josias Joesler

Backlog: Much of the material contained in the Library’s architectural collections has yet to be fully processed. Among these are:

  • Architecture One office files
  • Aros and Goldblatt office records and drawings
  • Atkinson drawings
  • Cain, Nelson and Wares office files and drawings
  • Cole drawings
  • Gourley office files and drawings
  • Green, Ellery office files and drawings
  • Hall drawings
  • Hockings  drawings
  • Lockard, Kirby drawings
  • Luepke, Gordon drawings
  • Sakellar, Nicholas office files and drawings
  • Wilde, Willam office files and drawings
  • Zube office files

While the above collections constitute the bulk of our backlog, there is more material available. If you have any questions or would like to find out more about our collections, please contact me at jrdiaz@email.arizona.edu.

Work is underway to acquire a handful of additional collections, but given that architectural drawings take up a lot of space, time will tell how much more material the Library will be able to accomodate as it is running out of storage space.

If you are interested in doing research in the areas of architecture, planning or landscape architecture , see the following subject guide. You may also contact me or my colleague Rachel Castro, (castro2@email.arizona.edu ), who is the departmental liaison for the College of Architecture, Planning and Landscape Architecture at the University of Arizona Libraries.