Daily Archives: February 24, 2020

Judith Chafee: Iconoclast /Exhibition (2018)

Exhibit curated by Bob Diaz, Special Collections, The University of Arizona Libraries

Promotional material designed by Marty Taylor, University of Arizona Libraries

Monday, January 22, 2018 – 9:00am to Friday, July 6, 2018 – 6:00pm

Special Collections

The University of Arizona Libraries

Introduction:

Putting this exhibit together was a labor of love. I started out knowing very little about local architect, Judith Chafee, but learned a great deal from organizing her papers, which are housed in Special Collections, and working with her assistant, Kathryn McGuire a local architect and co-author of the book, “Powerhouse: The Life and Work of Architect Judith Chafee. As I poured over her work looking for material to include in the exhibition, I came to the realization that Chafee was an artistic genius, well ahead of her time. She was the first woman to graduate from Yale’s architecture program. She finished at the  top of her class, and won prestigious awards along the way. A highlight of the whole experience for me was meeting Chafee’s daughter and granddaughter, who made a special trip to Tucson to see the exhibition. They were very impressed by it. It made me feel just great knowing that they liked it. All that work I had put into this project paid off! Attendance at both of the events that were held in conjunction with the exhibit was beyond my expectations, and both were very well received. This exhibition was one of my favorites.

From the UA News Service:

A remarkable American architect, Judith Chafee was a true trailblazer, both as an architect par excellence, and as a woman in a male-dominated profession. She is celebrated as a visionary modernist whose structures harmoniously blend with their host environments.

This exhibit highlights key events and projects from her life and work. Materials will include photographs, drawings, artwork and more. 

A sample exhibit section
Judith Chafee with one of her many pets
“The Architect: Judith Chafee”, story by KUAZ, available for viewing in the exhibit lobby..

For more information see:

“Judith Chafee: Geographical Powers”. January 23, 2018. Program held in conjunction with the above exhibit.

“Judith Chafee: Breaking Barriers in a Man’s World”. March 13, 2018. Program held in conjunction with the above exhibit.

The Judith Chafee Papers Page–Special Collections, The University of Arizona Libraries

The Judith Chafee Papers Collection Guide

Powerhouse: The LIfe and Work of Judith Chafee

Christopher Domin and Kathryn McGuire, authors

“Powerhouse is the first book on the singular life and career of American architect Judith Chafee (1932-1998). Chafee was an unrepentant modernist on the forefront of sustainable design. Her architecture shows great sensitivity to place, especially the desert landscapes of Arizona. Chafee was also a social justice advocate and a highly respected woman in a male-dominated profession. After graduating from the Yale University Architecture School, where her advisor was Paul Rudolph, she went on to work in the offices of legends including Rudolph, Walter Gropius, Eero Saarinen, and Edward Larrabee Barnes. In addition to her architectural legacy, her decades of teaching helped shape a generation of architects. Chafee’s drawings and archival images of her work are complemented by stunning photography by Ezra Stoller and Bill Timmerman”. –from the Princeton Architectural Press site.

It was very nice of Kathy McGuire to mention me in the acknowledgements section (see below) of the book. I learned a great deal from her during our visits, and without her guidance the exhibition would not have been as informative and interesting as it turned out to be.

1968 in America / Exhibition (September 4, 2018-December 7, 2018)

Exhibit banner and poster designed by Marty Taylor, UA Libraries.

My most recent and last exhibit for Special Collections was a look back at 1968, 50 years later. I was only 9 years old at the time, but remember the era vividly. I had a brother in Vietnam, and two of my siblings were in California enjoying themselves in San Francisco, along with thousands of other young people. I spent the year collecting baseball cards and playing flag football with the other kids in the neighborhood. The assasinations of Martin Luther King, Jr. and Bobby Kennedy didn’t impact me that much, as I was not old enough to understand what was happening in the larger world. The music I listened to was usually the popular stuff one heard on the radio, and the Beatles, of course. Doing this exhibit brought back a lot of memories. It also impressed upon me that it was an amazing time, with so much going on, culturally, musically, and politically.

September 4, 2018-December 7, 2018,

Special Collections, The University of Arizona Libraries

From the UA News Service:

One of the most volatile years in the history of the United States was 1968. The Tet Offensive escalated the war in Vietnam, we lost two monumental leaders – Martin Luther King Jr. and Robert F. Kennedy – to assassination, and riots broke out across the nation. As students protested the war, popular music became a powerful voice for their generation. At the same time, the civil rights and Black Power movements inspired environmentalists, women, Chicanos, Native Americans and the gay and lesbian community to add their voices to the discourse.

This exhibit showcases a variety of materials from University Libraries’ Special Collections. Explore hidden treasures highlighting politics, news, art, literature and culture from 50 years ago – including underground press publications, sports and music memorabilia and photographs from the University of Arizona.

I found a bunch of “psychedelic”, 60s style handkerchiefs that I used for the exhibit cases.
60s memorabilia from a private collection.
More 60s memorabilia. Collection courtesy of Bob Diaz.
This section of the exhibit provided a chronological look at local, national and world events that happened in 1968.
A poster from the Tom Miller collectoin. The Yippees played a prominent role in the youth movement of the 60s.
A scene from Aengus Anderson’s short film on 1968 in America. Morgan Maxwell Jr. is on the far right side just to the left of the police officer.
Video program that accompanies the exhibit, created by Aengus Anderson.
Another scene from Aengus Anderson’s film.
A list of Arizona casualties of the Vietnam War in 1968. From the Arizona Daily Star Index.
Members of a student athlete leadership club visiting the exhibit