Monthly Archives: March 2020

Si Se Puede!: Celebrating Cesar Chavez Day on KXCI (03/31/14)

Today is Cesar Chavez Day in Tucson. I used to do a radio show on KXCI every year in Chavez’s honor, and I was lucky that I found the following one from 2014 so that I could share it with you today. I dedicate this to my brother Richard Elias, who was a fierce union supporter. He showed up to every single Cesar Chavez day march and rally in Tucson, from the first to the last.

The following three hour program, a special edition of “The Home Stretch”, is divided into three sections below. I didn’t add the playlists this time around, but the songs are all announced during the show.

Part One

Part Two

Part Three

In Memory of Richard Elias, 1958-2020.

Martin Luther King Jr: A celebration of his Birthday on the Chicano Connection/(01-15-2020)

I have to admit it feels weird not doing radio these days, but I am glad I have my old shows. I thought I’d share this year’s Martin Luther King Jr. birthday show, in case anyone is in need of hearing songs about freedom and justice. Included are many uplifting tunes and some classics from the Sixties about the struggle for freedom and justice.

Part one

Songs included in part one:

Happy Birthday/Stevie Wonder–Woke Up This Morning/Sweet Honey in the Rock–(If You Miss Me At the Back of the Bus)(Ain’t Scared of Your Jail)(Oh Freedom)/Pete Seeger–It Isn’t Nice/Judy Collins–Dog, Dog/The Freedom Singers–A Change Is Gonna Come/Aretha Franklin–Go Limp/Nina Simone–Masters of War/Bob Dylan–The Beatitudes/Sweet Honey in The Rock–Blowin’ In The Wind/Peter, Paul and Mary–Pride (In The Name Of Love)/The Persuasions-(It’s A Hard Life)(Abraham, Martin and John)/Emmylou Harris

Part Two

Songs included in part two:

(It’s A Hard Life)(Abraham, Martin and John)/EmmyLou Harris–I’m On My Way to Freedomland/Sweet Honey in the Rock–People Get Ready/The Impressions–Pack Up Your Sorrows/Judy Collins–Go Tell It On The Mountain/Fanny Lou Hamer–Keep Your Eyes on the Prize/Pete Seeger–If I Had A Hammer/Barbara Dane–Mississippi Goddamn/Nina Simone–The Lonesome Death of Hattie Carroll/Bob Dylan–This Little Light of Mine/Sweet Honey in the Rock–We Shall Overcome/Joan Baez–Get On Board, Children Children/Willie Peacock–Carry It On/Judy Collins–Peace/Sweet Honey in the Rock

Philadelphia Trip,2014

I’ve been to Philadelphia several times over the years. My last trip there was for this ALA Midwinter 2014 conference. My partner Ruben and I flew out together. At the time, I was a member of ALA Council and president of the local REFORMA chapter, so I had meetings to attend and other committee obligations, but we found time to venture out and explore the city. We also saw our friends Ricardo, Tracy, Karen and Alex and had a very nice time with them going out to dinner and sightseeing. We stayed at the Doubletree on Broad Street and our room was on one of the upper floors. It had a decent view too. Once the conference ended, Ruben and I took a train up to Montreal for vacation. We went from Philadelphia to New York City, then up to Albany where we took another train to Montreal. I’ll post photos and write more about that leg of our trip later. The attached photos include postcards and other ephemera, photos I took and photos I found on the internet. Overall, this part of our trip was a lot of fun!

The Philadelphia Convention Center, where ALA was held.
We stayed at the Doubletree on Broad Street. Ruben didn’t like it. I did.
I thought we had a great view.
It wasn’t bad at all.
Another view from our room.
This is my favorite place in Philadelphia It’s called the Reading Terminal and It’s jam packed with places to eat, fresh produce and meat counters and lots of people all the time. One must be careful when going, however. Our friend Alex had her wallet snatched by a couple of scam artists. It put a damper on her trip, that’s for sure.
Ruben and I ate an Amish breakfast here one morning. We had scrapple with eggs. It’s an acquired taste. Kind of like meatless Spam but not as salty.
My two partners in crime, Ricardo and Tracy, were at this conference too.
Ruben and I had dinner here with Ricardo and Tracy. The Perch Pub has since closed, I believe.
The Bike Stop is gay men’s bar, but Tracy came with me and Ricardo anyway. She was the only female in the place. She’s an adventurous one, that’s for sure! Ruben stayed in the room at the hotel.
We decided to venture out and go sightseeing. It had just snowed overnight and it was freezing.
I don’t do well in this weather. Ruben loves it.
This place was full of tourists from other countries. American tourists didn’t venture out on this particular day, it seems.
It was colder than it looks.
Benjamin Franklin’s gravestone. The cemetery was closed, so I had to take this photo through the fence.
We toured this place. It was nice, with a lot of very old furnishings.
Betsy Ross’s grave.
Chinatown is right next to the Convention Center and the Reading Terminal. There are many fine restaurants. Unfortunately, we ended up at one that wasn’t all that fine. Oh well.
My friends Karen and Alex came with us to dinner.
The jacket and hat were nice and warm. It was freezing. Karen, who lives in Michigan felt right at home. Not me.
Ruben and I made it over to this gay bookstore. It was going to close for good and we were lucky to go.
After the conference, Ruben and I took a train up to Montreal. This is the train station in Philadelphia.
The interior of the train station.

Dallas Trip, 2012

The very first American Library Association annual conference that I ever attended was held in Dallas back in 1989. It was not a pleasant experience. It was the middle of summer, and very hot and humid. My hotel was miles away from the convention center too. Getting around was a big drag, and the wait to catch the bus to where the action was at the various hotels and the convention center downtown took forever. Subsequent trips, in 2006 and 2012, as I recall, were much more pleasant, however. This particular ALA gathering, Midwinter, 2012, was a lot of fun, mostly because I got to spend time with two wonderful friends, Ricardo Andrade, and Tracy Stout. Our hotel was smack dab in the middle of downtown, and there was lots to do. We walked over to Pioneer Plaza one day and had a blast taking photos with the cattle drive sculptures, and then later we went to a reception sponsored by Elsevier, one of the big library vendors. My friend Tracy has a video of me riding the mechanical bull and falling off of it. I’ve linked it in case you want to see me make a fool of myself. Ricardo is one of my best friends, and I miss him very much. I haven’t seen him in a while. He used to work in Tucson at the U of A Library, but has since moved on to other jobs in Chicago (University of Chicago) and New York where he currently works at the Columbia University Medical Library. Tracy is a former Knowledge River (UA Library School) student, and a dear friend who lives in Missouri, where she works as an academic librarian at Missouri State University. We’ve spent time together at various conferences over the years– New Orleans, Philadelphia and Dallas, and each time we’ve had some pretty wild adventures, but it’s been a while. I hope to see them again one day soon!

Pioneer Plaza Cattle Drive Sculptures
My buddy Ricardo.
Tracy Stout, librarian extraordinaire and the most gorgeous woman you’v’e ever met
Moi
I call him my baby boy, or El Sticky Ricky, depending on the situation…
Bob riding the bull (links to an external video of Bob making a fool of himself),

Happy Birthday, Uncle Val!

Today is my Uncle Val’s birthday. He was born on March 11, 1917 in Sonora, Arizona on this day back in 1917. He moved from Superior Az to California in the 1940s with his wife Vera, and he lived there with her until his death in 1998. I remember we took a family vacation back in 1966 and visited him and Uncle Failo and their families. He and my dad got along very well and were always glad to see eachother. I took my dad to visit again in 1982. Uncle Val and Aunt Vera would come to our family gatherings all the time too. He sure was a character! Many of the photos and the stories below were borrowed from my Aunt Josie’s book on the Diaz Family.

This photo was taken in 1966 in Culver City. On the far left are Aurelio and his wife Bisi, Aunt Vera’s sister. Next are my mom and dad, and on the right are my Uncle Val and Aunt Vera.
Aunt Vera and Uncle Val.
Uncle Val, some time in the 1970s.
Uncle Val’s family at our family reunion in Tucson in 1993
Uncle Val’s family at the next reunion in 2007. Seated on the far right is my cousin Natalie, who just won the 2021 Pulitzer Prize for Poetry.
This was taken in 1977 at my brother Fred’s wedding.

Those Oldies But Goodies: My very last radio show on KXCI (02/26/20)

I just figured out how to post my old Chicano Connection radio shows on to this site.

Here’s the last one I did on February 26, 2020. It’s an oldies but goodies show.

NEWS FLASH: That’s it. I’m done, y’all. After all these years, I have decided to hang up my headphones for good. It’s been fun! Thanks for listening!

Click here to hear the first hour of the February 26, 2020 edition of the Chicano Connection (8 to 9pm)

Here’s the playlist:

Fats Domino/Hello Josephine–Connie Francis/My Happiness–The Flamingos/A Kiss From Your Lips–Danny and the Juniors/At The Hop–LaVern Baker/Bop-Ting-A-Ling–Frankie Lymon and the Teenagers/Paper Castles–Shirley Gunter and the Queens/Oop Shoop–The Champs/Tequila–Little RIchard/Long Tall Sally–The Heartbeats/A Thousand Miles Away–Dee Dee Sharp/Your Precious Love–The Miracles/Bad Girl–Bill Haley and the Comets/Rock Around the Clock–The Bobbettes/Mr. Lee–Jackie Wilson/Reet Petite–The Duprees/You Belong To Me–The Teddy Bears/To Know Him Is To Love Him–The Everly Brothers/All I Have To Do is Dream–Gene Chandler/The Duke of Earl–The Blossoms/He’s A Rebel–The Drifters/Under the Boardwalk–Little Eva/The Locomotion(partial)

Click here to hear the second hour of the February 26 edition of the Chicano Connection (9 to 10pm)

Here’s the playlist:

Little Eva/The Locomotion (partial)–Chubby Checker/The Twist–Dee Dee Sharp/The Mashed Potato–Little Willie John/Let Them Talk–Santo and Johnny/Sleepwalk–The Chantels/The Plea–Bobby Lewis/Tossin’ and Turnin’–Big Maybelle/A Little Bird(Told Me That You Loved Me)–Gary U.S. Bonds/Quarter to Three–Jewel Akens/The Birds and the Bees–Betty Everett/The Shoop Shoop Song (It’s In HIs Kiss)–Major Lance/Land of 1,000 Dances–Fats Domino/Let The Four Winds Blow–The Shirelles/Mama Said–Joe Jones/You Talk Too Much–The Rays/Silhouettes–The Chantels/Look In My Eyes–The Five Satins/In The Still of the Night–Chuck Berry/Roll Over Beethoven–Carl Perkins/Blue Suede Shoes–Jerry Lee Lewis/Great Balls of Fire–The Casinos/Then You Can Tell Me Goodbye–The Little Darlings/A Little Bit of Soul.

Celebrating Excellence: Women in Anthropology / Exhibition, March 9-August 27, 2015 (Main Library)

A new exhibit at the Main Library celebrates two great occasions – the centennial anniversary of the UA School of Anthropology and Women’s History Month – by exploring the seminal work, impact and achievements of women in the field of anthropology. Through biographical profiles, photographs, studies and monographs covering gender, race and  feminism in anthropology, “Celebrating Excellence: Women in Anthropology” highlights the contributions of seven influential American female anthropologists.

Covering the 20th century to present day, the exhibit features the work of:

-Ruth Underhill (1883-1984), known for her many publications that dispelled myths about Native American culture

-Ruth Benedict (1887-1948), an anthropologist and folklorist known for studies of the relationships between personality, art, language and culture. Benedict was also the second female president of the American Anthropological Association

-Gladys Reichard (1893-1955), a cultural and linguistic anthropologist best known for her studies of Navajo language and culture

-Hortense Powdermaker (1896-1970), best known for her ethnographic studies of African Americans in rural America

-Margaret Mead (1901-1978), a cultural anthropologist who tackled controversial social issues and became a frequent speaker and lecturer in 1960s and 1970s

-Ruth Landes (1908-1991), a cultural anthropologist best known for studies on Brazilian candomblé cults and her study of race and gender relations

-Jane Hill, Regents’ Professor and Professor of Anthropology and Linguistics at the University of Arizona known for her research on the Uto-Aztecan languages and language ideology

“Celebrating Excellence: Women in Anthropology” is on display in the UA Main Library from March 9-Aug. 27 and was curated as a companion display to Special Collections current exhibition, “Celebrating Excellence: 100 Years of UA Anthropology,” which runs through July 30.

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Celebrating Excellence: 100 Years of Anthropology at the University of Arizona / Exhibition, February 9-July 30, 2015

I learned a great deal about the history of the University by doing this exhibit. The Anthropology program, started by the great archaeologist, E.E. Cummings, put the University on the map in the early part of the 20th century. The more I read about Cummings and his successors, Emil Haury, Raymond Thompson, Ed Spicer, Clara Lee Tanner, the more admiration I felt for my home institution. The Anthropology department has a fascinating history. My effort at capturing 100 years of it is shown below. Although I know I didn’t quite cover the entire 100 year period, it was quite gratifying to know that the late Dr. Raymond Thompson liked my work. Meeting him was the highlight of the whole experience for me.

In celebration of the 100th anniversary of the founding of the School of Anthropology, Special Collections has put together an exhibition that features a variety of historical material, including photos, original documents, pamphlets, articles and books related to the school and its impact on our campus and community.  

Included will be archival materials on Byron Cummings, founder of the program, and his successors Emil Haury, and Raymond Thompson. These photos, documents and articles come from a variety of places, but most notably from the University of Arizona Biographical files, housed in Special Collections.

Also on display will be information about various archaeological field schools, such as Point of Pines and Grasshopper, as will information about the Bureau of Ethnic Research (now called the Bureau of Applied Research in Anthropology) and the “Garbage project”.

Historic photos and information about the Arizona State Museum, which was for many, many years, managed by the directors of the anthropology program is also included.

Documents from various manuscript collections of former students and faculty, most notably Henry Dobyns, Trudy Griffin-Pierce and Paul Ezell will add to the exhibit’s focus on the history of the anthropology program.

The University of Arizona Press is also highlighted, as Dr. Emil Haury was a key player in convincing then President Harvill to get the Press started  in 1959.  Over the years, the UA Press has focused on publishing a number of works in anthropology and archaeology, many of them written by UA faculty, and these will be featured as well.

Some of the documents and other materials that are noteworthy include:

  • Byron Cummings hand written resume, submitted to the University upon applying for a position in 1915.
  • Paul Ezell’s field notebook from his time spent at Point of Pines in 1939.
  • 1930’s annual reports from the Anthropology Dept.
  • Original photos of the Arizona State Museum in its various locations.
  • Photos of members of the UA Anthropology club.
  • Early publications such as the Kiva, the Atlatl, and the UA Press’s Occasional Papers in Anthropology.

Two companion exhibits are also in the works. In March, the Main Library will host an exhibit on women and anthropology, and in April, an exhibit about A.E. Douglass and the Tree Ring Lab will open in the Science Engineering Library.

Dr. Raymond Thompson, who was director of both the School of Anthropology and the Arizona State Museum for many years, wrote a very kind letter to my supervisor where he noted how much he enjoyed the exhibit. I was both humbled and gratified to receive this kind of recognition, as I put my heart and soul into this project. Dr. Thompson passed away recently. He was a real gentleman.

Dr. Raymond Thompson, 1924-2020.

“Join us as Diane Austin, Professor and Director of the School of Anthropology and Research Anthropologist with the Bureau of Applied Research in Anthropology (BARA) opens Special Collections’ newest exhibition.

The presentation will highlight some of the key historical and current challenges addressed by University of Arizona anthropologists”

Dr. Diane Austin, head of the Anthropology Dept
The opening drew a nice sized crowd
Dr. Austin speaking to guests
Guests viewing the exhibition

El Dia De Los Muertos Altar / Exhibition, November, 2014

I designed this year’s altar. Jennifer Eschedor loaned us her quilt, titled, “The Unknowns” for the occasion.

This year’s altar focused on honoring people how had died in 2015, including actors, musicians, writers and other prominent Americans, such as Pete Seeger, Maya Angelou, Lou Reed, Lauren Bacall, Carlos Fuentes and others. Jennifer Eschedor, a local educator and artist, also loaned her quilt, honoring those who had died while trying to cross the desert, to Special Collections, for display alongside the altar.

Here’s the promo I wrote for the altar:

Dia De Los Muerto Altar at Special Collections

The staff of Special Collections are once again setting up a “Dia De Los Muertos” altar in the Special Collections exhibit gallery. There are several ways you can participate. You are welcome to  bring a photo of a departed loved one to place on the altar anytime from now until November  7.   You can also join  the procession that will take place at noon on Monday November 3. Led by a group of visiting teachers from Mexico, it will start at Special Collections and finish at the Cesar Chavez Building. “Pan de muerto” (Day of the Day bread) and hot chocolate  will be served . Talks about the significance of “El Dia De Los Muertos” will also be  presented by our guests from Mexico. Everyone is welcome!

“The Unknowns” by Jennifer Eschedor.

ABOUT THE QUILT:

This quilt, titled The Unknowns, was made to commemorate the people who lost their lives while attempting to cross the US/Mexican border during fiscal year 2012-2013 as they were seeking a better life for themselves and their families.  An organization called Los Desconicidos, founded by Jody Ipsen, seeks individuals and groups to use migrant clothing to create a quilt to honor those who have died during each fiscal year since 2000.  I found the names and causes of death on a website provided by the Coalition de Derechos Humanos.  My purpose for creating this quilt was to increase awareness of the horrors that continue at our border.  The skull image has become a pop symbol, yet it is used here to hopefully confront viewers with the outrageous number of deaths (183) that occurred during one year.  The skull, gun and hammer images were carved out of linoleum and printed individually on cloth.  I wanted to give a graphic illustration of the cause of deaths.  In the extremes of the desert environment, many bodies are found so decomposed that the cause of death, and even gender can not be determined.   Working with jeans that were actually worn by the migrants made me feel a strong connection to them as real people….I couldn’t help but imagine the families they left behind. 

I received a BFA from Kent State University in Studio Art with a focus in textiles.  After teaching art in public schools in Pittsburgh, PA for a few years, I grew tired of the gray skies and moved out to Tucson in 1999 to attend the University of Arizona.  In 2000, I earned my MA in Art Education and have taught in a variety of situations, both public and private in Tucson.  Currently, I enjoy working in mixed media.

Jennifer Eschedor

A close up of this year’s altar, honoring those who had passed on in 2015.
Visitors

“Latin America”, in MAGAZINES FOR LIBRARIES, 8th Edition / Publication (1995)

Latin America

I led the way on the publication of this chapter on magazines and journals about Latin America and Latinos for the reference publication, Magazines for Libraries, edited by Bill Katz. Work on the project started in 1994. I recruited several colleagues, including Susan Husband, Tom Marshall, Patricia Promis and Theresa Salazar to help with the project. Mr. Katz, a legend in the field of Library Science, was quite happy with the end result, as the following letter attests:

SPEC Kit 230: Affirmative Action in ARL Libraries / Publication (1998)

I co-authored this with Jennalyn Tellman. The purpose of SPEC (Systems and Procedures Exchange Centers) Kits is to focus on a “hot topic” and gather policy statements, guidelines and other kinds of documentation from various academic libraries so that those studying or formulating their own practices have some guidance and resources at their fingertips. The role of the authors is to write a summary of the issues involved in the topic and to select documents for inclusion that reflect best practice. Institutions represented in this document include: The University of Arizona, Arizona State University, Brown University, Columbia University, The University of Michigan, the University of New Mexico, Ohio State University, Rutgers University, and The State University of New York at Albany.

Instruction in a Multicultural-Multiracial Environment / Workshop Presentation (1997)

This was a workshop that I co-presented with Karen Downing at the 1997 ACRL Learning to Teach Preconference, held in Berkeley, CA, June 27, 1997. It was based off the chapter that Karen and I had published back in 1993 in the publication, Learning to Teach: Workshops on Instruction.

See the chapter “Instruction in a Multicultural/Multiracial Environment” from the above publication here.

A Philippine Festival and Potluck Party / Program and Exhibition (1998)

When I was Assistant to the Dean for Staff Development, Recruitment and Diversity, I worked with a group called the Library Diversity Council to provide training and programming for the Library staff. One of our most memorable events was the Philippine Festival and Potluck Party we hosted, in commemoration of the 100th anniversary of Phillipine Independence from Spain. There were several Filipino staff members in the Library at the time, including MaryLou Myers, Aida Short, and Ditas Reitz, and they were able to convince a local club, The Mabuhay Dance Group to join us in the festivities. There was wonderful food, and the group curated an exhibition outside the Library Administrative Offices that was both informative and colorful. My role was that of sponsor, mostly. The bulk of the work on this one was done by Library staff. It was a fun event!

The Institutionalization of Diversity at the University of Arizona Libraries / Poster Session (2000)

I put this poster session together in April, 2000 for the Diversity Now! Conference held in Austin, Texas when I was the Assistant to the Dean for Staff Development, Recruitment and Diversity at the University of Arizona Libraries. I had worked since 1992 as Carla Stoffle’s assistant, and my main goal in this position was to help the Library move forward in becoming what at the time we called a “multicultural organization”. I worked with the Library’s Diversity Council on providing programming and training for the staff, and with the Library’s Cabinet to formulate policy statements and workplace expectations. The documents below all come from that time period. This poster session took place the same year that I stepped down from my position as Assistant to the Dean for Staff Development, Recruitment and Diversity to join the Fine Arts/Humanities team and begin a new chapter in my career as a music and dance librarian.

Abstract:

For the past ten  years, the University of Arizona Library has maintained a strong commitment to promoting and incorporating  diversity into the everyday life and culture of the organization. The purpose of this program is to describe the key components of this initiative, which include adding diversity in the mission, vision, and values of the organization, creating a half time administrative position dedicated to promoting diversity, the formation of an active Diversity Council whose mission is to model and promote diversity through educational programming and training, and the active pursuit of campus and community partnerships that foster and promote diversity. Numerous examples of the varied programming, training and cooperative efforts will be highlighted.

INITIAL CAMPUS EFFORTS

In the late 80’s, following the lead of other institutions like the University of Michigan and Stanford University, University of Arizona President Henry Koffler mandated that diversity become an campus-wide priority. The Campus  Diversity Action Plan was published shortly thereafter.

Diversity at the campus level was defined as:

Diversity encompasses differences in age, color, ethnicity, gender, national origin, physical or mental ability, race, religion, sexual orientation, socioeconomic background, Vietnam Era veteran status, or unique individual style.

UNIVERSITY OF ARIZONA DIVERSITY ACTION PLAN MISSION STATEMENT

The purpose of the Diversity Action Plan is to develop a campus climate which understands, accepts, and embraces the value of diversity among students, faculty and staff. This will be accomplished through a comprehensive and broad application of the concept of diversity. Diversity encompasses differences in age, color,  ethnicity, gender, national origin, physical or mental ability, race, religion, sexual orientation, socioeconomic background, Vietnam Era veteran status, or unique individual style. The program comprises the following components:

Initial and ongoing assessment of the attitudes, expectations, and needs of students, faculty, staff, and administration relevant to issues of diversity

Provision of educational information and resources regarding the unique characteristics of various groups

Facilitation of personal understanding, tolerance, acceptance and valuing of diversity through structured training programs which will be required of all

members of the University community

Enhancement of general social awareness of the value and importance of diversity through public activities, celebrations, and events

Integration into academic and training curricula specially-designed courses which promote positive attitudes and understanding of diversity and the

incorporation of materials addressing diversity into all areas of the academic curriculum

Evaluation of the impact of the program through utilization of a variety of assessment methods

The focus of this program will be to assure that all persons affiliated with this institution believe that their individual characteristics, talents, and contributions are valued.

University of Arizona Library Mission Statement

The University of Arizona Library is dedicated to meeting the diverse information, curricular and research needs of students, faculty, staff and affiliated customers. In an environment of free and open inquiry and with a commitment to excellence, the Library participates in the scholarly communication process to promote life-long learning skills and continuous educational achievement.

The University of Arizona Library Vision Statement   

To be recognized as the primary community for access and appropriation of information

By developing excellent services that meet expressed and anticipated needs of the learner, and that aim to exceed expectations

By building a diverse staff, valued for their knowledge and abilities in gathering, organizing, and distributing information, prepared for collaborative learning and recognized as partners contributing to the research enterprise

By outreach with students, staff and faculty

INITIAL LIBRARY EFFORTS

In 1990-91, the University  created a Diversity Task Force, later renamed the Library Diversity Council.

The Task Force set to work on studying the efforts of other Universities and made a number of recommendations to the Library administration that were intended to move the Library forward in achieving diversity.

One of its first accomplishments was the creation of a Library Diversity Mission Statement and formation  of the LIBRARY DIVERSITY COUNCIL.

UNIVERSITY OF ARIZONA LIBRARY DIVERSITY MISSION STATEMENT:

The University of Arizona Library has a dual dimension:  (1) it is an institution whose function is to collect and provide access to information and ideas that have derived from varied intellectual traditions representing peoples and cultures over many centuries;  (2) it is a community of people, a microcosm of the University community,  which seeks to represent the richness of human diversity and to integrate and promote this pluralism.  Through its collections and services, the Library seeks to be a MODEL OF and a MODEL FOR this intellectual and social diversity.  Our vision for diversity represents a new effort to move beyond statements of concern to plans for action which will encourage diversity among our patrons and staff as well as our collections and services.  The University of Arizona Library guarantees students, scholars and staff equitable access to its resources and for employees, equal access for advancement, without regard to their race,  color, creed, religion, national origin, sex, sexual orientation,  ancestry, age, marital status, handicap, or Vietnam veteran status.

UNIVERSITY OF ARIZONA LIBRARY DIVERSITY COUNCIL BYLAWS

1. Constituency

The Diversity Council consists of 9 members who are appointed to staggered two year terms. Before being appointed chair of the Council,  a person must have served at least one year on the Council and can be either appointed or classified staff.

Members will be selected from Library staff who have expressed interest, via memo or other means, to serve on the Council and will be broadly representative of the diversity in the community and all job categories in the Library. Staff from diverse groups are encouraged to

become members of the Council, but the most important factor for membership is interest. The Council will make recommendations to the Dean for Libraries for new council members at the end of the fiscal year.

Ex officio members of the Council are the Dean of Libraries and the Assistant to the Dean for Staff Development, Recruitment an Diversity.

At the end of their two year term, council members may request to continue for a full term or for one year only. They may also continue on committees on a year-to-year basis as non-council members.

2. Committees (task forces of the council):

In order to accomplish specific tasks or goals, the council may initiate committees that consist of members of the Council and other interested Library staff. Some committees may be standing committees of the Council; others may be formed to accomplish a specific task,  such as the Diversity Film Series. Non-council members serving on committees will be appointed on a year-to-year basis. Before being appointed chair of a committee, a person must have served at least one year on the Diversity Council.

3. Authority and Charges:

The Diversity Council reports to the Dean of Libraries with the following authority and charges:

The Council will be an advisory board for the Dean and the Library Cabinet and will make recommendations concerning diversity issues and their impact on existing policies and procedures. It will also make recommendations for changes to policies and procedures or make recommendations for implementation of new policies and procedures.

The Council will work to be a model for the Library for creating a multi-cultural organization.

The Council will be a resource on issues of diversity to all staff.

The Council will assess needs and assist the Library in moving towards a diverse environment.

The Council will set long range goals to meet the University and Library mission statements.

The Council will provide training on diversity issues.

The Council will communicate and coordinate programs and events with related committees and groups within the Library, the University, and the Tucson community.

Subsequent efforts to incorporate  diversity at all levels of the organization have included:

  • adding diversity to the Library’s mission, vision and values statements.
  • creating a half time administrative position devoted to diversity
  • including diversity in the Library’s strategic planning efforts.
  • adding diversity related questions to all job interviews.
  • incorporating diversity expectations  into all job descriptions, including those of work team leaders and team leaders.
  • aggressive programming and training efforts, in collaboration with other campus units,  aimed at all levels of staff, including administrators.

TEAM LEADER INTERVIEW PROCESS

Whenever the Library recruits for a new team leader, the Diversity Council is included in the interview schedule. Other groups that meet with a candidate also typically ask diversity related questions. A sampling of such questions is listed below.

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The Library is a multicultural environment and is committed to maintaining diversity to serve our customers. Describe where you have worked with diversity and how you have promoted it in positions you have held.

The Library’s Diversity Value Statement is: We value, respect, and are strengthened by viewpoints and experiences outside the dominant culture. We strive to build a multicultural organization. Describe situations where you have acted on this value.

As a team leader, part of your job will be to chair selection committees for open positions within your team. Please explain your understanding of diversity related issues as they pertain to recruitment and selection of employees. How would you balance the need to create a multicultural institution with other compelling factors?

How have you participated in diversity education and how have you encouraged diversity  in your previous positions? Are there other related activities that you have taken part in?

Describe any challenging situations in your previous positions where diversity was an issue. How did you deal with the situation and what was the outcome?

As a team leader, what programs can we count on you to implement to encourage diversity thinking on your team?

Can you share with us an experience you have had where diversity within a team precipitated conflict–and share with us what your response to that conflict was?

How have you learned to work effectively with people who are very different from you–either in culture, gender, sexual preference, age, temperament, etc.? 

As a team leader, what would you expect from the Diversity Council?

DIVERSITY IS BUILT INTO TEAM LEADER AND WORK TEAM LEADER EXPECTATIONS DOCUMENTS. EACH TEAM LEADER  IS EVALUATED BASED ON HIS/HER  ABILITY TO MEET EACH EXPECTATION.

THE UNIVERSITY OF ARIZONA LIBRARY

EXPECTATIONS OF  TEAM LEADERS

1. Understands and communicates the Library’s mission, vision, values, goals, and while conveying the larger context in which the Library operates, exhibits personal commitment and takes leadership in creating team commitment to achieving them. Leads team in translating library and team strategic goals into action.

2. Promotes team commitment to a customer focus.

3. Works proactively and constructively to identify, define, and solve problems within their own team and between teams and other individuals and teams. Works with team members to develop coaching mechanisms to help individual team members who are having performance problems.

4. Facilitates and involves all team members in team planning, objectives setting, and problem solving, empowering and holding team members accountable for participation and results.

5. Works with team to define team and team leader roles and appropriate methodology for decision-making. Seeks and utilizes data and objective criteria for decision-making. Helps team recognize options and consequences of team decisions. Has final accountability for seeing that decisions get made and that there is appropriate follow through.

6. Fosters an environment that encourages risk taking and creativity.

7. Works proactively and constructively to develop and coach team members to be self-motivated; ensures professional, career, and skill development; ensures structure is in place for all team members to participate in the coaching and development of all staff.

8. Communicates and leads development of team understanding and support of library-wide decisions and priorities; helps the team communicate and create understanding of team issues library wide.

9. Helps promote and support diversity within the team and the Library.

10. Works with the team to build self-managing capabilities including effective delegation to sub-teams and individuals.

11. Champions cross-functional efforts to improve quality, service, and productivity.

12. Anticipates, initiates, and responds to changes in the environment to help the Library move forward.

13. Leads in management of budgets and fosters understanding of and responses to internal and external funding opportunities and constraints.

THE UNIVERSITY OF ARIZONA LIBRARY

EXPECTATIONS OF WORK TEAM LEADERS

Definition

The primary purpose of a Workteam Leader is to take leadership in facilitating processes within the scope of a specific  workteam to enable the workteam to accomplish its work.

Assumptions

1. That the Performance Learning Project will result in each team developing work and behavioral expectations for all members and a mechanism for holding each other accountable.

2. Team will use these expectations as a basis for a dialog about observable outcomes.

Expectations

1.  Understands and communicates the Library’s mission, vision, values, goals, and, while conveying the larger context in which the Library operates, exhibits personal commitment and takes leadership in creating workteam commitment to achieving them. Leads workteam in translating library and team strategic goals into action.

2.  Promotes workteam commitment to a customer focus by modeling appropriate customer service behavior and responding appropriately to customer needs.

3.  Works proactively and constructively to identify, define, and solve problems within their own workteam and between workteams and other individuals and teams.

4.  Facilitates and involves all workteam members in workteam planning, objectives setting, defining expectations, and problem  solving, empowering and holding workteam members accountable for participation and results.

5.  Works with team to define team and work team leader roles and how decisions are made. Helps  workteam  recognize options and consequences of workteam decisions. Is individually accountable for seeing that decisions get made and that there is appropriate follow through. It may be necessary for  workteam leaders to make decisions for the workteam in limited circumstances such as the workteam being unable to reach a decision or during special circumstances.

6. Coordinates the gathering, analysis, and utilization of data and information to make decisions.

7.  Models and encourages creativity and informed risk taking.

8.  Works proactively and constructively to develop and coach workteam members to be self-motivated and to be lifelong learners.

9.  Communicates and leads development of workteam understanding and support of library-wide decisions and priorities; helps the workteam communicate and create understanding of team issues library-wide.

10.  Demonstrates support for diversity as defined by the Library.

11. Works with the workteam to build self-managing capabilities including effective delegation to workteam members.

12. Champions process improvement and other cross-functional efforts to improve quality, service, and productivity.

13. Anticipates when possible, participates with an open mind, and responds appropriately to changes in the environment.

14. Understands the allocation of budget and resources process. Leads in management of budgets and resources.

15. Attends and actively participates in  workteam meetings.

16. Models good communication skills by actively listening and giving and receiving constructive feedback.

17. Interprets, communicates, and applies relevant library policies.

18. Identifies and implements effective ways of making staff and students feel accepted and valued.

19. Leads and participates in the hiring process, primarily within the workteam.

20. Takes leadership in developing and implementing a training program for staff and students which may include customer service.

21. Schedules work to ensure that time is available for consultation with and coaching of staff and students. Maintains an open attitude to staff,

students, and their ideas.

22. Develops facilitation skills, uses them, and supports workteam members in doing the same.

1998/99 LIBRARY STRATEGIC PLAN (partial)

GOAL 4, “STAFF ENVIRONMENT”: To transform the Library work environment and culture to improve the way staff are supported through programs and activities that enhance their ability to achieve the Library’s Mission.

CONTEXT STATEMENT: Sustained support and effort on both the individual and group level is instrumental to the success of a team-based learning organization. We hold ourselves and each other accountable for achieving the Library’s mission and for resolving any conflicts that arise in this process. Creative flexibility is needed in the ways in which the Library manages work assignments, promotes career progression, and promotion, pursues and provides competitive salaries, supports continuous education and learning, evaluates performance, and recognizes and rewards staff achievements.

To serve an increasingly diverse population, the Library recognizes that diversity among its staff is a strength in understanding, responding to, and respecting the needs of our customers.

Staff need opportunities to develop proficiencies in utilizing technologies and other tools to achieve new and higher performance  satisfaction levels.

OBJECTIVES:

1. INDIVIDUAL AND TEAM DEVELOPMENT: To support individual and team development through the continuing work of the Performance Project Team, through December 31, 1998; and through the developmental systems that are created by this project, by June , 2000.

2. REWARDS AND RECOGNITION: To strengthen employee rewards and recognition by enhancing existing programs and developing new ones, by June, 1999.

3. MINORITY RETENTION: To increase the retention of minority individuals within the Library by openly addressing issues of participation and mentoring, as well as white privilege, racism and other forms of injustice by June, 2000.

4. MINORITY RECRUITMENT: To increase the diversity of the Library and better serve our increasingly diverse customer base by proactively recruiting and hiring minority librarians and career staff by June, 1999.

University of Arizona Position Description

Position Title:  Assistant to the Dean for Staff Development, Recruitment and Diversity

Position type:   Appointed personnel, full time, exempt.

Department: Library Support Team

Reports to:  Dean of the Library/LST Team Leader

Regular Hours of Work (indicate if changes occur)

8am to 5pm

The Library is an innovative, team-based organization committed to continuous learning, increasing customer self-sufficiency and fostering a diverse environment.  Our mission includes furthering cultural transmission, preservation and the educational roles of the Library.

All work that addresses customer needs will be performed (e.g. circulation, reference, check-in, cataloging, process improvement, etc.).  Individuals can expect that this work will include team-wide and Library-wide work (e.g. process improvement teams, meetings, planning, Strategic Long Range Planning, etc.).  As customers’ needs change, our work formula or patterns may change.  As a result, team and Library work is negotiated within the team, the end product being an agreement in writing in the performance evaluation.

The incumbent performs the work appropriate for a  librarian, as needed within the team, to meet the changing needs of the Library’s customers.  As those needs change or disappear it may be necessary to reassign staff to areas in greater need of support and to change work hours to accommodate our customers.

Each team member is responsible for:

*          understanding and communicating the vision, mission and priorities of the Library and the team(s) in order to move the Library and team(s) to their goals

*          committing to excellence, process improvement and continuous learning

*          participating in the planning and decision-making processes for customer services

*          obtaining the information necessary to perform his/her job

*          accepting change and exhibiting flexibility in working within teams and dealing with team and Library-wide issues and concerns

*          helping fellow team members in a team-based work environment and participating on cross-functional and process improvement teams in the Library as necessary

*          attending and participating in team meetings and projects as assigned and facilitating and leading meetings as needed

*          solving as many of their own problems as possible; expected to resolve issues close to the action rather than to pass responsibility for solutions to others and are empowered to do so

*          making decisions at appropriate levels

*          prioritizing work

*          maintaining a customer service orientation

*          challenging him/herself and colleagues to think creatively and broadly

II. PURPOSE/OUTCOME OF THIS POSITION:          

The development of a supportive and responsive multi-cultural and diverse working environment is a top priority for the University of Arizona Library .  Creation of such an environment involves pursuing new strategies for recruitment of librarians and addressing staff development issues relating to diversity and other change processes in which the Library will be involved.  This position will be responsible for coordination of all staff development programs and professional recruitment, and will carry out special projects relating to personnel policy and procedures. The incumbent will participate fully in the Dean’s Cabinet meetings, and act as liaison with the Staff Development Committee, Affirmative Action Committee, and the Diversity Action Council.  The position reports to the Dean of the Library.

To contribute to the profession and the professional literature to fulfill the responsibilities of a library faculty member through service (e.g., active participation in library-related associations and organizations) and scholarship (e.g., presentations at local and national conferences and meetings, publication of original research).

As a member of the library profession, the Library Faculty Assembly, and the general faculty of the University:

      * To resist censorship of library materials and eliminate barriers to access to    

         information

      * To commit to intellectual freedom in the pursuit of truth  and knowledge for

          customers and staff

      * To commit to honesty and respect for customers and staff

      * To commit to the professional Code of Ethics for  Librarianship

      * To be involved in the governance of the Library and the University through service

         in the Library Faculty Assembly and on appropriate University committees

III. PRINCIPLE RESPONSIBILITIES

1. (.5 time)   Coordinates the Library’s staff development activities.  Works with an advisory committee,  members of the Library’s Human Resources team  and a  .5 administrative secretary to conduct needs assessment,  plan and implement training and professional development for librarians and staff. Administers Staff Development Fund and Special Workshops Fund.  Coordinates new staff orientation.

2. Acts as the administrative liaison with the Affirmative Action Office, University Diversity Council, the Provost’s Office on Appointed Personnel and the University Human Resources Department (where appropriate).  Updates and monitors the Library’s Affirmative Action Plan and Diversity Action Plan in conjunction with appropriate committees. Administers Diversity Fund.

3. Works with the Library Diversity Council to coordinate programs in support of building a multicultural organization.  Provides leadership to the Diversity Council as it strives to become a model the Library in working across racial and ethnic lines.

4. Works with other members of the HR Team to assess needs for team development, systems and process change, new policies and procedures that support the continued success of the Library with its customers.

5. Works in conjunction with Library’s human resources specialist and selection teams to ensure that recruitment pools for professional positions are diverse.  Provides guidelines and support for search committees.  Insures compliance with University EEO/AA and Diversity plans.  Assists with interviews of candidates on site and at professional meetings.

6. Participates fully in leadership activities of the Library through membership on Library          

Cabinet.

7. Supports the library profession beyond primary job responsibilities through involvement in professional service and scholarship.

LIBRARY-WIDE RESPONSIBILITIES:

1. Participation in library strategic project teams, cross-functional teams, and other teams required to complete the goals of the Library:

The  Library Diversity Council has proactively partnered with other campus units and groups, including the University Diversity Action Council, the College of Agriculture’s Diversity Committee, and  the Commission on the Status of Women to provide top notch programming, training and celebratory events that unite the campus and the Library community.

Recruitment of a Diverse Staff

A key responsibility of the Assistant to the Dean for Staff Development, Recruitment and Diversity has been to proactively recruit people of color to apply for open positions at the University of Arizona Library. This has been accomplished through:

  • training selection committees on diversity and affirmative action issues
  • attending conferences and handing out recruitment packets to librarians of color and other diverse individuals.
  • developing a network (database) of potential recruits and sending them invitations to apply for positions currently under recruitment
  • advertising the UA’s vacancies on listservs that reach librarians of color. These include REFORMANET, EQUILIBN,  the Chinese American Librarian’s  listserv, DIVERSITY-L, and AFAS-L, the listserv of the AFAS Roundtable.

Diversity in the Workplace / Presentation (1996)

I gave this presentation on enemy turf, so to speak. It felt like I had been thrown into a lion’s den and was about to get eaten alive at any moment. These ladies were not interested in hearing that the ability to speak Spanish and communicate with the Spanish-speaking was value-added and that it should be rewarded by increasing the pay of those who had this ability. In the end, however, I survived, and felt good that I did this presentation. I might have even convinced one or two of the attendees that having bilingual skills is indeed an asset when working with the public.

Announcement from the March 4, 1996 edition of the Arizona Daily Star

Diversity presentation

Introduction

View Post

Good evening. My name is Bob Diaz. Before I begin my presentation, I’d like to tell you a little bit about myself. I’m a Mexican American with roots here in southern Arizona that go way back, a native Tucsonan, and a graduate of the University of Arizona. I have a B.A. in Psychology and a masters degree in Library Science. I’m currently employed as Assistant to the Dean for Staff Development, Recruitment and Diversity at the University of Arizona Library. Prior to that, I was an associate reference and instruction librarian at the University of Michigan Undergraduate Library from 1987- 1992. I’m very happy to be here tonight, and I hope we have a very useful and productive session.

I’ve been asked to discuss the issue of diversity in organizations. I will talk about three major issues:  First I will ask the question, why bother with diversity anyway and will provide some context for what we are dealing with. Then I’ll discuss diversity within organizations, and use examples from my own experiences at the University of Arizona to illustrate some of the points I would like to make. Thirdly, I will discuss  the issue of personal responsibility as it relates to understanding and embracing diversity. Finally, we’ll open up the floor to questions and comments from you.

Just what is diversity and why are we bothering?

Is it about race, ethnicity, gender, sexual orientation, age?

Is it about individual differences not included in the above categories? Is it about affirmative action and equal employment opportunity? The answer is yes, yes, yes. In fact, there are a multitude of definitions. One organization defines diversity as: those human qualities or characteristics that make people different, unique, the same, and similar. These distinctions are not limited to race, gender, or ethnicity,  according to this definition. Another definition is: diversity is any difference that makes a difference.

However, the focus of my presentation tonight will not be solely on “individual differences” or unique qualities or characteristics” but on racial, gender and ethnic diversity and what needs to be done within companies and organizations, as well as at the individual level to change the way things now stand. I’ve chosen this focus because race, gender and ethnicity are key factors in the diversity equation and have been throughout the history of this nation. While some people would argue that there are laws on the books that protect the rights of members of minority groups and women and that there is equal opportunity for every citizen, it is clear that we are not yet at the point where we can say there is a level playing field. White males still dominate our country’s major corporations, and are still clearly the ones that hold most, if not all of the  power at all levels of government and society. 

Here are some basic facts that will help further this discussion:

3 out of 10 Americans are persons of color. However, in less than 50 years, (some say sooner) one half of the U.S. population will be African American, Latino, Native American, or Asian American. This is now the case in California.

By the year 2000, nearly one half of the civilian workers in the U.S. will be female.

Women with college degrees earn roughly the same as men with high school diplomas.

Women earn 72 cents for every dollar a man earns for the same work.

In a study of 15 major corporations, one researcher found that minorities comprised less than 8% of middle management and only 2% of upper management positions.

There are many other well known documented facts that are important to know. For example, 

Minorities have less access than non-minorities to quality education, good jobs, upward mobility,  and representation in government, and have lower income levels and higher mortality rates than non minorities.

Historically, minorities have been viewed by the dominant culture  as either the enemy (Asians and Native Americans) or as a source of cheap labor (Asians, Latinos, African Americans) and were treated badly by members of the dominant culture, receiving lower wages and fewer societal benefits. While we cannot go back and change history, what we can do is try to understand how we got to where we are now. It isn’t a matter of placing blame either. It’s a matter of putting these issues into context.

There is an increase in racial and ethnic violence in our society. Hate groups are on the rise. There is increased anti-immigrant sentiment and less tolerance for people who choose to continue to preserve their cultural traditions and languages.

What does all this point to?: change is taking place and, as always, there is resistance. In fact, one writer, has noted that “diversity was never the issue. Diversity is a fact. The question is about inclusion or exclusion of whom, on what terms, and for what purpose? The issue is about fear: our fear of the stranger, our shadow side, our fear of change, and our fear of failure.”

While the outlook for our society may seem bleak, it’s where we are. And we have to do something about it. We have to begin to learn about eachother and to work together to overcome our fear of one another. This has to take place at multiple levels: at the societal level, the corporate level and the individual level.

Before moving on to looking at what can be done in corporations and at the individual level, I’d like to make one other point.

 For me personally, embracing diversity has always been akin to “doing the right thing”. Respect for all people and tolerance for difference are values I hold dear. However, the arguments or what some would call “the moral imperative”  that provided fuel for the civil rights movement and much of the legislation that followed took us all only so far. In fact, some folks argue that the conditions for minorities in this country have worsened since the sixties.

What do we need to do to take us further? One writer argues that diversity is a bottom line issue, and indeed it is: if we don’t begin to include people of color and others outside the dominant culture in our institutions and corporations, they will go elsewhere, not only for employment but for products and services. And believe me the competition is there waiting to serve and to sell. A good example is the Honda corporation. It realizes that  it has a diverse customer base here in the U.S., so it has done market studies to determine the needs of these customers and it has also hired people from these diverse communities to sell Honda’s products.  Remember that these communities are increasing in numbers too. What does this mean? Think about it.

So, what needs to be done to begin to address diversity in a company or organization? First, there needs to be commitment at the top. In study after study, the data clearly shows that the role of top management in setting the direction and agenda for implementing diversity goals, programs, and training is critical. Top management needs to set the agenda for change. It must look at its mission and values statements and change them. It must begin to address it’s hiring and recruitment practices and look at retention  and promotion issues, communication issues, supervisory practices, the services that are provided and how they are provided. Management must also encourage all of its employees to behave with respect both for their fellow employees and for their customers. Training needs to take place. But,  changes will not occur overnight. It takes practice and patience to change an organizational culture.

At the University of Arizona Library, we have a very strong  commitment from the top. Our Dean, Carla Stoffle, has written extensively on these issues and has really put her money where her mouth is. Our library has a very diverse workforce (in fact, we are far above the national average in terms of numbers of minorities at the professional level). We have also included diversity in our mission and values statements, in our team leader review process, in our job descriptions  and in many of our team objectives. We have in place my position, which oversees the efforts of the Affirmative Action committee and the Library diversity council.  We have provided our staff with many training and learning opportunities, and have even been rewarded for taking the lead on campus in the area of diversity. Many of our programs are both educational and celebratory. We’ve addressed such diverse issues as homophobia in the workplace, what it means to be Jewish in the U.S, we’ve had a Chinese New Year celebration, and we’ve sponsored programs for the entire campus on topics such as the role of women in Islam. We’ve also co-sponsored numerous events such as the recent visit by Harvard professor Cornell West. While it is clear that we have made lots of progress, there will always be more work to do. We are finding that in a team-based organization, meeting facilitation is a very important skill as it is key to fostering a environment where all staff are given a fair chance to communicate and participate in everyday meetings and events. We now are working on building these skills across the Library.

At the personal level, there are many things that can be done to understand and embrace diversity. First and foremost, I would encourage anyone to begin with a positive attitude. What an incredible opportunity this can be for learning and growth!! Begin by questioning your own assumptions about how you see the world. Question your generalizations and stereotypes (we all make them). Question what you see on television,  and what you read in books and magazines. Read a book by a person of color. Read a book about diversity. Go to a local fiesta or pow wow. Tucson is a very unique and diverse community. Explore it. Challenge your friends to a discussion of race and ethnicity. Question your assumptions again and again.

I’ll leave you with one final quote from a book entitled The Diversity Advantage by John P. Fernandez and Mary Barr. “Although the U.S. possesses the best laws in all the world to protect all its citizens, it must move from the philosophical and legal to the proactive and personal. US citizens must, in short, walk their talk. Each individual must recognize that he or she is part of both the problem and the solution….Thank you very much.

Celebrating Excellence: A.E. Douglass and Tree Ring Research / Exhibition (2015)

This exhibit in the Science-Engineering Library will offer a broad overview of the career of A.E. Douglass and basic information about the Laboratory for Tree Ring Research.

A.E. Douglass was an astronomy professor at the University of Arizona who headed the Stewart Observatory and established the science of dendrochronology, or the study of tree rings, which can be used to determine how old various archeological sites are. He also founded The Laboratory for Tree Ring Research in 1937. The exhibit will feature materials from the A.E. Douglass papers (Special Collections AZ 72), including photos, documents  and artifacts from Douglass’s  early youth through his later years. It will also feature material on loan form the Laboratory for Tree Ring Research, including a wooden beam from an archaeological site known as Chetro Ketl that is nearly 1,000 years old. 

A.E. Douglass was born in Windsor, Vermont on July 5, 1867, the fifth child of the Reverend Malcolm Douglass and Sarah Hale Douglass. He grew up in Andover, Massachusetts and attended Punchard Free (High) School.  His love for astronomy started at an early age.  By his senior year,  he was teaching the subject to other students. While in college, he excelled in the sciences. He graduated  from Trinity College in Hartford, Connecticut in 1889 with honors in astronomy, mathematics and physics.

After graduation, Douglass found work as a research assistant with William H. Pickering at the Harvard College Astronomy. He spent a year there before he was sent to South America to help build an observatory in Arequipa, Peru. He traveled to various other locales in South America and soon met Purcivell Lowell, an amateur astronomer with whom he began to work and who like Douglass, had a strong interest in the study of the planet Mars.

In the ensuring years, Douglass found  himself working for Lowell in Mexico, and then in Flagstaff Arizona where he supervised the building of the Lowell Observatory. He had a falling out with Lowell, and for a few years was a probate judge for the town of Flagstaff. By 1906, however, after having spent 12 years in Flagstaff, he secured a position at the University of Arizona. He taught physics and geography, among other topics.

Douglass entered the University of Arizona as Assistant Professor of Physics and Geography. Upon his arrival  he, with the help of his Harvard friends the Pickerings, made sure that the University of Arizona had a telescope. It was a borrowed,  8 inch, refracting telescope, but it was better than what was there  before.  The telescope stayed at the University of Arizona for many years atop the original Science Building just north of Old Main, but was eventually returned to Harvard.

It didn’t take  Douglass long to start lobbying  the powers that be for an observatory. He argued that the Tucson skies were perfect for star gazing. His wish was finally granted when in 1916, Mrs. Lavinia Steward,  a wealthy donor, gave the University $60,000 for a new observatory.  It  took nearly 6 years to complete, but Douglass happily witnessed a dream come true.  The Steward Observatory was officially dedicated on April 23, 1923.

Douglass served the UA in other capacities over the years. He was head of the Dept. of Physics and Astronomy, Interim President, and Dean of the College of Letters, Arts and Sciences.

Materials in this exhibit were borrowed from  the following sources:

Leslie Feinberg: Unity in The GLBT Community / Program (1994)

Flyer designed by Ken Godat, Wingspan Board member and owner of Godat Design.

In the early 90’s I was a member of the American Library Association’s GLBT Book Award committee. One of the books published for the year under review was Leslie’s Feinberg’s groundbreaking novel, Stone Butch Blues. It brought to light the issues faced by people who were transgendered and it struck a strong chord with me. I lobbied hard for the book to win the award for fiction, and indeed it did, in 1993. At the time, my position at the UA Library was that of Assistant to the Dean for Staff Development, Recruitment and Diversity and part of my work was to engage in building partnerships with campus and community groups to help educate the campus and the community at large about issues faced by underrepresented or misunderstood groups, such as the GLBT community. I decided that it would be great to bring Leslie to Tucson, and worked with the members of Wingspan, the local gay community center to raise money to fund her visit, which took place during the Fall 1994 semester. We received support from the University’s Diversity Action Council as well as from the University Library and other groups.

This is the news release I wrote for the occasion:

NEWS RELEASE….NEWS RELEASE…NEWS RELEASE…NEWS RELEASE

September 1994

  • September 30, 7pm:  Reading/lecture on Unity in the Gay, Lesbian, Bisexual and Transgendered Community. Modern Languages Auditorium, University of Arizona.
  • October 1, 6pm: Book signing and reception at Wingspan, Tucson’s  Lesbian and Gay Community Center, 422 N. 4th Ave.
  • Refreshments will be served.
  • For more information contact Bob Diaz at 621©2101.

Biographical sketch:  Leslie Feinberg came of age as a young butch lesbian in the factories and gay bars of Buffalo NY in the 1960’s. Since that time, Feinberg has been a grassroots activist and a journalist.S/he is nationally known in the gay and transgender movements.

Leslie Feinberg was given the distinct honor of being the opening  speaker at this summer’s  Stonewall 25 rally in New York City, which drew millions of people from across the country and around the world. Feinberg’s novel, Stone Butch Blues, published on March 1, 1993 by Firebrand Books, has received a wildly popular response. The novel has received the prestigious American Library Association Award for Gay and Lesbian Literature and a LAMBDA Literary Award.

A video about Leslie Feinberg titled Outlaw (see excerpt below) premiered at the New York City Lesbian and Gay Film Festival this summer and is being distributed nationally and internationally.

Feinberg has toured the country for two years with the slide show on transgender issues that has played to packed audiences and standing ovations. Since October 1993, s/he has appeared on the Joan Rivers show and scores of other television and radio programs. Feinberg has been interviewed and and her work reviewed by virtually every lesbian/gay, transgender and feminist publication in the last two years.

Transgender Liberation: A Movement Whose Time Has Come, originally published in 1992 by World View Forum. (Click on the title to read the pamphlet).

Biographical Highlights:

  • Winner of the 1993 American Library Association Gay and Lesbian
  • Task Force Book Award for Fiction.
  • Winner of the 1993 Lambda Literary Award for Small Press Fiction.
  • Subject of the video production, OUTLAW, which premiered at the
  • 1994 Lesbian and Gay Film Festival in New York City.
  • Nationally known leader in the Gay and Transgendered movements.
  • Grass roots activist and journalist.
  • A feature length movie about Ms. Feinberg’s life is now in production in Hollywood.

bd 9/94

Here’s a copy of the article that appeared in the Tucson Weekly about Feinberg’s visit:

Feinberg’s visit was the first of several made to Tucson over the years. Within a few years of her visit, the Southern Arizona Gender Alliance was founded, which was a support and advocacy group whose focus was to support those who identify as transgendered. The group still exists and is stronger than ever.

Az Daily Star, October 23, 1998
Feinberg visited Tucson again in 1998
From the Arizona Daily Wildcat, October, 1998

Feinberg returned to Tucson in 2004 for the following event.

April 21, 2004, Arizona Daily Star

In 2007, Leslie was the keynote speaker at the Annual Wingspan dinner in Tucson. Read about it here.

Read Feinberg’s obituary in the Advocate here.

Years later, after Feinberg died in 2014, when I was a member of the American Library Association Council, I authored a resolution for the Association that was passed in Leslie’s memory. I’ll never forget how encouraging and supportive Leslie was to me and my partner, with whom she became fast friends. She encouraged me to do more community organizing and complimented me on the work I did when I brought her to town all those many years ago. Introducing her to the Tucson community was one of the best moments of my career.

She was a true revolutionary.

Leslie and longtime partner Minnie Bruce Pratt. Pratt died on July 2, 2023 at the age of 76.

Further reading:

Leslie Feinberg–September 1, 1949 to November 15 2014, by Marla Brettschneider, in the Shalvi/Hyman Encyclopedia of Jewish Women.

Leslie Feinberg Beheld a World without Gender, by Martha E. Stone. The Gay and Lesbian Review, March-April, 2015.

Leslie Feinberg’s Curriculum Vitae.

Leslie Feinberg’s Web Page.

From the Jewish Women’s Archive.

Tucson Meet Yourself Lowrider Display/ Exhibition, October 12-14, 2012

A few years back, I was a member of the Board of Directors of Tucson Meet Yourself and for the 2012 Festival, I was invited to create a small exhibition on lowriders for display at the festival. The results can be seen below. I had a great time working on this, from painting the display boards to writing a bibliography on lowriding (see below) to meeting with members of the local car club, The Dukes, to borrow materials for the display. These include the little cars and the Dukes clock, as well as the hubcaps that are shown. I used material from my own record collections to create the display on oldies but goodies music. The photos below include a couple of my good friend Mel “Melo” Dominguez, a wonderful local artist with whom I shared a booth at the festival. Friends of mine stopped by and their photos are also included. Finally, I had to include some photos of the many beautiful cars that were on display that day. Again, this was another fun project!

Local artist extraordinaire, Mel “Melo” Dominguez, showing off the t-shirt he designed for the festival.
These t-shirts sold like hotcakes at the festival. I still have mine. It’s held up pretty well!
My friend Mel.
My friend RIcardo Andrade and his friends stopped by to say hello.

Lowrider Bibliography

These resources can be obtained from either  the University of Arizona Library or the Pima County Public Library.

How to build a lowrider. / by  Frank Hamilton. North Branch MN. Cartech, 1996. University of Arizona Library,  Special Collections. TL 255.2 .H36 1996

Lowrider: history, pride, culture. / by Paige R. Penland. St. Paul MN: Motorbooks, International, 2003. University of Arizona Library. Special Collections. TL 255.2 .P46 2003

Lowrider Magazine. San Jose, Calif.: A.T.M. Communications. Pima County Public Library. Various branches.

Lowrider space: aesthetics and politics of Mexican American custom cars./ by Ben Chappel. Austin, TX: University of Texas Press, 2012.  University of Arizona Library. E184.M5 C3837 2012

Lowriders. / by Lisa Bullard. Minneapolis, Minn: Lerner Publishing, 2007 (children’s book) Pima County Public Library. 629.2872 B8729L 2007 CHILD

Lowriders / by Matt Doeden. Mankato, Minn.: Capstone Press, 2005. (children’s book) Pima County Public Library. 629.2872 D67L 2005 CHILD

Lowriders. / by Robert Genat. St. Paul, Minn: MBI, Publishing, 2001. Pima County Public Library.  629.222 G2852L 2001 Espanol TEEN

Lowriders handbook, The: engines, tires and wheels, hydraulics, custom interiors, custom bodywork, chassis and suspension, air ride. / from the editors of Lowrider Magazine. New York: HP Books, 2002. University of Arizoan Library. Special Collections. TL 255.2 .L68 2002

Lowriders in Chicano culture: from low to slow to show. / by Charles M. Tatum. Santa Barbara, Calif: Greenwood, 2011. University of Arizona Library. E-book.

Lowriding in Aztlan: the truth about lowriding! / a film produced by Katrina Jasso-Osorio, Daniel Osorio; written and directed by Daniel Osorio. New York: Universal Music and Video Distribution, 2006. Pima County Public Library. 629.222 L9552 2006 DVD TEEN

Low ‘n slow: lowriding in New Mexico. / photographs by Jack Parson; text by Carmella Padilla; poetry by Juan Estevan Arellano. Santa Fe: Museum of New Mexico Press, 1999. Pima County Public Library. 917.89004 P254L 1999

Low y cool. / a film by Marianne Dissard. Tucson, Az. M. Dissard, 1997. Pima County Public Library. 362.7089 L95 1996 DVD, available at various branches.  

Old barrio guide to low rider music, The. / by Ruben Molina. La Puente, Ca: Mictlan Pub., 2005. University of Arizona Library. Fine Arts Library and Special Collections. ML 3558 .M65 2005

Prepared by Bob Diaz for Tucson Meet Yourself. October, 2012.

An Evening of Corridos/ Program (2015)

AUDIO OF PROGRAM

Promo for the event:

Corridos are narrative songs which often chronicle socially relevant historical events. The corridos featured in this evening’s program come from both the Mexican Revolution and the  Cristero Rebellion, a revolt by Catholics against the Mexican government that occurred in response to anti-Catholic legislation in the 1920’s.

A lecture by Dr. Celestino Fernandez will be followed by the performance of corridos by local artists, including Juan Aguilar and Justin Enriquez, members of the quartet, Los Cuatro Vientos.

Dr. Celestino Fernández, Professor Emeritus in the University of Arizona School of Sociology, is himself a composer of corridos.  He served as University Distinguished Outreach Professor and Director of Undergraduate Studies for many years. His research focuses on various issues pertaining to culture, Mexican immigration, ethnic diversity, and education and he has published approximately 50 articles and book chapters. Dr. Fernandez serves on numerous community boards, and helped start San Miguel High School, a college-prep school for students from poor and working class families. Dr. Fernández received an M.A. and Ph.D. from Stanford University.

To learn more about the Cristero Rebellion, you may wish to visit the online exhibition La Vida Fronteriza: Church, Economy and Daily Life which features materials documenting the De la Torre family and their involvement in the Cristero Rebellion.

My introduction to the event:

Good evening. My name is Bob Diaz. I am the curator for the performing arts and the exhibits and events coordinator here in Special Collections.  Thank you for for joining us tonight. It’s my pleasure to welcome you to our second annual evening of corridos.  Before I introduce our guests, I’d like to mention our Dia De Los Muertos altar. This year’s altar was put together by Luis Coronado Gruel and students from his  History 368 class on Colonial Mexico. The altar is dedicated to Sor Juana Ines de la Cruz, one of the most important Mexican writers of all time. Thank you, maestro Gruel,  for doing such a wonderful job. 

Aristeo Brito, Dr. Celestino Fernandez and his wife

Tonight Dr. Celestino Fernandez, professor emeritus of Sociology, will be giving a presentation on the corridos of the Cristero Movement and the Mexican Revolution. Following his presentation, we will hear from a number of folks who brought their guitars with them and who will be singing some corridos for us. We have with us again, Justin Enriquez and Juan Aguilar, as well as a few other musical guests, including Bobby Benton, Jim Griffith, Antonio Gomez and Aristeo Brito, and Dena Cowan and Jesus Garcia. There may be others who have come along to join in on the fun, and hopefully we’ll have time to hear everyone sing at least one song.

Dr. Fernandez giving a presentation on Corridos of the Revolution

After the lecture and performances we will have refreshments, including pan de muerto from La Estrella Bakery. Please enjoy the program, stick around and check out the altar and our exhibit on Tucson, and enjoy yourselves. Nuestra casa es su casa”.

Mr. Bobby Benton
Juan Aguilar and Justin Enriquez
Aristeo Brito and a friend
Ms. Dena Cowan and Mr. Jesus Garcia
Day of the Dead altar prepared by Professor Luis Coronado Gruel and his History 368 class. The altar was dedicated to Sor Juan Ines de la Cruz
Pan de Muerto

Tucson: Growth, Change, Memories / Exhibition, August 17, 2015-January21, 2016.

A row of homes in Barrio Viejo

This exhibition was held in celebration of the anniversary of the “founding” of Tucson in 1775 by Spanish colonizers, and was centered around a collection of photographs I had found in Special Collections that consisted of photos of all of the buildings in the oldest part of town that had been demolished during Tucson’s urban renewal rampage, which took place in the latter part of the 1960s. Some beautiful houses and many historically significant buildings were lost in the old barrio, or “Barrio Viejo” to to make way for the building of the Tucson Community Center. My friend Richard’s father, Mr. Albert Elias, had mentioned to me that they existed, so I looked and looked until I found them. I was frankly quite shocked that these photos never got much attention before I pushed to have them digitized for use in this exhibition. The events I planned included a lecture by Tom Sheridan, assessing the present state of the Mexican community in Tucson and a panel discussion on growing up in Tucson that featured Katya Peterson, Molly McKasson, Lydia Otero and Ernesto Portillo, Jr. This was one of my best efforts. The programs were both well attended and the exhibition drew many visitors.

Click here to see the entire collection of urban renewal photographs held by Special Collections at the University of Arizona Libraries.

Photos of various buildings torn down to make way for the Tucson Community Center
15-19 Jackson St.
Tucson Memorabilia
More buildings that were destroyed during urban renewal
The Tucson Army Surplus building.
A selection of memorabilia and photos from the Santa Rita Hotel.

Click here to read Tucson Weekly writer Margaret Regan’s article “Bulldozing the Barrio: Photos and Film at UA Special Collections Document the Neighborhood Lost to Urban Renewal”.

Apartments, 32 W. Corral, near S. Convent.
More Tucson memorabilia
36-44 W. McCormick.
Memorabilia from the El Conquistador Hotel
Ying On Club, 101 S. Main Ave.
More Tucson memorabilia from various Tucson businesses.
El Teatro Royal at 320 S. Meyer Ave.
Special Collections is home to a number of books focusing on life in Tucson’s barrios.
The Otero House, corner of S. Main and McCormick.
Shopping bags, calendars, photos and more.
Building at corner of S. Convent and Ochoa.
Tourism brochures
Flores Nacional, a downtown pharmacy.

Affirmations and Surprises: Following the Transformational Trail of Tucson’s Mariachi and Folklorico Dance Movement / Program (2016)

I coordinated two different programs held in Special Collections for Hispanic Heritage Month in 2016. I worked with Socorro Carrizosa of the Chicano Hispano Center on the planning. Dan’s talk was the first one. The second program was another “Noche de Corridos” evening. I’ve known Dan Buckley since my days as a member of the Board of Directors of the Tucson International Mariachi Conference in the mid-2000s. He’s been a long time supporter of the Tucson International Mariachi Conference and his writing for the Tucson Citizen on the festival was always something one could eagerly look forward to reading.

Publicity designed by Marty Taylor, University of Arizona Libraries

Click here to listen to the audio of this program.

Local documentary producer, writer and music critic, Daniel Buckley, will share the story of the Tucson youth mariachi movement. He is currently in production on his eighth documentary, “The Mariachi Miracle,” which traces the impact of youth mariachis and folklórico dance groups on the social economic, educational, political and artistic fabric of Tucson, Arizona.

Producer/director Daniel Buckley is currently in production on his 8th documentary film, The Mariachi Miracle, which traces the impact of your mariachis and folklorico dance groups on the social, economic, educational, pollitical and artistic fabric of Tucson.

Buckely spent over 30 years as a music journalist, and later multimedia developer for newspapers in Tucson, Arizona and national magazines. During his nearly 23 years with the Tucson Citizien, de developed a deep interest in Tucson’s traditional Mexican and Native American cultural expressions.

In 2013, the Tucson International Mariachi Conference inducted Buckley into its Mariachi Hall of Fame, and in 2014 he was named Artist of the Year at the Arizona Governor’s Arts Awards for his work as a writer, composer, filmmaker, performance artist, and photographer.

Click here for more information on Buckley’s Mariachi Miracle project .

The Wilderness Act: Arizonans Keeping It Wild for 50 Years / Exhibition, August 25-September 26, 2014

In late 2013, I was approached by my friend Keith Bagwell, who asked me if I would be interested in working with a couple of people he knew who wanted to work on an exhibition in commemoration of the 50th anniversary of the passage of the Wilderness Act. Those two people turned out to be Meg Weesner, formerly of the National Park Service, and Kevin Dahl, executive director of the Tucson Audubon Society. They knew we housed the papers of the Udall brothers as well as those of Edward Abbey, and they were very eager to share their knowledge of conservation and environmental issues with me and to work with me to design an exhibition celebrating the 50th Anniversary of the passage of the Wilderness Act. It was a real pleasure working with them. Meg, in particular, put in a lot of time and effort into this project. She led the way.

Promotional material designed by Marty Taylor, University of Arizona Libraries

“This new exhibit showcases how, 50 years after becoming law, the Wilderness Act continues to benefit the American people by ensuring millions of acres of public land are available for recreation, exploration and inspiration. “The Wilderness Act” features original material from Special Collections including maps, books, archival documents and photographs from the collections of Edward Abbey and Stewart and Morris Udall.”

A brief interview with Meg Weesner

Read former student assistant Jarrod Mingus’s article about the exhibition here.

Listen to highlights of the opening program, courtesy of KXCI, here.

Books about Arizona’s wilderness regions
Books by and about Edward Abbey
Backpacking display. Materials on loan from Meg Weesner’s private collection.
Selections from the papers of Morris K. Udall, a dedicated environmentalist
Material on loan from the collection of Meg Weesner

Mars Madness: Sci-Fi, Popular Culture and Ray Bradbury’s Literary Journey to Outer Space / Exhibition, January 21-August 1, 2014

I co-curated this exhibit with Gloria McMillan and India Spartz. My sections of the exhibition are shown below. I created the displays featuring science fiction-related toys loaned to Special Collections by Wolf Forrest, the featured speaker for our opening event. I also made arrangements with the staff at the Lunar and Planetary Lab to borrow the Mars globe, and visited with Dr. William Hartmann at his home, where he graciously loaned me one of his Mars paintings and some of his Mars-related reference books for inclusion in the exhibition. I also purchased the posters that were displayed and made arrangements for Dr. Bradley Schauer to speak at the exhibition’s second event. It was a real pleasure getting to know Mr. Wolf Forrest, who it turns out, is not only a Sci-Fi buff, but a rock and roll music buff too!

The Mars Madness exhibit, subtitled “Sci-Fi, Popular Culture and Ray Bradbury’s Literary Journey to Outer Space” opened January 21st, and will be on display until August 1, 2014 in the Special Collections at the University of Arizona, 1510 E. University Blvd., Tucson, AZ. An array of Ray Bradbury material will be on display, including original works by the author, works of others who influenced him, pulp SF magazines, photos of Mars, movie memorabilia, and a selection of SF related toys on loan from the private collection of Wolf Forrest. The exhibit is curated by India Spartz, Bob Diaz, and Gloria McMillan, editor of Orbiting Ray Bradbury’s Mars (McFarland),

Promotional material designed by Marty Taylor, University of Arizona Libraries
https://vimeo.com/112532202
Promo video for Mars Madness exhibition
Mr. Wolf Forrest, featured speaker at the exhibition’s opening event.

The opening reception will be held on January 21, 2014, at 5:30 p.m with a talk by Mr. Wolf Forrest. A book signing with McMillan will be held March 15, 2014, at 3:30 p.m., and a lecture, “Filming Pulp Poetry: Ray Bradbury and It Came From Outer Space” with assistant professor of the School of Theater, Film and Television, Bradley Schauer, will be held on April 8, 2014, at 5 p.m.

Mars globe on loan from the Lunar and Planetary Lab. Mars books by William K. Hartmann on loan from the author.
Toys on loan from the collection of Mr. Wolf Forrest
More of Mr. Forrest’s collection
And more toys. Books/magazines from Special Collections huge collection of science fiction related works.
More books from Special Collections science fiction holdings.

The Performing Arts in Tucson / Exhibition (2015)

I put this exhibition together for display in the Main Library. All of the material comes from Special Collections, which has an amazing collection of performing arts-related holdings. The exhibition, although small, was well received, and was a pleasure to work on. I don’t have photographs of every section, but I did save some.

Description:

“Special Collections has a growing number of collections about the performing arts. This exhibit will draw on these collections to provide a look at Tucson’s history of performing arts from the 19th century to the present day. Included will be recordings, photographs, programs and other ephemera.

Tucson has been home to a rich arts scene encompassing music, dance, theater and cinema. The Tucson scene has thrived in part because of its inclusive nature, which has included classical as well as popular offerings. For instance, music offerings span symphonic and opera offerings at one end of the spectrum to street music and folk festivals at the other.

Tucsonans are fortunate that our community has so many arts and cultural organizations that sponsor performances, not the least of which is the University of Arizona. The exhibit will include materials from UA Presents, the “Saturday Morning Music Club” and Tucson Meet Yourself among other collections.”

THE PERFORMING ARTS IN TUCSON

Native peoples of Southern Arizona included chants and drumming in their ceremonial lives long before the arrival of the Spanish in the 16th century. Shortly thereafter, as the missions were built, the Spanish priests trained the local people in the music of the Church. Choral music and voice lessons provided by the local friars were a regular part of mission life during the 18th and 19th centuries. 

After Mexico won its independence from Spain in 1821, the local people continued many of the traditions that the Spanish brought with them. Tucson was a small outpost on the northernmost frontier, so entertainment by outsiders was sporadic. Small local Mexican performing groups existed, and their infrequent work consisted of serenades and performing at parties.

When the Gadsden Purchase was signed in 1854, Tucson became part of the United States, and its population gradually increased. Easterners brought with them their own European-based cultural activities. However, visiting performing groups came mostly from Mexico.  El Teatro Royal, later called the South Main Theater, was one of Tucson’s first entertainment venues. Traveling musical groups and theater troupes entertained the locals with plays in Spanish, and even opera. It is said that the world famous Mexican opera star, “La Peralta” even performed there once.

Angela Peralta, one of the greatest Opera stars of the Nineteenth Century.

The following story comes from the book, “Tucson Incunabula”, by Alexandra Maria Diamos.

In the 1870s, Levin’s Park was the home of Tucson’s first “Opera House”, which hosted traveling musical and theatrical shows. It didn’t last long, but soon other venues were created for entertainment. Military bands stationed at Ft Lowell also provided countless hours of entertainment for the local community at this time.  

In the 1880’s, St. Augustine’s Cathedral was soon joined by other churches representing the Presbyterian, Methodist, Baptist and Episcopalian faiths. Choral music and other religious music thus increased.  Along with this, the local schools (public and private) that were opened also emphasized the importance of the arts, music in particular. The University of Arizona, founded in 1885, played an important role in Tucson’s musical life. By 1906, the department of music and dance was training students in choral music and lessons were given to students learning instruments such as the violin and piano.

Tucson Daily Citizen, April 7, 1911.
Arizona Daily Star, April 12, 1911.
A scene from “Camille” with Sarah Bernhardt in the title role.

At the turn of the century, a new Tucson Opera House was built on Congress, as were other venues, including the Broadway Theater and Elysian Grove, which was located at the present site of Carrillo School on S. Main and was the former home of The Carrillo Gardens. One can only imagine what it was like attending Buffalo Bill’s Traveling Minstrel Show or seeing the great Sarah Bernhardt on stage. Both appeared in town in the early 1900s.

By 1910, what one would call “more refined” entertainment in Tucson began to increase.  The Tucson Opera House hosted everything from Shakespearean drama to nationally renowned singers and other classical musicians, while theaters such as El Teatro Carmen, established by Carmen Soto Vasquez, continued to host travelling groups from Mexico that offered both musical and theatrical entertainment.

Teatro Carmen, circa 1918.

CLASSICAL MUSIC IN TUCSON

Tucson High School was the home of many early classical concerts up through the late twenties. The auditorium was a beautiful space, and a favorite of the Tucson Symphony and other local performing groups in the 1920s.

This concert program is from 1920 and features an orchestra from Mexico.

Madeline Heineman Berger, who co-founded the Saturday Morning Music Club in 1906, also founded the Temple of Music and Art. Built in the late 1920s, it became the home of the Tucson Symphony Orchestra as well as to local theater groups that performed there. From 1929 through the late 1960s, the Temple served as a major center for Tucson’s performing arts community. The Temple fell on hard times in the 1960s and 1970s, and changed ownership a number of times, but never completely closed its doors. Today, it continues to be a thriving performing space and is home to the Arizona Theatre Company.

The Old Pueblo Mexican Orchestra, in front of the Temple of Music and Art

The Tucson Symphony Orchestra began its long life at the end of the 1920s and performed not only at Tucson High and the Temple of Music and Art, but also at the University of Arizona auditorium, well into the 1960s. In the early 1970s Tucson Community Center Music Hall became its permanent home.

By mid-century, the University had a well-established annual visiting artist series, and hosted many talented musicians and groups, including dance troupes such as the Ballet Russe de Monte Carlo. The students and faculty of the School of Music also provided concerts for the public on a regular basis. Theater was taught both in the public schools as well as at the University level, and performances of plays, musicals and opera were held on a regular basis by both local and visiting performers.

This postcard is from my personal collection. What an amazing line-up of talent!

El Dia De Los Muertos in Special Collections / Program (2013)

Over the past 25 years, the University of Arizona Library has hosted several El Dia De Los Muertos programs and altar installations. Dr. Alba Nora Martinez, a professor in the Spanish Department was an early promoter of this programming, and I worked with her at the Main Library to produce at least two different programs and installations in the late 1990s, when I was Assistant to the Dean for Staff Development, Recruitment and Diversity. Years later, after I became coordinator of exhibits and events at Special Collections, I decided to have the programming revived. In 2013, I worked with three graduate students, Amy Vaterlaus, Stephen Curley and George Apodaca on the altar below. We made paper flowers and I purchased other materials for inclusion in it. They also gave very informative presentations about various aspects of the Mexican Day of the Dead traditions in Mexico and the United States. Justin Enriquez and Juan Aguilar provided musical entertainment and there were Mexican beverages like horchata and jamaica as well as pan de muerto, provided by La Estrella Bakery. It was a fun and memorable event!

Promotional video for the El Dia De Los Muertos altar

2013 El Dia De Los Muertos altar created by Bob Diaz, Amy Vaterlaus, George Apodaca and Stephen Curley
A close up of the altar.

Video of the entire event by Antonio Arroyo

Stephen Curley, Amy Vaterlaus and George Apodaca
Pan de muerto
Visitors checking out the altar
Justin Enriquez and Juan Aguilar

The Life and Legacy of the U.S.S. Arizona / Exhibition (2016)

I co-curated this exhibition with another member of the Special Collections staff, who chose the materials for inclusion in the exhibition. My contributions included writing all of the captions and a narrative of the ship’s history (see the text below) as well as a timeline/chronology of key events in the life of the ship. All photos used here are from the U.S.S. Arizona collection, AZ 517, courtesy of Special Collections, The University of Arizona Libraries.

Promo from the UA News Service:

Special Collections, at the Main Library, has one of the largest collections of USS Arizona materials in the world. The collection will host a signature exhibition honoring the 1,177 USS Arizona crewmen and officers who gave their lives in the line of duty during the attack on Pearl Harbor.

The extensive USS Arizona collection, which has been created primarily from donations of individuals associated with the battleship during her 26-year life, is the source of content for the exhibition, “The Life and Legacy of the USS Arizona,” which opens on Aug. 29.

The exhibition will remain open through Dec. 23, featuring original photographs that document the USS Arizona’s personnel and operational history. Other materials on display will be papers, scrapbooks, documents and memorabilia, such as the ship’s newspaper, official Navy documents and crew correspondence. Also included will be oral histories with men who served on the ship and papers from the USS Arizona Reunion Association.

Click here to see the chronology that I created for the exhibition.

The narrative I wrote for the exhibit:

1914-1915

At the close of the 19th century, the military strength of Japan and Great Britain was largely based on their sea power, and both led the world in building great battleships. Domination of the seas meant domination of commerce and trade.  The United States, not to be outdone, dedicated itself into building even greater, mightier war ships, and in the early 1900s several were built. It took an act of Congress to authorize the construction of such ships. Upon completion of construction, the USS Arizona, the 41st battleship built by the US Navy, was said, by the New York Times, to be “the world’s biggest and most powerful, both offensively and defensively, super dreadnought ever constructed.” The ship was built at a cost of 15 million dollars, and was a sister ship to the USS Pennsylvania. 

There was speculation in the news media about the name of the new ship. Some believed it would be named after the home state of the Secretary of the Navy, Josephus Daniels, who hailed from North Carolina. However, as fate would have it, the keel for the new ship was laid on March 14, 1914 and it was christened the USS Arizona on June 19, 1915, in honor of its entry as the 48th state into the union on February 14, 1912.

Esther Ross, an Arizona native and the daughter of a prominent Prescott businessman, was chosen by Governor George P. Hunt as the ship’s sponsor.  It was her job to “christen” the ship, and an estimated 75,000 people crowded the New York Navy Yard in Brooklyn witness Miss Ross fling two bottles, one filled with champagne and one with water, at the prow of the ship, proclaiming, “I christen thee Arizona!”

1916-1920

The USS Arizona was commissioned on October 17, 1916 by Rear Admiral Nathaniel R. Usher. Its first captain was John D. McDonald. Following her “shakedown cruise”, or maiden voyage, on November 10, 1916, she joined the Atlantic fleet, and by the end of 1916 had sailed to Cuba and had fired both her 5-inch and 14-inch guns for the first time. Unfortunately, the ship had experienced some mechanical problems with one of its engines, and as a result had to return to New York for repairs, which took about four months.

The ship remained stateside during World War I because oil, which wasn’t readily available in Europe during the war, was the ship’s main fuel source, while other ships in the US fleet ran on coal, which was plentiful in places like England.

Shortly after the war ended, the ship participated in escorting President Woodrow Wilson to Europe for the Paris Peace talks in December 1918. It was then sent to Turkey in 1919 at the beginning of the Greco-Turkish War to represent US interests, which included the oil companies owned by men such as John D. Rockefeller. It then sailed back to New York where it remained until the following year. In January, 1920, the ship sailed to the Caribbean once again, with visits to Cuba, Barbados and Panama.

1921-1925

In early January of 1921, the USS Arizona joined the rest of the Atlantic fleet for a trek to Cuba to participate in a series of tactical exercises in the Caribbean. Having its sister ships in proximity offered the crew of the USS Arizona the opportunity to compete with the crews of other ships in a variety of sports, including football, rowing, boxing and baseball. Several of these athletic teams from USS Arizona won awards and trophies.

 The fleet transited the Panama Canal on January 17, 1921, and made its way to Peru, crossing the Equator for the first time on January 24. This was the USS Arizona’s first opportunity to both transit the Canal and to cross the Equator. Crossing the Equator, according to naval tradition, meant it was time for the “crossing the line” ceremonies, a series of mostly fun-filled activities and practical jokes intended to initiate new recruits into the naval brotherhood.

By mid-1921, a number of changes took place, including a change in senior leadership. The USS Arizona was now under the command of Rear Admiral Josiah S. McKean and tasked to join the Pacific fleet, with its new home base at San Pedro, a port adjacent to Long Beach, Ca.

In 1923, President Warren Harding reviewed the ship while anchored in Seattle. Upon his death the following month, the USS Arizona half-masted her colors and joined other ships in firing a salute to the deceased President.

1925-1930

The latter part of the 1920s found the USS Arizona with a busy schedule. It was continually moving, often engaged with its sister battleships in a variety of military exercises. From its home base in Southern California, it sailed up and down the West Coast, from San Pedro to San Francisco to Seattle and back numerous times. It sailed to Hawaii twice, to Panama and the Caribbean, and up to New York and back. Its final trip of the 1920s was through the Panama Canal up to the Norfolk Navy Yard where it was dry docked in late May, 1929, and underwent major renovations.  The cage masts were replaced with newer tripod-type masts, and newer five inch guns replaced her old three-inch anti-aircraft battery. Outer plating was added to protect against underwater mines and torpedos.  Work on the ship was finally completed in December of 1930.

1931-1935

Remodeling of the ship was completed by 1931 and the ship is re-commissioned. It sails the East Coast, and escorts President Herbert Hoover on a cruise to the West Indies and back to Maine. It also makes trips to Cuba and the Panama Canal on its way back to the West coast. By early 1932 it makes its way to Hawaii with other battle ships for tactical exercises, but soon returns to the West Coast. This would be the normal routine for the ship for the remainder of the 1930s, although there were a few out of the ordinary adventures, including the occurrence of an earthquake in Long Beach in 1933. The crew of the ship assisted with the relief efforts that followed. Another was the use of the ship as the main prop for the movie, “Here Comes the Navy” starring James Cagney in 1934.

1936-1940

The next five years (1936-1940) finds the ship spending time sailing up and down the Pacific coast, as well as making a few long distance trips to Hawaii, Panama and the South Seas.  It crossed the Equator two more times, offering the ship’s men the opportunity to engage in more rounds of “crossing the line” ceremonies. It also participated with the rest of the US Fleet in various military exercises throughout this time period.   Tragically, on July 9, 1937, one of the USS Arizona’s planes, an O3U-3 biplane, was caught by a sudden wind that plunged it five hundred feet, into Puget Sound, leaving one man, Seaman First Class William H. Meyers, dead. By late September, 1940. the ship returned to the West Coast and spent the last days of 1940 in the Puget Sound region. 

December 7, 1941

Pearl Harbor. The fate of the crew on the USS Arizona took the worst turn imaginable on December 7, 1941. Early in the morning, the Japanese attacked the US fleet docked in the harbor, and virtually destroyed the USS Arizona with a direct hit which split the ship in half and caused it to sink, killing most of its men. In all over 1,100 lives were lost. Over 900 of these men are still buried on the ship. As then President Franklin D. Roosevelt proclaimed shortly after the bombing, Dec. 7 1941 “would be a day that would live in infamy”. 

There are numerous first person accounts of the day Pearl Harbor was attacked. To learn more about these personal testimonies, please see the computer kiosk included as part of this exhibit. It includes two recorded oral histories. 

The book, “The USS Arizona: the ship, the men, the Pearl Harbor attack, and the symbol that aroused America,” by Joy Waldron Jasper, James P. Delgado and Jim Adams. New York: Truman Talley, 2001, is also available in the Main Library and Special Collections.                (Call #: D 767.92 J37 2001)

Daily Life on the USS Arizona

The USS Arizona was home to over 1500 crew members at any given time. There was a clearly defined chain of command and very little, if any, informal interaction between officers and the non-commissioned and enlisted ranks. Those in the enlisted ranks were assigned the most laborious jobs, such as holystoning the deck, (sanding the deck with a brick attached to a pole) polishing brass and peeling chipped paint.

While daily life on the USS Arizona was very regimented, the sailors still found time for engaging in various activities, including a variety of sports such as boxing, rowing, baseball and football.  Over the years the teams representing the USS Arizona in competition with teams from other ships won a number of trophies and awards.

The ship housed a printing operation, and published a weekly newsletter, as well as programs for events and other activities. The ship had its own band, and concerts were given whenever possible. Parties, and special dinners occurred all too rarely, but were memorable events. The ship also had a library, and a canteen, and church services were held every Sunday.

William Watkins

William Allen Watkins was born in Jackson County, West Virginia and served aboard the USS Arizona from 1931-1938. He remained with the US Navy for 23 years, and retired in 1953. His duties while on the USS Arizona included that of turret crew member, where he kept the turret #1 clean and ready for firing.  He was active in sports, and participated on the ship’s tennis, baseball and rowing teams throughout the 30s.  He donated over 400 USS Arizona related items to the University of Arizona, including photographs, albums, books, certificates, banners, a kerchief and various handmade souvenirs such as handmade photo frames and ashtrays, made from shell casings and scrap metal.

Carlos Cecil

Carlos Cecil enlisted in the US Navy in 1917. He was a Carpenter’s Mate 1st class, and served on board the USS Arizona from 1919 to 1921, whereupon he received an honorable discharge. He was born on October 15, 1899 in St. Louis Missouri, and passed away at the age of 70 on July 8, 1970.  His last will and testament stipulated that his collection of Navy memorabilia be donated to the University of Arizona. These included photographs, news articles and programs for various events. They were presented to the University by Cecil’s widow at the 18th Annual Fleet Reserve Associations SS Arizona Memorial Service, held at the Student Union building on December 5, 1971.

Crew-Kin Association

The USS Arizona Crew-Kin, an Arizona non-profit organization, was founded in 1979 shortly after the fourth annual reunion of the USS Arizona Reunion Association. The organization’s objectives were to: maintain membership of the immediate relatives of persons who served on board the USS Arizona; to perpetuate and memorialize the Battleship USS Arizona and the officers and men who served on board; and to conduct reunions with such members. Meetings were held annually and reunions were to take place on the weekend nearest the 7th of December at the University of Arizona’s Student Union building. The organization’s bylaws included descriptions and duties for various committees, including the newsletter committee, a historian committee, and a publicity committee.

Pearl Harbor Memorial

Efforts to create a memorial at Pearl Harbor date back to 1950, when Admiral Arthur W. Radford, commander of the Pacific Fleet, attached a flag pole to the main mast of the USS Arizona and began a tradition of hoisting and lowering the flag. A temporary memorial was created that same year above the remaining portion of the deckhouse.  As early as 1951, Radford requested funding to create a national memorial, but it took over 10 years to see his vision realized.

The USS Arizona Memorial was built in 1962, and is the resting place of 1,102 of the 1,177 sailors and Marines killed on the USS Arizona during the Japanese attack on Pearl Harbor. The memorial was designed by Honolulu architect, Alfred Preis.

The National Park Service currently manages a visitor’s center, where historical information about the ship is provided.  It also runs a shuttle to and from the memorial, and provides other general visitor services. 2 million people visit the site annually. The sunken remains of the USS Arizona were declared a National Historic Landmark on May 5, 1989.

The Ship’s Bell

In June, 1944, while in search of scrap material in the Bremerton Navy Yard, Wilbur Bowers, (a University of Arizona graduate, class of 1927), discovered one of the ship’s bells from the USS Arizona, enclosed in a crate and in line to be melted down. Bowers worked immediately to save the bell, contacting the senior Naval command. In August of the same year, Arizona Governor Sidney P. Osborn wrote to the Honorable James V. Forrestal, Secretary of the Navy, requesting that once the war ended, that the ship’s bell be turned over to the State of Arizona, to be hung at the University of Arizona’s Old Main building. The bell reached the campus in 1946, and when the new Memorial Student Union building was constructed in the early 1950s, was installed in a tower built specifically for it. While the Memorial Student Union has since been re-modeled, the bell remains a stalwart fixture in the structure, and is rung on special occasions. It is also rung seven times every third Wednesday of the month to honor the achievements of UA students, faculty and staff.

Crossing the Line Ceremonies

The Crossing the Line ceremony is an initiation rite in the US Navy that has origins going back hundreds of years.  It commemorates a sailor’s first crossing of the Equator. The two-day event is a ritual in which previously inducted crew members called Trusty Shellbacks, are organized into a “Court of Neptune” to induct “slimy pollywogs” into the “mysteries of the deep”. The pollywogs undergo a series of personal initiation ordeals. After a day and half of such activities, a pollywog receives a certificate indicating his new status as a shellback.

The USS Arizona crossed the Equator three times, first on January 24, 1921, then again on May 19, 1936 and a final time in July, 1940. On each occasion, the crossing of the line ceremony was held. The USS Arizona collection includes a variety of photographs and memorabilia commemorating each crossing.

Click here to see Special Collections’ online exhibition.

Una Noche De Corridos / Program (2013)

Promotional material by Marty Taylor, University of Arizona Libraries

This was the first in a series of 3 corridos programs held between 2013 and 2016. Several performers shared their talents, including Mr. Bobby Benton, Mr. Jim Griffith, Justin Enriquez and Juan Aguilar of Los Cuatro Vientos, and an unknown gentlemen who shared some of his own original compositions. It was a night to remember. See below to listen to the audio of the program.

Many thanks to Aengus Anderson for shooting this beautiful promotional video for Una Noche De Corridos, featuring Justin Enriquez and Juan Aguilar.

From the UA News Service:

Celebrate Hispanic Heritage Month at the UA Special Collections as local musicians, including UA students, perform ballads of passion, pride and politics, also known as corridos. Throughout the oral history and tradition of Mexico, the corrido has been a source of information, education and celebration about events, people or places.

The corrido was particularly important during the Mexican War of Independence and the Mexican Revolution when news of events, heroes and tragedies were shared through the genre.

Often times sung by a single performer playing a guitar, corridos vary in length, style and rhythm. As a staple of Mexican musical life, corridos are also celebrated in an annual contest held during the Tucson Meet Yourself festival”.

Watch the entire program here:

Mr. Bobby Benton
One of the evening’s performers, name unknown
Members of the audience
Juan Aguilar, Justin Enriquez and Bobby Benton
Big Jim Griffith

Teatro Libertad and Chicano Theater in Tucson / Exhibition, September 3, 2013-February 20, 2014

I was a member of Teatro Libertad from 1983 to 1985. Putting this exhibit and program together was one of the highlights of my career in librarianship. It took many months of planning to bring over 25 former members together, but I managed to pull it off. Teresa Jones flew in from Seattle, Pamela Calla joined us live from New York via Skype, and other members just seemed to pop out of the woodwork. The reunion was a memorable occasion, and putting the exhibit together was a blast.

Promotional material designed by Marty Taylor

From the UA News Service: “A local street theater company from the 1970s, Teatro Libertad, is featured in a new exhibit on display from Sept. 3, 2013 – Jan. 12, 2014 at the UA Main Library.
Formed in 1975 by seven local actors and musicians – Scott Egan, Barclay Goldsmith, Teresa Jones, Arturo Martinez, Pancho Medina, Arnold Palacios, and Sylviana Wood – the group was influenced by the tradition of teatro Chicano, the Chicano movement of the 60s and 70s, and with inspiration from El Teatro Campesino – a group formed by Luis Valdez in the early 1960s.


Teatro Libertad tackled real life, everyday issues as experienced by the Chicano community in Tucson and the Southwest. Using satire, comedy, and music, the group wrote and performed their plays with the goal of getting people to think about issues such as unemployment, union organization, race, and cultural identity. Among the plays written and performed by Teatro Libertad were “Los Peregrinos,” “El Vacil de 76,” “Los Pelados,” “La Jefita,” “Semilla Sembrada” and “La Vida Del Cobre.”

Teatro Libertad’s first full length play, Los Peregrinos


The bilingual, multicultural group relied on simple stage sets and props – old boxes, masks, and signs – when performing in local neighborhood centers throughout Tucson and in Mexico City, San Diego, Santa Barbara and New York. The group also performed – sometimes from a flatbed truck – in Arizona’s mining towns for striking miners or farm workers.


More than 25 performers participated in the all-volunteer Teatro Libertad during the group’s 14-year run. Additional members included Pamela Bartholomew, Olivia Beauford, Bob Diaz, Lilliana Gambarte, Pernela Jones, Jean McClelland, Juan Villegas and a host of others.

Semilla Sembrada was written and performed in the early 1980s


The exhibit, “Teatro Libertad and Chicano Theatre in Tucson,” is a retrospective review of the societal and cultural context in which the group performed. Original scripts, promotional materials, photographs, newspaper articles, reviews, and other original documents recreate the work of Teatro Libertad. Bob Diaz, associate librarian in Special Collections, curated the exhibit, with material on loan from former members. A permanent archive of Teatro Libertad will also be established for the benefit of future academic research and scholarship.

A selection of plays and other materials on Chicano theater

40 Years of Tucson Meet Yourself / Exhibition, September 12, 2013-January 12, 2014

Promotional material by Marty Taylor, University of Arizona Libraries

In the mid-2000s I was a board member of Tucson Meet Yourself. Knowing that the 40th anniversary of the event was coming up, I decided to curate an exhibit on the event. Special Collections is home to the archives of the Southwest Folkore Center, which sponsored Tucson Meet Yourself. There was a wealth of materials to choose from, and it was great fun putting this exhibition together.

From the UA News Service: In celebration of the 40th anniversary of Tucson Meet Yourself, the UA Special Collections is hosting “40 Years of Tucson Meet Yourself” through Jan. 10. The special exhibition, curated by Bob Diaz, offers a retrospective review of the origins, traditions and celebrations that define Tucson Meet Yourself.

A view of the exhibition gallery
A display of Tucson Meet Yourself t-shirts

On display at Special Collections, 1510 E. University Blvd., the exhibition includes decades of posters, newspaper articles, programs, photographs and original documents, such as meeting notes. Also included is a music kiosk and a history of the festival’s annual corrido contest as well as a special profile of Griffith, the festival’s founder who is now retired from the UA.

Curated from the Tucson Meet Yourself Archive in Special Collections, which documents the festival from its first year through 1995, the exhibit also includes select items borrowed from the festival headquarters that were recently relocated to the UA Downtown campus in the Roy Place building. 

A display of recordings by Lydia Mendoza and Lalo Guerrero, two regional musicians who performed at Tucson Meet Yourself

For more information about the 40th anniversary of Tucson Meet Yourself and the exhibition, see the Zocalo article, “Ephemera and Eccentricities”, by Monica Surfaro Spigelman.

50 Years: Civil Rights in Arizona / Exhibition, January 15-August 13, 2013.

Publicity material by Marty Taylor, University of Arizona Libraries

From the UA News Service:

UA Exhibition Reflects on Decades of Civil Rights in Tucson

Jan. 14, 2013

On Aug. 28, 1963, thousands were drawn to the National Mall in Washington, D.C. to be part of what would become a historic event: the March on Washington for Jobs and Freedom.

On a national level, the march spurred the passing of important civil rights legislation.

To honor that history, a new exhibition at the UA’s Special Collections will review how, 50 years later, the fight for civil rights has impacted local Tucson communities.

The exhibition, “50 Years: Civil Rights in Arizona from 1963 to Today,” is on display Jan. 15 through Aug. 31 at the UA Special Collections, 1510 E. University Blvd. The Special Collections exhibition focuses on national civil rights issues. A companion exhibition focusing on local civil rights will be on display in the UA Main Library during the same time period.

Highlights of the exhibit include national civil rights legislative documents from the Morris K. and Stewart L. Udall Collections and from the Tucson Council for Civic Unity archive, which detail the council’s effort to end discrimination and segregation in Tucson and Arizona.

The exhibition also includes photographs and papers from civil rights groups and individuals representing the African American, Native American, Asian American, Mexican American and lesbian, gay, bisexual and transgender (LGBT) communities of Tucson. An audio kiosk with songs from the civil rights era is also part of the exhibition.

A lecture series featuring community leaders, UA scholars and local educators, will accompany the exhibition. All lectures take place at Special Collections and are free and open to the public. They are:

  • Jan. 15: “50 Years: Tucson’s African American Community will be held 7-9 p.m. A screening of the documentary film “In Their Own Words: The 1960s Civil Rights Movement in Tucson” and a panel discussion with Charles Ford, former Tucson Vice Mayor and retired Tucson Unified School District principal, and Cressworth Lander, anative Tucsonan and president of the Dunbar Coalition.
  • Feb. 12: “50 Years: Tucson’s Native American Community” will be held 4-6 p.m. A discussion about Arizona, the Supreme Court and legal cases affecting and involving tribal members law cases, Arizona during the civil rights era with Robert A. Williams, Jr., the E. Thomas Sullivan Professor of Law and American Indian Studies at the UA James E. Rogers College of Law.
  • March 7: “50 Years: Tucson’s LGBTQ Community” will be held 7-9 p.m. A discussion with Adela Licona, an associate professor in the UA’s English department; Stephen Russell, who directs the Frances McClelland Institute; and Jamie Lee, a doctoral student in the UA School of Information Resources and Library Science.
  • April 29: “50 Years: Tucson’s Mexican American Community” is a discussion with Lupe Castillo, a faculty member at Pima Community College, and Margo Cowan, a Pima County public defender.

Contact: Bob Diaz, UA Special Collections, at 520-621‐7010 and diazj@u.library.arizona.edu.

Here is another overview of the exhibition and programs, from the February 21, 2013 issue of the Tucson Weekly. The exhibition and programs were The Weekly’s “Pick of the Week”.

50 Years Later, by Megan Merrimac.

For more information see: 50 Years Later, a “Pick of the week” article by Megan Merrimac that appeared in the Tucson Weekly on February 21, 2013.

Visions of the Borderlands: Myths and Realities / Exhibition and Programs (January 23-June 30, 2017)

Promotional material by Marty Taylor, University of Arizona Libraries

I co-curated this exhibit with Veronica Reyes-Escudero and a graduate student from the Library School. My portions of the exhibit dealt with stereotypes of people and places and included a focus on pulp fiction, movies and movie posters, as well as dude ranches and promotional material used by entities like the Tucson Sunshine Club. Veronica’s sections of the exhibit dealt with real life accounts of life along the border taken from diaries, for example and photographs of farming and ranching. The annotations that follow were all contributed by Veronica.

From the UA News Service: “Visions of the Borderlands: Myths and Realities is an exhibition inspired by two works published by the University of Arizona Press, Celluloid Pueblo by Jennifer L. Jenkins and Postcards from the Sonora Border by Daniel D. Arreola. There is a reality and a myth of the U.S.–Mexico borderlands, propagated through multiple lenses. Featuring material depicting both reality and myth through photography, posters, pamphlets and written documentation, this exhibit centers on important areas of enterprise for the Southwest such as photography and film; copper mining; tourism; and cattle ranching. It also expresses issues of discord such as the Mexican Revolution, mining strikes and immigrant exclusionary legislation of the time.

Promotional video for “Visions of the Borderlands”
Local writer, Ernesto Portillo, Jr. featured “Visions of the Borderlands” in one of his “Neto’s Tucson” columns

The exhibit was also covered in a publication titled “Bear Essential News”. Click here to read it.

Two events were planned to go along with this exhibit. The opening event was titled, “Visions of the Borderlands: Exploring Popular Historical Imagery,” featuring author Daniel Arreola and University of Arizona Professor Jennifer Jenkins.

The second program “Visions of the Borderlands: Three Women Writers Share Their Stories”, featured the writers Denise Chavez, Patricia Preciado Martin, and Natalie Diaz. The program can be listened to in its entirety below. Producing this program was, for me, the best part of the whole project.

Arte Publico Press and the Legacy of Latino Publishing in the U.S / Exhibition, April 2- June 12, 2012

I worked with Dr. Charles Tatum of the Humanities program at the University of Arizona on this exhibit and lecture. Unfortunately, no photos of the actual exhibit exist, as they were lost when one of my hard drives bit the dust.

Promotional poster by Marty Taylor, University of Arizona Libraries

Main Library

April 2, 2012-June 12, 2012

News release by Bob Diaz

Tucson, Ariz. (March 29, 2012) – A new exhibit at the UA Main Library explores the history of Latino literature in the United States and chronicles a national movement to recover the Hispanic literary tradition. On display from April 2 – June 12, 2012, “Arte Público Press and the Legacy of Latino Publishing in the U.S.” showcases one of nation’s oldest and most esteemed Hispanic publishing houses. Nicolás Kanellos, director of Arte Público Press, will deliver the opening lecture titled “From the Latino Archive to Your PC or Laptop or Hand-Held Device: EBSCO Partners with Hispanic Recovery” on April 4 from 3:30 – 5:00 p.m. in UA Special Collections.

Nicolás Kanellos, founding publisher of the noted Hispanic literary journal The Americas Review (formerly Revista Chicano-Riqueña), established Arte Público Press in 1979. As that nation’s oldest and largest non-profit publisher of literature of U.S. Hispanic authors, Arte Público Press showcases Hispanic literary activity, arts, and culture. Its imprint for children and young adults, Piñata Books, is dedicated to the realistic and authentic portrayal of the customs, characters and themes unique to Hispanic culture in the United States.

Here is a selection of authors and book titles published by Arte Publico Press, and included in the exhibit.

Lucha Corpi

Cine Mariachi Film Festival at the Fox / 2006

In 2005, I became a board member of the Tucson International Mariachi Conference. It was a memorable experience. I hadn’t done a lot of fundraising before, but one of my tasks as a member of this group was to do just that. I came up with the idea of having a film festival, and pulled all my resources together to produce “Cine Mariachi at the Fox”. I worked with the Mexican Consulate in Tucson to secure a beautiful print of the film “Dos Tipos de Cuidado” starring Pedro Infante and Jorge Negrete, and I also pulled some strings to secure the Fox Theatre as the venue for the program. My friend Pima County Supervisor Richard Elias was intstrumental in helping me with this. My mariachi friends Johnny Contreras and Olga Flores helped get a small mariachi group together to provide musical entertainment, and we even had ballet folklorico dancers.The promotional materials were done by a marketing group that worked with the Tucson International Mariachi Conference. We even got write-ups in the local press. It was a full day’s worth of fun! Now that these films are freely available on Youtube, I have included them below. Enjoy!

Complete film: El Mariachi Canta
Rogaciano El Huapanguero. Complete film.
Dos Tipos De Cuidado in color. Complete film.

Photos of the program

These are copyrighted photos, available for purchase, courtesy of kevin@KvrCreative.com.