Most of the material included here–record albums, photos, cds and magazine articles, etc.– comes from my personal archives. However, I’ve added a few videos, photos and graphics from other sources to help tell the story of my lifelong infatuation with the music of Tina Turner.
My earliest recollections of Tina Turner go back to when I was a 12-year old kid watching her on television performing Proud Mary with Ike Turner and the Ikettes back in the early 70s. She had long legs, wore mini-skirts and a long dark brown wig, and could dance and sing like nobody’s business. I can close my eyes and clearly see her and her girls dancing in unison like crazy, tossing their hair back and forth as they did a rolling motion with their arms, while Tina belted out the lyrics to Proud Mary. It was a wild thing to witness. The group must’ve appeared on several tv shows in the Sixties and Seventies. Their onstage energy was unmatched.
I must admit, I have not studied Ike and Tina Turner’s recording history much until just recently. Slowly but surely, I’m piecing things together. They first recorded together in 1960-61 and had a couple of hits that included “A Fool In Love” and “It’s Gonna work Out fine” which I remember hearing on some of the oldies anthologies that I had bought when I first started collecting albums in earnest while in college. I have a cd re-issue of their first album, shown above, titled “The Soul of Ike and Tina Turner”.
I also have a video of Tina performing with Marvin Gaye on the tv show Shindig in the mid-60s. I think they sang the song Money and I’ll be Doggone. She also performed A Fool in Love and Ooh Poo Pah Doo on the program. I used to love to watch the show on television. Aretha Franklin also appeared on it a number of times. It was great. Lots of popular groups performed on it and other shows like Hullabaloo.
Here’s more about the Big T.N.T. concert from Wikipedia : “The Big T.N.T. Show is a 1966 concert film. Directed by Larry Peerce and distributed by American International Pictures. It includes performances by numerous popular rock and roll and R&B musicians from the United States and the United Kingdom. A sequel to 1964’s The T.A.M.I. Show, and, like it, executive produced by Henry G. Saperstein, The Big T.N.T. Show was likewise shot on videotape and transferred to 35-millimeter film. Some footage from it was reused in the film That Was Rock, a.k.a. The T.A.M.I. / T.N.T. Show (1984).”
Two of the first record albums I acquired when I was in college were the legendary recording, River Deep Mountain High, and a compilation album titled, The Soul of Ike and Tina Turner, which consisted of songs recorded in the mid-60s on the Kent record label. Phil Spector recorded Tina singing River Deep Mountain High in England. He paid Ike to stay away from the recording studio while he recorded Tina’s vocals. The song has that very unique “wall of sound” quality that Spector was so famous for, and it features Tina singing her heart out. It was released in both the US and England, where it was a big hit. It didn’t do well at all in the States, however, and it is said that Phil Spector closed down his record company and went into seclusion afterwards because he was so disappointed in how the song did in the U.S. The album, while recorded in 1966, was released in England in 1967. In the US, the A & M label issued it in 1969. My copy has a few snap, crackle and pops, but doesn’t skip.
I have a 1971 French import issue of the album, “The Soul of Ike and Tina Turner” (not to be confused with their very first release from 1961, which has the same title), which consisted of songs Ike and Tina recorded in the mid-60s on the Modern and Kent labels. The album was released originally in 1966 on the Kent label. The recording I have is in pristine condition and sounds amazing.
Two additional albums that I have are of live performances recorded at the Skyliner Ballroom (Fort Worth, Texas) and the Lovall’s Ballroom (Dallas, Texas) in 1964.
The first recording was originally titled, “Live!: The Ike and Tina Turner Show” and was released in January 1965 on the Warner Bros. label (Catalog Number: W 1579). The version I have is titled “Somehing’s Got A Hold On Me”. It was released in 1971 on the Harmony Records label. Three of the songs on the original recording are omitted from this version.
The second recording of the 1964 live performances was originally titled, “The Ike and Tina Turner Show, Vol. 2”, and was released in January 1967 on the Loma label, (Catalog number: LS 5904). The version I have was released in 1969 on the Harmony Records label, and is titled Ooh Poo Pah Doo,
Because I had no idea of the details around the nearly 20 year recording history of Ike and Tina Turner, when I first started buying their records, I collected whatever I could find at the used record stores. There was no rhyme or reason to my collecting strategy, except that I liked finding records that cost under $5, and most of the ones I have averaged about $3 a disc.
In the late sixties, the group recorded for the Blue Thumb label, and many of the songs on the albums from this period are blues numbers. I really love the album, The Hunter, which I gave away to my good friends Mike and Denice. In hindsight, sometimes I think it was dumb of me to do that, but they were leaving town and I had to give them a gift, something memorable, so I chose that recording plus a John Lee Hooker album and a Taj Mahal album, all of which I had a hard time finding later. I did manage to find some of the Blue Thumb recordings on compact disc later.
She sang the blues like nobody’s business, but I’ve read that she didn’t like singing those songs that much. Dang. She’s one of the best blues singers I’ve ever heard. That’s really too bad, but there’s probably too much association with Ike Turner and the pain she endured while with him. I don’t think she sang the blues in the eighties at all.
Ike and Tina Turner began performing Proud Mary in their live shows in 1969. In 1970, they recorded the song and it came out on their album, “Workin’ Together”. It became a huge hit in 1971. The performance that follows was recorded for the Ed Sullivan Show, where they appeared live on January 11, 1970. It also includes Bold Soul Sister.
I didn’t know this, but Ike and Tina were the first rock act to play at the brand new Tucson Community Center back in October, 1971. Here’s a brief announcement about the concert:
A lot of their recordings in the 70’s appeared on the United Artists label. Here are the ones I have in my collection:
Tina suffered severe abuse as Ike’s wife, but she finally broke free in July, 1976, and never looked back. Their divorce was finalized in 1978. All she got out of it were two cars and her name, which Ike had trademarked years ago. The ensuing years were difficult for her, but she persevered. Her Buddhist faith kept her strong and focused.
It took her a bit of time to get back on her feet and find her own way, but by the early 80’s she was once again performing and attracting attention as a great singer and performer, this time as a solo act. I hadn’t really known the details about what was going on with her, but in the early 80’s, I clipped and saved some Village Voice ads promoting her performances at the Ritz in New York in September and October of 1981. They appear below:
Here are a couple of import cassettes that I found, both released in 1981. Both have the exact same song lists too. I can’t seem to find the original albums in which these songs first appeared.
I found a copy of the 12” single, “Let’s Stay Together” shortly after it was recorded in 1983 and released early in 1984. Al Green wrote the tune and it was a big hit for him in 1972. It was the first big record for her since she had left Ike, and it marked a major turning point in her career. She was especially big in England where the song went to the top of the charts.
Throughout her career, Tina has been on of the hardest working performers in show business. This concert is one of many examples of her amazing energy and talent. It’s from 1982, when she was performing on her own, a year before things started getting much better for her:
Here’s another amazing performance from around the same time:
Tina’s version of Let’s Stay Together, released in late 1983 in England and early 1984 in the US, rose to the top of the charts in England, and was the beginning of her rise to superstardom. Within a year, her breakthrough recording of Private Dancer would change things for her in a big, big way. She finally got the recognition she deserved as the world’s queen of rock and roll.
Private Dancer was released shortly after this in May, 1984.
Here is a snippet from Wikipedia, that details the incredible success of this album:
“The album was released on May 29, 1984, and became an outstanding global commercial success.[20][21][22] The album peaked at number three on the Billboard 200 chart for ten consecutive weeks[23] and remained in the top ten for 39 weeks from August 1984 to May 1985. In the United States it was certified 5× platinum.[24] In Germany, the album went 5× gold becoming one of the best selling albums in history. It peaked at number two on the UK Albums Chart, where it was certified 3× platinum, remaining on the charts for 150 total weeks. It was certified 7× platinum for the shipment of over 700,000 copies in Canada by the Canadian Recording Industry Association. The album has sold more than 12 million copies worldwide.[25][26] At the 1985 Grammy Awards, Private Dancer won four of the six awards for which it was nominated.”
Her first big hit after her breakthrough album Private Dancer was released was “What’s Love Got To Do With It”. I liked the record a lot, but Tina has said she was reluctant to record it. She didn’t really care for it. I heard her say in an interview that “love has everything to do with it”, so I can understand why she didn’t care for the song. However, she also noted that the tune was catchy and that the public loved it. The video was quite popular, if I recall correctly.
The single, “Private Dancer” was also a big hit, but I didn’t like it much. I saw Joan Baez sing it in concert once with just her guitar. I thought it quite odd, but Joan loved Tina Turner, and there are several photos of them together, including the one below.
Tina sang on the We Are The World record, recorded on January 8, 1985. She was part of a huge superstar line-up that included Willie Nelson, Cyndi Lauper, Lionel Ritchie, Bruce Springsteen, Michael Jackson, Quincy Jones, Madonna and Bob Dylan.
I enjoyed seeing her on Live Aid on July 13, 1985. Her duet with Mick Jagger was quite memorable, especially the part where he rips off her skirt. I vaguely remember Patti Labelle and Tina getting into a bit of a tiff over one of them touching the other, and there being a bad reaction from one of them, because of the sweat that was pouring out. What the hell?
Just a few days after Live Aid, Tina appeared on the cover of People magazine. (This article and the US article are both in my personal collection of memorabilia). No mention is made of her life with Ike Turner and the abuse she endured during their marriage. She revealed all those details the following year in her autobiography.
Released on September 1, 1986. I read it at the time, but never had my own copy.
A week later, she appeared on the cover of US magazine. In this interview, she provides details about her relationship with Ike Turner. She had such a rough life with him, it’s incredible that she endured it for so long.
After Private Dancer, Tina appeared in the film, Mad Max: Beyond Thunderdome. I never saw the movie, nor do I have any of the recordings from it, although the song, “We Don’t Need Another Hero” was a big hit. I never took to it for some reason.
The following year, Tina released the cd, Break Every Rule. I never bought it, but I do have a 45 of one of the songs from it. I also have just the cover of another song from that album. I have no idea where I acquired it.
I just love this song. Man oh man!
Tina appeared in concert in Tucson in early December, 1987. I was living in Ann Arbor at the time, but would have gone if I’d been here.
By 1988, Tina was an international super star She had millions of fans, and drew immense crowds to her concerts. Here are some items from my collection, including her live album (part 1 is on cd, part 2 is on cassette. I don’t know how that happened) and an ad for a HBO special of a concert she gave in South America.
Tina turned 50 in 1989. I clipped this article from the Ann Arbor news.
I also have the following two photos in my Tina Turner file. These are from 1990.
In 1991, Tina released the following greatest hits compilation, which I have in my collection.
She has said that her favorite song is “Simply the Best”. She noted that her record producers didn’t care for the tune, but that she fought hard to have it recorded. Thank goodness. It’s become her signature song, and every time I see her perform it, I’m amazed at her energy and joy.
In 1993, the movie, “What’s Love Got To Do With It?” was released. Directed by Brian Gibson and written by Kate Lanier, it is based on Tina’s 1986 autobiography I, Tina, and stars Angela Bassett as Tina and Laurence Fishburne as her abusive husband Ike Turner. I’ve seen bits and pieces of the film, but not the entire thing. It’s something I plan to do soon.
Jumping forward to 1999, Tina appeared in the VH1 Divas 1999 concert. She tore the place up with her songs, “The Best” and “Proud Mary” on which she shared the stage with Elton John and Cher. She arrived in a limousine, and walked right on to the stage to sing Simply the Best. It was a moment to behold.
Rounding out my collection of Ike and Tina Turner recordings are two cd compilations from the late 60s, both consisting of material recorded on the Blue Thumb label.
When I hosted my radio show, “The Chicano Connection” (1983-1986, 2005 to 2020), I would regularly feature the music of Ike and Tina Turner. Below is a quick bio sheet I wrote up for my segment on Tina Turner in celebration of her birthday one year. I’ve also included a sheet full of the songs by Ike and Tina Turner that I played over the years while on the air.
Aretha Franklin had her feathers ruffled in 2015 when Beyonce’ called Tina “the queen” at the Grammys 50th anniversary show. This only made Aretha look bad. She was always quite insecure about her status as one of the world’s greatest singers. Tina later noted that Aretha was the queen of soul and that she was the queen of rock and roll and said there’s room for more than one at the top. I heartily agree.
Those performances that Tina Turner did live on television with Ike and her dancers will be forever embedded in the collective memory of people from my generation. There’s no justification, however, for what Ike did to her over the years, but I believe that you can’t just erase what you don’t like about the past. You have to acknowledge it. It happened and that’s that. However, there are indeed other things one can focus on at present, so I would rather just do that rather than ever, ever glorify Ike Turner.
Tina didn’t let her fame go to her head. She was a devout Buddhist and remained so from the mid-70s to the very end. She chanted the same chant my cousin Tish chants. I still have the card Tish gave me with the words Nam Myoho Renge Kyo.
For a long time, my favorite songs were the blues tunes from the late 60s. 3 O’Clock in the Morning Blues, Dust My Broom, You’ve Got my Running, and Mean Old World are all very heartfelt and beautifully sung. Tina’s raspy, low voice is well suited to these kinds of songs. Too bad she didn’t care for the genre much. Oh well. At least we have the Blue Thumb records and cd compilations.
Lately, I’ve been enjoying discovering some of her newer work. I really like, “It’s Only Love”, the duet she sings with Bryan Adams, and I enjoy the song Steamy Windows a lot. I’m sure there are a lot more songs that I’ll enjoy as I continue to listen and learn.
What a wonderful recording legacy she left us. And it started in 1960, not 1983.
Here are two recent magazines featuring Tina Turner that I bought for my collection at Walgreens in early June, 2023.
I had no idea this duet existed until today, which is July 12, 2023. It’s amazing. The are great together. I’d never even heard of Jimmy Barnes until today, but he’s quite popular.
For more information, consult Wikipedia’s entries on Ike and Tina Turner and Tina Turner. Also see the entries, Ike and Tina Turner Discography and Tina Turner Discography for a more complete listing of their recordings than what I have included in this post. The site Discogs includes a lot of additional information about their various recordings.
AN IKE AND TINA TURNER TIMELINE TO EARLY 1991 (borrowed from the book, “Rock Movers and Shakers” by Dafydd Rees).
Tina Turner left behind a lengthy, rich recorded legacy going all the way back to 1960. The following lists of Ike and Tina Turner and Tina Turner 45 rpm singles is borrowed from the book “Goldmine 45 RPM Records Price Guide, 8th edition“, by Dave Thompson. (Krause Publications, 2018).
