Category Archives: Work

Bob Diaz | Movers & Shakers 2002

In 2002, Library Journal started a new tradition. It created a supplement called “Movers and Shakers”, which featured profiles of librarians from across the country who LJ recognized for their work in the field of librarianship. Some were leaders, others activists, and others innovators, among other distinctions. I was very fortunate to have been nominated by my colleague and friend Patricia Tarin, and subsequently chosen to be a member of the very first class of Movers and Shakers. The tradition LJ started in 2002 continues to this day. Each year at ALA, LJ hosts a reception for all of the awardees. I’ve attended a couple of these over the years, and they are a lot of fun. Below is the article that appeared in the first Movers and Shakers supplement in March, 2002.

by Library Journal
Mar 11, 2002 | Filed in Archive

Diversity and Dedication

University of Arizona librarian, president of the Tucson County-Pima Library Board

For Bob Diaz, being a librarian is more than a career. It is a calling. “Librarians in this country are at the forefront of social and cultural change,” says Diaz. “Our world is getting smaller and smaller, and we need to continue to provide people with the tools they will need to live and work in an increasingly multicultural world.”

Throughout his life and career, Diaz has been a tireless champion of diversity and democracy, earning him a national reputation as a leader and garnering accolades, from professional recognition to a personal thank you from one of Diaz’s heroes, labor leader César Chávez. As a librarian, Diaz knows that knowledge is power. And as a librarian, Diaz has worked tirelessly to bring the experiences of all people to light, not only through his work at the University of Arizona but also as a three-year member, and now president, of the Tucson-Pima Public Library board.

Vitals
Current position: Librarian, Fine Arts & Humanities team, University of Arizona Library, Tucson Degree: MLS, University of Arizona, 1986 Activities: Cesar Chavez, Martin Luther King, Jr., Mahatma Gandhi

Diaz says he didn’t actively seek out a role on the library board, but once the opportunity found him, it was a chance he couldn’t resist. “I thought this would be a great opportunity to do community service in an area that is near and dear to me,” Diaz says. “I was born and raised here in Tucson and have been a user of the public library virtually all my life.” As president, Diaz says he will work with Library Director Agnes Griffen, as well as other board members, to ensure that the information needs of the entire community are met.

“I make it a point to be an advocate for the socioeconomically disadvantaged population in our community,” Diaz says proudly. “Librarians need to continue our efforts to provide free and easily accessible materials to our public that reflect the life experiences of all people,” he says. “We need to be defenders of freedom of expression. And as a profession, we need to develop leaders who are culturally sensitive and who are willing to battle racism, sexism, and homophobia in the workplace.”

40 Years of Tucson Meet Yourself: Folklife and Culture, with Dr. Maribel Alvarez / Program, November 19, 2013

Promotional material by Marty Taylor, University of Arizona Libraries

The second program associated with this exhibition featured Dr. Maribel Alvarez, professor of Anthropology and executive director of the Southwest Folklife Alliance.

Here is the news release for the event:

“40 Years of Tucson Meet Yourself: Folklife and Culture”

Date: November 19, 2013

Times: 6:00 pm – 8:30 pm

Location:   Special Collections

Contact: Bob Diaz

Description:

Join us for the final lecture accompanying Special Collections’ current exhibition, “40 Years of Tucson Meet Yourself.” Maribel Alvarez, research professor for the UA Southwest Center and Tucson Meet Yourself program director, will share stories of Tucson’s folklife and culture and how they manifest themselves in every day life.

The following biographical snapshot of Dr. Alvarez is borrowed from the University of Arizona Southwest Center’s webpage:

“Maribel Alvarez, Ph.D., is an anthropologist, folklorist, curator, and community arts expert who has documented the practice of more than a dozen of the country’s leading emerging and alternative artistic organizations. She is Associate Dean for Community Engagement for the College of Social and Behavioral Sciences, is the Jim Griffith Chair in Public Folklore and Associate Research Social Scientist in the Southwest Center, and Associate Research Professor in the School of Anthropology.  She founded, and until recently served as executive director of the Southwest Folklife Alliance, an independent nonprofit affiliated with the University of Arizona. 

She teaches courses on methods of cultural analysis, with particular emphasis on objects, oral narratives, foodways, and visual cultures of the US-Mexico border. In the last few years, Maribel has written and published essays about poetry and food, intangible heritage, nonprofits and cultural policy, the theory of arts participation, artisans and patrimony in Mexico, and popular culture and stereotypes. In 2009 she was a Fulbright Fellow conducting research in rural Mexico.  Maribel was the co-founder and executive director for seven years of MACLA–Movimiento de Arte y Cultura Latino Americana, a contemporary, alternative urban arts center in San Jose, once described as a “lab for intelligent cultural interventions.” Maribel is a trustee of the American Folklife Center at the Library of Congress; in addition, she has served as faculty for ten years at the National Association of Latino Arts and Culture’s summer Leadership Institute in San Antonio, TX. Currently, she is completing two book manuscripts for the University of Arizona Press, one on the verbal arts and lore of workers in the Mexican Curios cottage industry at the US-Mexico border, and another on the cultural history of wheat and flour mills in the state of Sonora in northern Mexico. Maribel was born in Cuba and came to the United States at the age of seven; she lived in Puerto Rico for eleven years before moving to California in 1980, where she became active in the Chicano arts community and multicultural arts movement of that decade.”

Teatro Libertad: Reflection and Discussion / Program, October 1, 2013

Special Collections, University Libraries

September 25, 2013

Join us on October 1 from 6:00 p.m. – 8:30 p.m. in Special Collections for an evening of reflection and discussion with members of Teatro Libertad, a local street theatre company from the 1970s. A viewing of select scenes from La Vida Del Cobre (The Life of Copper), one of the group’s plays, accompanies the talk.

Former members of Teatro Libertad together again

Click here to see videographer Brenda Limon’s filmed version of highlights of the program.

Teatro Libertad is featured in a new exhibit on display from Sept. 3, 2013 – Jan. 12, 2014 at the UA Main Library. Formed in 1975 by seven local actors and musicians – Scott Egan, Barclay Goldsmith, Teresa Jones, Arturo Martinez, Pancho Medina, Arnold Palacios, and Sylviana Wood – the group was influenced by the tradition of teatro Chicano, the Chicano movement of the 60s and 70s, and with inspiration from El Teatro Campesino – a group formed by Luis Valdez in the early 1960s.

Former Teatro member Scott Egan

Teatro Libertad tackled real life, everyday issues as experienced by the Chicano community in Tucson and the Southwest. Using satire, comedy, and music, the group wrote and performed their plays with the goal of getting people to think about issues such as unemployment, union organization, race, and cultural identity. Among the plays written and performed by Teatro Libertad were Los Peregrinos, El Vacil de 76, Los Pelados, La Jefita, Semilla Sembrada and La Vida Del Cobre.

It was a packed house

The bilingual, multicultural group relied on simple stage sets and props – old boxes, masks, and signs – when performing in local neighborhood centers throughout Tucson and in Mexico City, San Diego, Santa Barbara, and New York. The group also performed – sometimes from a flatbed truck – in Arizona’s mining towns for striking miners or farmworkers.

Audience members included a who’s who of the Chicano community

More than 25 performers participated in the all-volunteer Teatro Libertad during the group’s 14-year run. Additional members included Pamela Bartholomew, Olivia Beauford, Bob Diaz, Lilliana Gambarte, Pernela Jones, Jean McClelland, Juan Villegas, and a host of others.

The event is free and open to the public. Light refreshments will be served.

Barclay Goldsmith and Teresa Jones, former Teatro members

Click here to see the entire program, recorded on camera by Antonio Arroyo.

Arturo Martinez and Silviana Wood
Teatro Libertad members on the cover of La Estrella de Tucson
Another write up about the group, by Ernesto Portillo, Jr.

1968: From the My Lai Massacre to Yellow Submarine / September 6, 2018.

1968: From the My Lai Massacre to Yellow Submarine featuring Tom Miller

Tom Miller
Tom Miller’s press pass for the 1968 Democratic Convention, from the Tom Miller Collections, Special Collections.

Special Collections, The University of Arizona Libraries

September 6, 2018

From the UA News Service:

Where were you – or your parents – 50 years ago? Many people took part in the anti-Vietnam war movement, hoping to bring pressure on the government to pull out of Vietnam through underground presses and demonstrations. According to Miller, the critically acclaimed writer and author of “Cuba, Hot and Cold” and “The Panama Hat Trail,” the underground press was a “joyously sloppy endeavor made up of people who knew little about journalism but had strong feelings about the war and the cultural life it spawned.” Miller, who witnessed the violence surrounding the 1968 Chicago Democratic National Convention in the aftermath of the Robert F. Kennedy and Martin Luther King Jr. assassinations, will present a talk about his activities in the underground press and how the rest of the country reacted to the anti-war movement.

In 2002, the University of Arizona Special Collections acquired Miller’s archives, and some materials from this collection will be included in the “1968 in America” exhibit.

Listen to the audio of Tom’s program here.

Tom Miller showing his draft card to the audience.