Tag Archives: University of Arizona Library

40 Years of Tucson Meet Yourself: Folklife and Culture, with Dr. Maribel Alvarez / Program, November 19, 2013

Promotional material by Marty Taylor, University of Arizona Libraries

The second program associated with this exhibition featured Dr. Maribel Alvarez, professor of Anthropology and executive director of the Southwest Folklife Alliance.

Here is the news release for the event:

“40 Years of Tucson Meet Yourself: Folklife and Culture”

Date: November 19, 2013

Times: 6:00 pm – 8:30 pm

Location:   Special Collections

Contact: Bob Diaz

Description:

Join us for the final lecture accompanying Special Collections’ current exhibition, “40 Years of Tucson Meet Yourself.” Maribel Alvarez, research professor for the UA Southwest Center and Tucson Meet Yourself program director, will share stories of Tucson’s folklife and culture and how they manifest themselves in every day life.

The following biographical snapshot of Dr. Alvarez is borrowed from the University of Arizona Southwest Center’s webpage:

“Maribel Alvarez, Ph.D., is an anthropologist, folklorist, curator, and community arts expert who has documented the practice of more than a dozen of the country’s leading emerging and alternative artistic organizations. She is Associate Dean for Community Engagement for the College of Social and Behavioral Sciences, is the Jim Griffith Chair in Public Folklore and Associate Research Social Scientist in the Southwest Center, and Associate Research Professor in the School of Anthropology.  She founded, and until recently served as executive director of the Southwest Folklife Alliance, an independent nonprofit affiliated with the University of Arizona. 

She teaches courses on methods of cultural analysis, with particular emphasis on objects, oral narratives, foodways, and visual cultures of the US-Mexico border. In the last few years, Maribel has written and published essays about poetry and food, intangible heritage, nonprofits and cultural policy, the theory of arts participation, artisans and patrimony in Mexico, and popular culture and stereotypes. In 2009 she was a Fulbright Fellow conducting research in rural Mexico.  Maribel was the co-founder and executive director for seven years of MACLA–Movimiento de Arte y Cultura Latino Americana, a contemporary, alternative urban arts center in San Jose, once described as a “lab for intelligent cultural interventions.” Maribel is a trustee of the American Folklife Center at the Library of Congress; in addition, she has served as faculty for ten years at the National Association of Latino Arts and Culture’s summer Leadership Institute in San Antonio, TX. Currently, she is completing two book manuscripts for the University of Arizona Press, one on the verbal arts and lore of workers in the Mexican Curios cottage industry at the US-Mexico border, and another on the cultural history of wheat and flour mills in the state of Sonora in northern Mexico. Maribel was born in Cuba and came to the United States at the age of seven; she lived in Puerto Rico for eleven years before moving to California in 1980, where she became active in the Chicano arts community and multicultural arts movement of that decade.”

Teatro Libertad: Reflection and Discussion / Program, October 1, 2013

Special Collections, University Libraries

September 25, 2013

Join us on October 1 from 6:00 p.m. – 8:30 p.m. in Special Collections for an evening of reflection and discussion with members of Teatro Libertad, a local street theatre company from the 1970s. A viewing of select scenes from La Vida Del Cobre (The Life of Copper), one of the group’s plays, accompanies the talk.

Former members of Teatro Libertad together again

Click here to see videographer Brenda Limon’s filmed version of highlights of the program.

Teatro Libertad is featured in a new exhibit on display from Sept. 3, 2013 – Jan. 12, 2014 at the UA Main Library. Formed in 1975 by seven local actors and musicians – Scott Egan, Barclay Goldsmith, Teresa Jones, Arturo Martinez, Pancho Medina, Arnold Palacios, and Sylviana Wood – the group was influenced by the tradition of teatro Chicano, the Chicano movement of the 60s and 70s, and with inspiration from El Teatro Campesino – a group formed by Luis Valdez in the early 1960s.

Former Teatro member Scott Egan

Teatro Libertad tackled real life, everyday issues as experienced by the Chicano community in Tucson and the Southwest. Using satire, comedy, and music, the group wrote and performed their plays with the goal of getting people to think about issues such as unemployment, union organization, race, and cultural identity. Among the plays written and performed by Teatro Libertad were Los Peregrinos, El Vacil de 76, Los Pelados, La Jefita, Semilla Sembrada and La Vida Del Cobre.

It was a packed house

The bilingual, multicultural group relied on simple stage sets and props – old boxes, masks, and signs – when performing in local neighborhood centers throughout Tucson and in Mexico City, San Diego, Santa Barbara, and New York. The group also performed – sometimes from a flatbed truck – in Arizona’s mining towns for striking miners or farmworkers.

Audience members included a who’s who of the Chicano community

More than 25 performers participated in the all-volunteer Teatro Libertad during the group’s 14-year run. Additional members included Pamela Bartholomew, Olivia Beauford, Bob Diaz, Lilliana Gambarte, Pernela Jones, Jean McClelland, Juan Villegas, and a host of others.

The event is free and open to the public. Light refreshments will be served.

Barclay Goldsmith and Teresa Jones, former Teatro members

Click here to see the entire program, recorded on camera by Antonio Arroyo.

Arturo Martinez and Silviana Wood
Teatro Libertad members on the cover of La Estrella de Tucson
Another write up about the group, by Ernesto Portillo, Jr.