Monthly Archives: July 2021

My Life Story: 1988

As the new year began, I was still trying to adjust to my new surroundings. I continued to feel out of place, and wasn’t very happy, but I held on because I didn’t want to waste the once in a lifetime opportunity I had before me. Michigan was a very highly regarded school and a great place to work, supposedly, and I knew I was very lucky to have a job there. Winter was tough, however, and seemed to drag on forever. The sun rarely ever came out, and the weather was always cold, gray and cloudy. My first full winter in Ann Arbor was challenging. My skin was so pale, I had to convince some people I was of Mexican American descent. I heard comments like, you don’t look like a Mexican. Oh well, I’d tell them. I am a Mexican whether you think so or not.

My job continued to consist of spending time at the reference desk, answering questions, and helping students find resources for their research, conducting instruction sessions on how to use the Library for students in English, Psychology, and other courses, and selecting materials for the collection. I also continued to learn the new technologies that were coming our way. The Library’s new automated library system, called Mirlyn, for example, was about to go live in the Fall, and I participated in a series of training sessions that covered the ins and outs of the system. I also had a couple of fun projects assigned to me. One was called the Rolodex Task Force. The work required that we verify and update information, kept on a giant rolodex, that was used at the Graduate Library’s reference desk. I got to know a lot about the various libraries on campus and about resources and organizations in and around the University.

 I also began to manage the Undergraduate Library’s Peer Information Counseling program in the Spring. In a nutshell, Peer Information Counselors were students of color who worked at the reference desk as reference assistants. They received extensive training, and were there to help other students of color feel more comfortable and welcomed as they approached the reference desk and used the library. Darlene Nichols, an African American librarian colleague, had been running the program since 1985, but wanted to hand it off. I eventually was given responsibility for it. I was assigned the task of getting a newsletter out and hiring new students. By the Fall I was managing the entire program by myself. I have to admit that at first, I was resistant to taking on this assignment, because I felt that it was being given to me only because I was a minority, and it just wouldn’t look good for a white person to manage it. Oh well. I got over it, and enjoyed working with the students I hired and trained. They were bright and engaged and eager to learn.

I went home to Tucson for vacation in February. I spent a lot of time with my old friends and with my family, and I got my portrait done in pencil at IBT’s, a gay bar on 4th Avenue, by an artist named T. Barr Stevens. I brought it home as a gift to my mom. She was very ill, but I didn’t realize how sick she really was or that she wouldn’t make it until the end of the year. Sometime in the Spring after I had returned back to Ann Arbor, my older brother Charles called me and suggested that I might think about coming back home for a while. He told me that our mom didn’t have long to live. I decided that I couldn’t leave my job. I had bills to pay and felt stuck, and Brent would not have been able to make it on his own in Ann Arbor. He would have had to move back to Muskegon. I also didn’t believe that my mom was so ill. To this day, I regret my decision to stay put and not go home. It breaks my heart to think that I could’ve spent more time with my mom in her last days, and that I chose not to.  Dammit. It made my life at Michigan even more difficult, as I was unhappy as it was. I began to really dislike my job and Ann Arbor. The counseling that I participated in did nothing to help. It was a complete waste of time and money.

In early March, I participated in facilitator training on leading discussions among the staff about the issue of racism. The training was provided by Dr. Frances Kendall, a consultant from California who specialized in diversity training. She took the stance that if you were born and raised in the US, then you were racist, whether you knew it or not or agreed to it or not. She argued that our culture and its institutions were built to benefit wealthy white men, and that they hadn’t changed much at all since they were founded. Thus, racism was “institutional.” And built into our social structure.  Her work was all about helping people realize this. Her goal was to help people acknowledge their prejudices and work towards getting rid of them through dialogue, education and self-awareness. I was among several staff members who participated in the training she provided. Most of the participants were from the Graduate Library and were managers or administrators, and being in this group felt a bit intimidating, but I stuck it out and tried my best to learn and participate fully. A couple of weeks after we received the initial training, Dr. Kendall was brought in again and gave an all staff presentation on the issue of racism and the challenges of overcoming it. Another person, Vivian Sykes, an African American librarian from San Francisco,  also spoke about her personal experiences with racism in librarianship. Both presentations were hard hitting, and it left a lot of the nearly all-white staff feeling very uncomfortable. Once the presentations were given, the staff was then required to participate in a series of small group discussions, and I, as one of the group facilitators, helped to lead these.  

After the training was completed, some members of the facilitator group formed the Library Diversity Task Force, with the intention of continuing our discussions about the issues.  We wanted to build  momentum among the staff for learning and for cultural change.  It was at this time that I got to know my dear friend Karen Downing. We hit it off and became inseparable, and we worked together on several projects, including producing a diversity film festival for the Library staff that took place in the Fall and planning events for Martin Luther King, Jr. Day the following January.

In May, I attended my first conference while at Michigan. It was called LOEX, which is short for Library Orientation Exchange, and was focused on library instruction and improving teaching. The conference was held at Bowling Green State University in Bowling Green Ohio, just about an hour’s drive south of Ann Arbor. I attended a workshop, Reaching and Teaching Diverse Library Users, conducted by Louise Greenfield. I had met Louise when I was a graduate student, and would later work with her at Arizona. My colleague Linda TerHaar, gave a presentation on the PIC program and my supervisor  also gave a presentation. I didn’t do anything but attend various programs and poster sessions. In my free time, I visited the library on campus and was in heaven because I found they had a bunch of Aretha Franklin 45s from her days at Columbia in their collection. They have one of the best popular music collections in the world.

In the Spring, I attended some lectures featuring several very interesting speakers. They included Angela Davis, Cesar Chavez and the writers Cherrie Moraga, who co-edited, along with Gloria Anzaldua, the groundbreaking book, “This Bridge Called My Back: Writings by Radical Women of Color”, and Rudolfo Acuna, who was the author of Occupied America, a Chicano history book I had read back in college. It was at these events that I started meeting other Chicanos and Latinos, including a graduate student named Raul Villa. He was studying in the American Culture program, and was from Nogales, Arizona. He had a girlfriend named Eileen, and she and I became good friends and remained so even after Raul left. Raul introduced me to several other Chicano and Latino students, including a medical student named Roberto Tostado, and other students who were enrolled in the law school. Unfortunately, Raul and I didn’t always get along, and he left Michigan at the end of the Spring semester to complete his graduate studies at UC Santa Cruz. He would continue to write to me, however, for more than a year, but we eventually lost touch. He now resides in Los Angeles and is a professor at Occidental College.

In the Spring, Brent’s dad got sick and was diagnosed with a brain tumor. He was told he didn’t have long to live so the family decided that he should receive experimental treatment in the Bahamas. It was expensive and promising, but it didn’t work, and he died later in the year, just a month after my mom died. Brent spent a lot of time with his parents both in Twin Lake and the Bahamas this particular year and I went home a total of four times, once in the Spring and three times in the winter. It was a tough time for the two of us, and we struggled to keep things together.

In late October, my sister Irene called me to tell me that our mom was in the hospital and didn’t have long to live. I rushed back home and stayed for about a week, and stupidly convinced myself that my mom was getting better, so I flew back to Michigan. A week later, I got another call and this time, it was definite. Mom didn’t have but a day or two left to live. She died on November 2, at University Hospital in Tucson sometime in the early evening. It was the saddest moment of my life. I cried like a baby at her funeral and felt like I wanted to die too. Thank goodness my friend Richard was there for me. He knew how much I loved my mom. She was my hero. Even though she had her problems, I loved her dearly, and I know she loved me unconditionally. I was her last and favorite child.

I went back to my job in Ann Arbor after having stayed with my dad and family for a couple more weeks after we buried our mom, and I did my best to resume my life as it had been before she died. But it wasn’t the same. I was a mess, emotionally, spiritually and physically. I didn’t know how I’d get through the coming months, but I suppose I managed. Brent’s dad died in mid-December, so we had another sad tragedy on our hands to contend with. Christmas came along, and I went back home again. It was a rough time for the family. Although we took a family portrait at this time, and we all looked like we were happy together, one of my brothers was getting out of control, drinking and fighting with anyone he encountered. He even fought with our dad one night while I was visiting, and we had to have him arrested.

Because I had to go back home several times, I ended up going into more debt by the end of the year. There was no way I could go back home the following year. I even missed my best friend Richard’s wedding in January, and it made me feel very bad. Winter was in full swing again, and the sun was nowhere to be found. God, how I missed it.

My work calendar
This film had a great soundtrack. Released on 1/15/88

I turned 29 on January 15, 1988, and received several birthday cards from my friends and family back home, including my Teatro friends Liliana, Pernela and Scott, and my college friend, Tim Moles. It was a rough time for me, as I didn’t get to go home for Christmas, and things weren’t turning out so well at work. It was nice to hear from my friends and family. Winter time in Ann Arbor was cold and gray in more ways than one.

A birthday card from my dear friend Liliana Gambarte. We were in Teatro Libertad together.
A birthday card from Scott and Pernela, my Teatro Libertad friends.

Here’s a birthday letter from my good friend Tim.

A birthday card from my sister Irene.

My friend Richard wrote to me several times in 1988. Below is another of many letters I received from him while I lived in Michigan.

A birthday letter from my friend Richard.
This is a birthday card from my co-workers at the library.

The letter below, from my mom, is one of my prized possessions. She sent it to me for my birthday, January, 1988. The photos she refers to can be found at the tail end of the 1987 entry of My Life Story.

Mom and Dad.
Rock and Roll Hall of Fame Inductees Bob Dylan, The Beach Boys and the Beatles, Jan. 19, 1988.
Another letter from Richard. In this one he updates me on what’s happening with Arizona’s crazy governor Ev Mecham, and he also mentions Emily, his future wife, for the first time.
Cherrie Moraga visited the University of Michigan campus on February 10. She and Gloria Anzaldua co-edited the popular book, “This Bridge Called My Back: Writings by Radical Women of Color.” Moraga, a lesbian Chicana feminist, would go on to publish more essays and plays over the years.
A David Hockney print
Denise and Mike wrote several letters and postcards to me and Brent while we lived in Michigan, but they never did make it over for a visit.
I had a rough time, and continued seeing a counselor for the rest of the year. It didn’t help at all.
Another card from my sister Irene. She and Becky both sent me lots of cards.
I got to tour the Ann Arbor Public Library as a participant of the University Library’s new staff orientation program. I visited it quite a bit. They had a great collection of music on cd.
Downtown Tucson in the 1980s. I spent my vacation there from 2/18 to 2/28. The city seemed to have grown considerably since I had last been home. There was traffic everywhere.
While in Tucson, I went to a local gay bar on 4th Avenue, and an artist was doing portraits, so I decided to have mine done.
This is one of my very favorite movies. I love the soundtrack. The film was released on February 26, 1988. It would be a few months before I actually saw it, however. Below is photo of John Waters, the director of the film and an excerpt from a review that appeared in Rolling Stone on March 24, 1988.
In early March, Dr. Frances E. Kendall was hired to do anti-racism work with the Library staff. I was chosen to participate as a discussion facilitator, and attended a number of training sessions with Dr. Kendall. This was the beginning of my work in the area of “diversity”. The group that participated in the facilitator training later went on to become the Library Diversity Committee. I was a member of it for over 4 years.

Harris Glenn Milstead, otherwise known as Divine, shown alongside Jerry Stiller in a scene from the movie “Hairspray”, passed away on March 7, 1988. Divine was in many of John Waters’ films, including Pink Flamingos, Polyester and Lust in the Dust. She performed in Ann Arbor at the Nectarine Ballroom shortly before she died. I should’ve gone to see her, but didn’t.
This is a wonderful movie, with positive portrayals of Latinos, for a change. It was released on March 11, 1988.
Brent’s family. His dad had just been diagnosed with brain cancer. The following months would be difficult for the family.
Released on March 18, 1988. Another excellent film, but they could’ve done a better job casting real Latinos/Mexicanos in some of the roles. Hollywood gets things wrong more often than not.
March 19, 1988. This was the second time I got to see Angela Davis speak. I had seen her several years earlier when I was an undergraduate at the University of Arizona. I would see her again a couple of years later in Ann Arbor. She’s a fascinating speaker and writer.
Rudy Acuna came to campus and spoke at the following symposium a day after Angela Davis spoke, on March 20, 1988.
Released on March 23, 1988. One of my favorites.
The critics at Rolling Stone magazine were always hard on Joni Mitchell. This was a great album. They’re full of it.
I’d never heard of Pedro Almodovar before. What a talented director. Antonio Banderas is in this film as is Carmen Maura. A wonderful comedy, released on March 26, 1988. For a while there, I watched every one of his movies.
Released on March 30, 1988.
This was a fun event that had been taking place in Ann Arbor for almost two decades, but there were police all over the place, so one had to be very careful. I used to have a t-shirt, but I wore it out.
I finally bought a car, a rather worn out version of the one above, a 1974 Corolla 4 door. Mine was rusted around the edges and looked much duller because of its age. Cars do not last long in Michigan weather, because the roads are salted and salt causes rust. This one eventually fell apart on me. I drove over a speed bump one day and the chassis split in two, it was so badly rusted.
My picture came out in the daily student newspaper. It accompanied the article below.
Released on 4/15/88. What a great debut album. Talkin’ about a revolution was a hit! Couldn’t believe it. See review below.
From the Ann Arbor News.
My sister Becky sent me cards and letters on a regular basis throughout the seventies and into the eighties after I left home. I still have all of them.
My cousin Turi was one of Cesar Chavez’s assistants, and he coordinated a big fundraiser for him in Detroit. Turi lived in Dearborn with his family. He brought his mom, my Aunt Helen out to help cater the event. This was the second time I got to meet Mr. Chavez.
This was a wonderful recording, released on April 26, 1988. . Brent and I would get to see kd lang live later in the coming year. The highlight of the night was when she sang the Roy Orbison song, Crying.

My first professional conference while at Michigan was called LOEX, (short for Library Orientation Exchange). It took place in early May at Bowling Green State University in Bowling Green Ohio, about an hour’s drive south of Ann Arbor. I and several colleagues, including Linda TerHaar, Lynn Westbrook and Barb Hoppe attended. Bowling Green was a very nice, well-kept, small college town. The Library at the University had an outstanding popular music collection, and I visited it while there.

Bowling Green. It was a lovely little town.
Louise Greenfield, a librarian from the University of Arizona whom I had met when I was a graduate student, conducted this workshop. I would later work with her again after I moved back to Arizona.

One of my colleagues, Linda TerHaar, gave a presentation on what we called the PIC Program. PIC was short for Peer Information Counselors. Another colleague, Darlene Nichols, who oversaw the program up until mid-Spring, developed the handouts. In January, I was strongly encouraged to take over coordination of the program, and by this point, had started managing it. I probably should have been the one to do the presentation, but my supervisor chose Linda instead. This was yet another example of her denying me opportunities to participate in professional activities. It would be another year before I was “allowed” to attend ALA.

Bowling Green State University’s Jerome Library– a wonderful place. I visited the music library while there. Here’s a description of it. “With almost a million recordings, the Music Library & Bill Schurk Sound Archives (MLBSSA) is the largest collection of popular music in an academic library in North America. Our recordings include 45s, 78s, 33s, LPs, reel-to-reel tapes, cassette tapes and CDs. The sound recording collection is supported by books, scores, video/film, hard-to-find periodicals, fanzines, promotional material and archival collections”.
These are a couple of the handouts I picked up at the Library on my visit.
Denise and Mike, my two crazy friends, were quite talented. Denise had openings all over the place. This one took place in Santa Barbara.
More correspondence from my buddy Richard.
King Sunny Ade’ represents African and World music at its finest.
King Sunny Ade
I know I was at this concert, but I remember very little about it…
From the Ann Arbor News, May 16, 1988.
Chet Baker was a great jazz musician. He played trumpet and sang. I played his music quite a bit when I was with KXCI. He died on May 13, 1988.

Here’s one of Chet Baker’s songs that I would play on my show all the time.

Becky, my Mom and Irene, early June 1988.
My sister Becky holding our nephew Jose’, my brother Fred’s newborn son.
A postcard from Brent’s mom. The Bahamas.
One of my very favorite comedies. It opened on June 10, 1988.
Another card from my friend Denise. She and Mike had moved to New York by this time.
Released on 6-15-88. I love baseball movies. Susan Sarandon is also one of my very favorite actresses. Below is a review from Time Magazine, June 20, 1988. .
Yet another card from Richard. We both missed each other a lot.
Seeing Sarah Vaughan was a dream come true and the highlight of my summer. Her concert took place on July 2, 1988. She died two years later. I was lucky to have been able to see her perform.
A letter I wrote to my parents. I found it later, after I had moved back home in 1992.
Lake Michigan. Brent tried his best to help his parents out during his father’s illness.
This paper was used as a guide for the Library in reaching its goals to become a multicultural organization.
A rare journal entry. I wrote more when I was in my early 20s than I did during this period of my life.
Another great album from Dwight Yoakam, released on August 2, 1988.
This tv program aired on PBS on August 22 as part of the American Masters series. I was in heaven for sure!
Seeing Pete Seeger was one of the highlight’s of my time in Ann Arbor. He’s been one of my heroes for a very long time.
This was another fun concert. I love Pete Seeger and have many of his recordings.
Oh wow, I just love this album. Etta’s big comeback, released on September 26, 1988.
This folk album, recorded all in Spanish, by Los Lobos, was released in September, 1988. It’s reminiscent of their very first album, Los Lobos del Este de Los Angeles/Just Another Band from East L.A, released 10 years earlier. They play a lot of son jarocho on this disc.
I tried to get involved with the campus gay community, but it was not an easy group to become a part of. There were some very, very radical women running things and they were not welcoming at all.
Brent spent time in the Bahamas with his parents.

Another day when I was visiting my mom, a week or so before she passed away, a nurse came in and my mom called to her and said, “hi honey. Do you know who Ray Charles is? Well he can park his shoes under my bed any time!”. The nurse said, “that’s nice Mrs. Diaz” and rolled her eyes, or something like that, and then she left the room. I turned to my mom and said, “oh ma, why did you say that? How embarrassing!” She shot back, “well, I would’ve said Vicente Fernandez, mijo, but this pendejita wouldn’t have known who I was talking about!” I still crack up thinking about it, and remember it like it was yesterday…

My mom.
St. Ambrose Church was filled to capacity during the services for my mom. She was special to many people.
Me, Rudy and Becky at our parent’s house the day of our mom’s funeral.
With the family after the funeral.
These two cards are just a sampling of the dozens of sympathy cards I received from my colleagues at Michigan and friends from back home. Everyone was very supportive.
One of my very first Lucha Villa cassettes. I bought it shortly after my mom died.

A few days after my mom died, I went to the swap meet to see if I could find some good Mexican music so that I could play it in her memory. I knew she loved Mexican rancheras, and that she particularly enjoyed the music of Lola Beltran and Lucha Villa, so I looked around for some of their recordings at the various booths that sold Mexican music. Man, did I luck out! I found a cassette with the above photo on it that day and brought it home. Simply titled “Lucha VIlla”, it was a greatest hits anthology and it included some of her earliest and best known recordings from the early 60s to the mid 70s, including several songs written by Jose Alfredo Jimenez. My dad heard it and said to me, “this is a gift from your mother”. Every song hit hard and seemed to be about my parents relationship. From this point on, I was hooked on this woman’s music and on Mexican mariachi and rancheras in general. I’ve since traveled all over the US and Mexico collecting her music, and I now have practically everything she’s ever released on lp, 45, cassette and cd. I also have several of her films. She was a great actress too. Now that Youtube is available, one can listen to most of her recordings there, and even watch her many movies. Back when I started collecting her material, however, there was no Youtube, and finding her recordings required perseverence and dedication as most of it was out of print. Back in 2011, I created two websites devoted to her music. One covers her output in the 60s, and the other in the 70s. Included are all her albums and movies from each decade. I now have them linked as two pdf documents. You can see them here (60s)and here (70s).

I’m not sure I got to vote this time around as I was in Tucson when the election for president. took place. I found the cards below at a novelty shop in Ann Arbor.
Michael Dukakis
Stevie Wonder is all over this album. It’s great. Released on November 22, 1988.
This was the second time I got to see Buffy Ste. Marie. I would see her again one more time before I left Ann Arbor and came back to Tucson, and then again in San Francisco at one of the ALA Conferences. I just love this woman!
The great Roy Orbison died on December 6, 1988. He was a great vocalist and songwriter. His biggest hit was “Pretty Woman”.
This film premiered on December 14, 1988. It’s a powerful film with great performances by Anne Bancroft and Harvey Fierstein.
A complicated film. One has to pay close attention in this one. It premiered on December 16, 1988.
Dustin Hoffman is an amazing actor. This film was also released on December 16.
Brent’s dad was a nice man. At first, he had some trouble accepting our relationship, but he eventually came around.
What a sad movie. Released on December 21st.
William Hurt was in Kiss of the Spiderwoman, so I just had to see this one too. It premiered on December 23.
Artwork by Ana Elias, my friend Richard’s sister.
I received a lot of Christmas cards this particular year. Here’s a small sample of them. The one above was from Richard’s sister-in-law Sarah, who was married to Albert, Richard’s older brother.
Maria Hoopes was very kind to me when I was a graduate student. She stayed in touch too.
Home for the holidays, with my sister Becky and my dad.
Goofing around with Becky and Richard.
Richard, you’re hurting me you brute! Ha ha ha.
Taking this was a bittersweet experience. Our mom was gone. She always wanted us to have a family portrait like this.
Becky and I at a Christmas party hosted by her boss.

The Borderlands and the Mexican Revolution with Dr. Oscar Martinez / Program, November 10, 2010

Oscar J. Martinez, PhD, received his doctorate in history from the University of California, Los Angeles. His research focus is on the political, economic and social history of the U.S.-Mexico borderlands, and he examines broad themes such as the evolution of the Mexican northern frontier cities, the Mexican Revolution along the border, and borderlands culture. He is the author of several books, including “Troublesome Border” and “Fragments of the Mexican Revolution: Personal Accounts from the Border”. His most recent book, “Why Mexico is Poorer than the United States”, is an examination of economic development in Mexico as contrasted to that of the United States. His lecture for this program assessed the role of the U.S. Mexico borderlands in the Mexican Revolution with an emphasis on controversies, disturbances, and battles that affected the history of Mexico and the United States.

Dr. Oscar J. Martinez, Regents Professor of History, The University of Arizona

Some works by Dr. Martinez: These titles link to the University of Arizona Library catalog.

Troublesome border, 1988, 2006.

Border people : life and society in the U.S.-Mexico borderlands, 1994.

U.S.-Mexico borderlands : historical and contemporary perspectives, 1996.

Mexican-origin people in the United States : a topical history, 2001.

Mexico’s uneven development : the geographical and historical context of inequality, 2016.

Stunted dreams : How the United States shaped Mexico’s destiny, 2017.

Ciudad Juárez Saga of a Legendary Border City, 2018.

Stories and Music of the Revolution / Exhibition, September 9-December 20, 2010

Introduction:

The Mexican Revolution had a profound impact on the people of Mexico. In my own family, for example, my grandfather Antonio Diaz Palacios, a Spaniard who had migrated to Mexico from Asturias at the turn of the century, was forced to flee Mexico when revolutionary forces overtook Zacatecas in 1914. He and his wife Zeferina Torres, a native of Zacatecas, and their infant son, Raul, made their way north to Arizona and settled first in Ray, Arizona, and then moved up to the Verde Valley region of the state, where they resided for many years. Another relative, Raul Rascon, my mom’s tio and mayor of San Miguel Horcasitas, Sonora was hanged shortly after the revolution, during the Cristero rebellion, or so I’ve been told.

I’ve always been fascinated by the stories my father told me about my grandfather Antonio and what happened to him in Mexico, and as I grew older, I became very interested in the history of Mexico, and quite fond of Mexican folk music, particularly the corridos of the Mexican Revolution. In time, my interest in the genre led me to acquire a sizeable collection of books and recordings, and I when I became the librarian for music, dance and theater in 2000, I used my budding expertise to enhance the collections in the Fine Arts Library, by purchasing for the collection sound recordings, films, books and scores that featured the corrido and other forms of Mexican music. I also made sure to showcase this music on my radio show on KXCI on a regular basis.

“Stories and Music of the Revolution” was the first project where I worked with Special Collections staff to produce an exhibit and corresponding programming. I had not joined the department yet, as I was still a member of the Research Support Services team. I was invited to co-curate this exhibit with Veronica Reyes-Escudero and was responsible for coordinating two of the 5 programs held in conjunction with the exhibit. I was offered a transfer to Special Collections the following year, and accepted it. The success of this exhibit and these events, in my opinion, helped me get the new gig as coordinator of exhibits and events in Special Collections, but who knows for sure? After 12 years at the Fine Arts Library, it was a welcomed change.

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The above program was designed by Marty Taylor, the Library’s graphic artist.
Video promo by UA News, an interview with exhibition co-curator, Bob Diaz.

Lectures Series brochure

Photos of the exhibit:

Below is a sampling of photos taken of the exhibit. My sections of the exhibit were focused on the Mexican corrido.

Sound recordings from my personal collection, plus broadsides and books from Special Collections.
Portrait of Francisco Madero and the corrido “La Muerte de Madero, part 2.
Listening station, corridos of the Revolution.
Yours truly discussing the exhibit with Carla Stoffle, Dean of the Libraries and a visitor.
Visitors viewing the exhibit on opening night.

Press coverage:

UA NEWS STORY

Special Collections Brings Mexican Revolution to Life

To commemorate the centennial of the Mexican Revolution, the Mexican Consulate in Tucson has collaborated with the UA to create an exhibit on the border experience during the revolution.

By Rebecca Ruiz-McGill, University Communications

Aug. 31, 2010

The Mexican Revolution of 1910 brought on a decade of unrest for people living on or near the border.

Songs, memoirs, journals and newspapers of the time talk of battles fought on both sides of the border, and families shared stories on how troops with various affiliations would seek food, refuge and water from ranchers, who in their best interest shared what they could with impartiality to sides.

This year, 2010, marks both Mexico’s bicentennial of independence from Spain in 1810 and the centennial of its revolution in 1910. To commemorate, the Mexican Consulate in Tucson has collaborated with the University of Arizona to create an exhibit on the border experience during the revolution.

A partnership between fine arts librarian Bob Diaz and Special Collections librarian Veronica Reyes brings the revolution to life. The exhibit features unofficial correspondence among citizens, reminiscences written years after the incidents, photographs, broadsides, sound recordings, government circulars and wood-block engravings that speak to the turbulent years – from 1910-1920 – of the revolution.

Stories & Music of the Revolution: A Commemorative Exhibit on the Centennial of Mexico’s Revolutionwill beon display from Sept. 9 to Dec. 20 in the gallery at Special Collections, 1510 E. University Blvd.

The exhibit will also host monthly lectures featuring UA experts of the era. All lectures will take place in Special Collections and feature:

  • The social context of Mexico’s Epic Revolution with William Beezley, a UA professor in the department of history. Sept. 22 from 7-8:30 p.m.
  • A regional overview of the First Centennial of Independence by Luis Edgardo Coronado Guel, a doctoral candidate in the UA history department. Oct. 6 from 3-4:30 p.m.
  • An exploration of the literature of the era titled Writing on the Edge by Latin American Studies research associate Tom Miller. Oct. 26 from 3-4:30 p.m.
  • An overview of personal accounts of the Borderland Battles that defined relationships between the U.S. and Mexico by Regents’ Professor of History Oscar Martinez. Nov. 10 from 3-4:30 p.m.
  • An overview of Mexican corridos – songs dedicated to defining the values, issues and ideas of the revolution – presented by Raquel Rubio Goldsmith, a lecturer in the UA department of Mexican American and Raza studies, and professor Celestino Fernandez, director of undergraduate studies in the UA department of sociology. Nov. 18 from 7-8:30 p.m.


Stories & Music of the Revolution draws from Special Collections’ expansive Borderlands materials to recreate the revolution as experienced from two perspectives: those fighting for agrarian, economic, and other societal reforms, and those seeking to stabilize the nation or remain in power.  

“Special Collections is a treasure trove for all things related to the border,” said Bob Diaz, who helped curate the display. “Visually for the exhibit, we used broadsides with images that depict what was occurring politically at the time and in the battlefield. We also display original written accounts of the time, and we are thrilled to be able to exhibit the music of the era with sound recordings, prints and sheet music.”

The materials on display were selected from a variety of collections including the papers of journalist, playwright, and women’s rights advocate Sophie Treadwell; George Hunt, Arizona’s first governor; and the Arizona, Southwest and Borderlands photograph collection.

Sound recordings, corrido lyrics and sheet music drawn from the University Libraries’ fine arts holdings and personal collections complement the materials selected from Special Collections.

News Story from La Estrella De Tucson, a supplement to the Arizona Daily Star. Sept. 10-16, 2010.