For this segment of “My Life in Pictures,” I’ve decided to include the bulk of the text at the beginning of the post. Photos and graphics follow.

I was a busy guy in 1984. I continued, as in previous years, to work 25 hours a week at Fry’s. I was also enrolled in graduate school at the University, hosted two weekly radio shows on KXCI, and continued to participate in Teatro Libertad. While I knew that graduate school should take priority, it didn’t. The bulk of my energy, aside from working, was spent preparing and hosting my two radio shows each week, and in attending Teatro Libertad meetings, where we planned and rehearsed for a number of local performances and our next big production, La Vida Del Cobre, Acts I and II. I also continued to find time to go out and have fun, attending lots of concerts, going out dancing, and partying with my friends.

WORK:

By 1984, I had already worked for Fry’s Food Stores for eight years. I’d been a cashier and stocker since the age of 19. The pay was very good, and while working with the public could be challenging at times, for the most part, I enjoyed meeting new people each day, and I generally got along well with my co-workers. The actual work itself, while at times physically demanding, was easy. I was a very fast cashier and could bag groceries with lightning speed. In the summer, I worked on the night crew stocking the shelves, but it was difficult keeping a night schedule, as I often had daytime obligations. On top of that, some of the guys I worked with were homophobic jerks, but I managed,  although I must admit, there were times when I hated my job. I knew I needed to keep it for a while longer, however, at least until I was done with school or had found something better. My annual earnings at Fry’s, for part time work, weren’t bad. By the end of the year I had earned $15,000. I spent it all on rent, food, bills, books, records and fun. I didn’t save a dime, unfortunately.

SCHOOL:

I had been accepted into the graduate program in Sociology the previous year, and while I had enrolled in a class called Social Psychology in the Fall of 1983, I ended up withdrawing from it. I don’t even remember attending it. I tried again in the Spring, and this time took a class called Political Sociology, with a teacher named Doug McAdam. Our big task for the semester was to write a dissertation-level research proposal. Dr. McAdam wanted us to have experience doing this kind of work, as we would all have to write such a proposal at some point in the future, that is if we wanted to pursue our PhDs. I chose to study the American Indian Movement, and I ended up writing a research paper, missing the mark on the assignment altogether. Dr. McAdam was a nice guy, and he ended up giving me a B in the course. I guess I wasn’t exactly sure what he had meant by a “research proposal”. I was disillusioned by the end of the semester, and ended up dropping out of the program altogether. My heart wasn’t into it anyway. I was too busy with my other activities to take my studies seriously. What can I say? That was the truth.

In the Fall, I tried taking a mechanics course at Pima College, but quickly dropped it after just two sessions. There were no teachers in sight. I guess I had enrolled in a self-study course or something. It was an awful, but brief experience, and I got the heck out of there as quickly as I could.

By the end of the year, I made up my mind that I wanted to be a librarian once and for all so I applied to the graduate program in library science and got accepted. I was given several scholarships, along with financial aid so this time around I didn’t have to pay for my education out of my own pocket like I had when I was an undergraduate. I couldn’t wait to start school again in January.

KXCI

Most of my attention went into preparing and hosting my two radio shows, the Chicano Connection, which aired on Thursday nights from 7 to 9pm, and the morning music mix, which aired from 9am to noon on Friday morning. I devoted approximately10 hours a week altogether to this work, both in prep time and in being on the air. My shows became quite popular, and I would receive letters from fans as well as get lots of phone calls while on the air. On Saturdays, I would help another host, Victor Blue, with his bluegrass show by “running the board” for him. He was a very nice man, and I enjoyed the music. Those of us who did this work for other volunteers were known as “techies”.

During the summer, Kathy Hannon, who I knew from Fry’s as the representative from the United Food and Commercial Workers union, wrote a  newspaper article about me for the union newspaper. In the article, she mistakenly noted that I had taken the KXCI radio course the previous summer for free. I actually paid nearly $500 to attend the course. I was earning good money at Fry’s at the time, and was able to afford it. It was a great investment in my continuing education.

Sometime in June, I decided to stop hosting the Chicano Connection, and just focus on the morning music mix. I can’t remember exactly why. I think it had to do with the fact that I didn’t have that much Latin music at the time, and the station’s collection was sorely lacking. It would take a while for me to build my own collection of Latin music, but I did, slowly but surely.

Later in the year, I went up to Phoenix to a Buffy Sainte Marie concert that she did as a benefit for the Heard Museum. One of the station staff members, Martha Van Winkle, invited me along, as she was scheduled to interview Ms. St. Marie after the concert. When the interview started, I just took right over and talked my head off. I was a huge fan of Ms. St Marie’s,  and we had a great interview. I’m not so sure that Martha thought so. It was supposed to be her interview, not mine. I just couldn’t help myself!

I have compiled all of the playlists from this time period on my Chicano Connection Archive page. They can be accessed here.

TEATRO LIBERTAD

In the first few months of the year, I spent an average of 8 hours a week in meetings and rehearsal with the members of Teatro Libertad. In the Spring, we performed at various community events and also co-wrote part II of La Vida Del Cobre. We performed the entire play, Act I and Act II at various places in Tucson, and later in Ajo and Clifton. Our performance at the El Pueblo Neighborhood Center on May 19 was attended by a packed house, and we received a resounding standing ovation at the end of it. It was such a great feeling and we were in seventh heaven.  We had put our hearts and souls into our work, and it had paid off nicely. A week after our El Pueblo performance we traveled to Santa Barbara, California to perform the play at TENAZ, an international theater festival sponsored by a California group called  El Teatro de la Esperanza. Unfortunately, we forgot part of our props back in Tucson (our slides), and we basically bombed, because we were upset over having forgotten them and there was tension between some of the individuals in the group. A critique of the play was given the following day, and we were subject to some rather harsh feedback that included some very mean comments by a former member of our group. It was unnerving and depressing. We didn’t even have an opportunity to respond. That evening, some of us took off to the beach, while others attended a Poncho Sanchez concert that the festival organizers were sponsoring, and we let all of our frustrations out by dancing the night away. The trip home was sad,  and seemed to take much longer than the trip to the festival. We were crushed.

But as they say, the show must go on. Our performances in Ajo and Clifton in June  went well,  and the copper strikers enjoyed the play, especially Act II, a lot. In early July, during the first year anniversary of the strike, we were in Clifton again. What was supposed to be a happy occasion, a rally and a picnic, turned into a riot, however, and the Department of Public Safety ended up shooting tear gas into a crowd of protesters. I was there too, and got hit by the tear gas. I had never experienced being tear gassed before, and my eyes were burning so badly, I wanted to gouge them out. I went running through the street in search of water so that I could drench my eyes in it and I finally found a hose and turned the water on full blast, rinsing my eyes out as much as I could. It didn’t help much. The burning in my eyes was an awful sensation, and I’ll never forget how painful it was. I wasn’t even participating in the rock throwing, although some of my friends were.

By September, we had decided to organize a festival called “Bedtime for Bonzo” where we featured a skit called The Beggar and the Beast. We had first performed this skit at Café Ole, and then outdoors at Carrillo Elementary School. I played the role of the beggar and was planning on continuing to play it at the Bedtime for Bonzo program until I injured my foot at Fry’s. I could hardly walk, much less run around on a stage. Someone else in the group ended up playing the part of the beggar.

In November, R.G. Davis, founder of the San Francisco Mime Troupe came to town and did a workshop with the Teatro in November. We were finally getting some professional training, and I learned a great deal in just one day. However, by December I had announced that I was leaving the group. My friends Juan and Teresa had left earlier in the year, and I felt it was time to move on too. I had a great time being a member of the Teatro, and made some lifelong friends along the way, but I needed to get serious about my education. I was so tired of working at Fry’s.   

PERSONAL LIFE

My personal life continued to be a drag for most of the year. I dated a woman named Ann for about a month early in the year, but finally just told her I was gay. I just couldn’t stand lying to her any longer. She immediately thought I had given her AIDS, but of course, that wasn’t true because I never caught the virus. It was an awful time to be gay, that’s for sure. Gay men were dying by the thousands and the Reagan administration did absolutely nothing about it. It was tragic. At the gay pride picnic at Himmel Park in June, I ran into my old friend Leonard, who John had introduced me to back in 1979, and he did have the virus. He was one of the first of my friends to catch it. He ended up moving to Bisbee and eventually passed on. Other friends that were around at the time included Lee, Scott, Peter, Tim, Dennis, Frank, Richard, my Fry’s friend Debbie Spedding, and my Teatro friends. I partied some with Richard and we went to several concerts together, but he had become a sports fanatic, and we weren’t as close at this time in our lives as we had been before. I continued to go out a lot and I partied way too much. I was so lonely, and longed to meet someone I could have a steady relationship with. That’s all I wanted. As luck would have it, in December I did end up meeting someone. His name was Brent, and he was a tall blonde guy from Michigan. A woman named Ila Meyer, a lesbian folk singer who I had heard perform at the Shanty, introduced us. Just like that, we started dating and before we knew it, he moved in and we were a couple. Our relationship lasted for six years.

I attended lots of concerts and bought lots of records in 1984. I was lucky to have such a good job and be able to afford it all. Some of the concerts I attended and music I bought are included below. I’ve also included a few other memorable events.

This song by the Pointer Sisters was released as a single on 4/11/84. It first appeared on the album Break Out the previous year.

My only paper this semester was in Sociology 510, Political Sociology, with Professor Doug McAdam. The title of it was “Political Process and the American Indian Movement: A Research Proposal.” I missed the mark, and got a B on it. This would be my last effort at writing anything related to the study of sociology. I soon dropped out of the program.

Here’s a list of my radio shows from 1984:

The Chicano Connection, January 5, 1984. (Playlist only).

The Morning Music Mix, January 6, 1984. (Playlist only).

The Morning Music Mix, Jan/Feb, 1984–exact date unknown. (Playlist only).

The Chicano Connection, Jan/Feb, 1984, exact date unknown #1. (Playlist only).

The Chicano Connection, Jan/Feb, 1984 exact date unkown #2. (Playlist only).

The Chicano Connection, February 23, 1984. (Playlist only).

The Morning Music Mix, February 24, 1984. (Playlist only).

The Morning Music Mix, June 22, 1984. (Playlist only).

The Morning Music Mix, June 29, 1984. (Playlist only).

The Morning Music Mix, August 17, 1984, Part 1. (Audio only).

The Morning Music Mix, August 17, 1984, Part 2. (Audio only).

The Morning Music Mix, September 14, 1984. (Playlist only).

The Morning Music Mix, September 21, 1984. (Playlist only).

The Morning Music Mix, October 12, 1984. (Playlist only).

The Morning Music Mix, October 26, 1984. (Playlist only).

The Morning Music Mix, November 2, 1984. (Playlist only).

The Morning Music Mix, November 30, 1984. (Playlist only).

The Morning Music Mix, December 21, 1984. (Playlist only).

The Morning Music Mix Date Unknown #1. (Playlist only).

The Morning Music Mix: Date Unknown #2. (Playlist only).