Category Archives: Work

Joseph R Diaz– Curriculum Vitae, updated June, 2024.

Chronology of Education

1986: Masters of Library Science (MLS) Degree. The University of Arizona, Tucson, AZ.

1982: Bachelor of Arts degree in Psychology, with a minor in Sociology. The University of Arizona, Tucson, AZ.

Chronology of Employment

2011-present: Associate Librarian and Archivist, Special Collections, The University of Arizona Libraries.

Serve as curator for the performing arts and architecture collections. Work with donors to appraise and acquire new collections, physically process collections and manage other related activities, such as the creation of collections guides. Provide reference assistance, responding to customer queries in architecture, the performing arts and other areas. Participate in staffing the reading room.  Conduct classroom instruction on the use of primary resources. Supervise student interns. Participate in library-wide committees.  Since January 2020, coordinate the departments’ virtual reference service, permissions and copyright processes. From 2012 to 2018, managed the department’s exhibits and events programs.

2000-2011: Associate Librarian for the Performing Arts

Served as the Library faculty liaison to the departments of Music, Dance, Theater Arts, Africana Studies, Religious Studies and Media Arts.  Engaged in collection development and management, reference service and instruction in all areas of the performing arts. Managed the National Flute Association Library. Worked with colleagues to coordinate database training and a lecture series for the campus community. Supervised student assistants and interns from the Graduate Library School. Served on library-wide committees.

1992-2000: Assistant to the Dean for Staff Development, Recruitment and Diversity

Reported directly to Dean of the Library. Coordinated staff development and diversity programming and training for the Library, while serving as a member of the Library’s administrative group and Library Cabinet. Managed the library’s training and professional development budget, allocating financial resources to the staff for a variety of activities. Served as liaison to  several committees, such as the Affirmative Action Committee, the Diversity Council, and the Staff Development Advisory Board. Coordinated the Library’s recruitment efforts, and ensured that our recruitment pools were diverse whenever possible. Worked with other HR staff to provide training on team development, effective meetings, and new staff orientation. Supervised staff in the HR department. Promoted to Associate Librarian with continuing status in 1998.

1987-1992: Undergraduate Services Librarian, The University of Michigan Libraries.

Worked in the Undergraduate Library, providing reference service and instruction for the undergraduate community. Areas of instruction included English, Psychology and Political Science. Participated in building the library’s book collections, focusing on adding diverse titles in Chicano Studies and LGBTQ Studies to the library’s literature collections. Coordinated the reference assistants program. Duties included student supervision, coordination of the student’s desk schedules and provision of training to new students working on the reference desk. Served on the Library’s Diversity Committee and participated in diversity-related program planning and training. Was a member of the Residency Program, and founding member of the Gay and Lesbian Library Staff organization. Received a promotion to Associate Librarian in 1991.

1987: Public Services Librarian, The Nogales/Santa Cruz County Public Library.

Served as the lead reference and collection development librarian, with a primary focus on children’s programming. Conducted story hour sessions, visited schools, gave tours, and purchased materials for the collection. Collaborated with members of the local community to coordinate programming for the annual Very Special Arts Festival. Coordinated the Library’s Annual Booksale. Wrote a Library Services and Technology Act (LSTA) grant for a public programming series, which was funded. Represented the library in a number of media appearances on local television. Focused on promoting the Library’s programming and related activities.

1976-1986: Retail Clerk, Fry’s Food Stores.

Worked as a part-time as a carry out clerk, then as a stocker and cashier while in high school and college. Served as a union steward from 1983-1986.

Honors and Awards

2023: Tucson Top 20 award: Bob’s World(https://bobdiaz.net/) named one of Tucson’s top 20 local blog sites by Feedspot. See: https://blog.feedspot.com/tucson_blogs/?feedid=5494868&fbclid=IwAR1BoHoXGwl1tU7xMw5bNM3fJAXlH2ZO53MYIt1cu0iy7P3oP1-kWlSMWSM. This is my website, where I publish most of my writing, both professional and personal.

2002: Recipient, Movers and Shakers Award.  This is an annual award given by Library Journal to leaders, activists and innovators in the field of librarianship. Recipients are nominated by their colleagues and selected by the editors of the journal.  First cohort. https://bobdiaz.net/2021/09/28/bob-diaz-movers-shakers-2002/

Service/Outreach (limited to the past 10 years, approximately)

National/International

March, 2024: Delegate, representing Southern Arizona. ALA Voices For Libraries Day of Advocacy event.

2024: Chair, Harold T. Pinkett Student of Color Award Committee, Society for American Archivists.

October, 2023: Panelist/Reviewer. National Endowment for the Humanities grants in the performing arts.

September, 2023 – August, 2024: Senior Co-chair, Society of American Archivists (SAA), SAA Archives and Archivists of Color Section.

March, 2023: Delegate, representing southern Arizona. ALA Congressional Fly-In Day of Advocacy.  

2023: Member, Pinkett Award Committee, Society for American Archivists.

2023: Member, Banks Award Committee, Society of American Archivists.

September 2022-August 2023: Junior Co-chair, Society of American Archivists (SAA) SAA Archives and Archivists of Color Section. Elected position.

2022-2023: Council member, Conference of Inter-Mountain Archivists (CIMA) Elected position.

2022-2023: Member, Conference of Intermountain Archivists Education committee. Committee assignments include reviewing scholarship applications for attendance at annual CIMA conference, and setting up educational webinars.

June, 2021-June 2024: Councilor At-Large, The American Library Association Council. Elected position.

2021-2023: Member, representing Tucson chapter, REFORMA National  Board of Directors.

2021-2023: Member, Association of College and Research Library, Rare Books and Manuscripts Section, Diversity Committee.

2021-2022: Member, Society of American Music local arrangements committee for 2022 conference.

2020-2023: Member, REFORMA Education committee; served as interim chair in 2023.

2020-2021: Co-Chair, American Library Association Rainbow Roundtable Program Planning Committee.

2020: Guest reviewer, Hispanic Leadership Alliance Scholarship committee.

2015: Reviewer, ACRL Books for College Libraires.

2012-2015: Member At-Large, American Library Association Council. Elected position.

2012-2014: Member, REFORMA Board of Directors.

Local/State

Fall, 2022-Fall, 2024 Southern Arizona representative to the Arizona Library Association Executive Board. Re-elected.

2022-2024: Member, Arizona Library Association Membership, Marketing and Outreach Committee.

2022-2024: Member, Arizona Library Association Nominating Committee.

2022-2023: President, Tucson chapter of REFORMA. Re-elected.

2021-2022: President, Tucson chapter of REFORMA. Elected position.

Fall, 2020-Fall, 2022 Southern Arizona representative to the Arizona Library Association Executive Board. Elected position.

2020-2021: Member, Arizona Chapter of the American Institute of Architects.

2017-2019: Guest participant and contributor, the American Institute of Architects Arizona Chapter Archives Committee.

2015: Member, Arizona Library Association Conference Planning Committee.

2014-2016 Chair, Arizona Library Association Services to Diverse Populations Interest Group.

2014: Member, Arizona Library Association Marketing Committee.

2012-2015: Member, AZLA Board of Directors, southern region representative. Elected position.

2012-2014: President, REFORMA Tucson chapter. Elected for two consecutive terms.

Library Committees

2023: Chair, LFA Peer Review Committee.

2020-2021: Member, University of Arizona Library Faculty Assembly Awards Committee.

2020-2021: Liaison to the Executive Board of the UA Library Faculty Assembly. Elected position.

2016-2017: Member, University of Arizona Library Diversity Social Justice and Education Council.

2014: Member, University of Arizona Library, Library Faculty Assembly Sabbatical Review Committee.

2014: Member, University of Arizona Library, Library Faculty Assembly Bylaws and Standing Rules committee.

Other Committees/Activities (Internal or External)

2023: Member, search committee for the unit lead position in the Student Learning and Engagement unit at the University of Arizona Library.

2022-2023: Member, search committee for the unit lead for public services in Special Collections.

2020: Member, Future State Research Support and Partnerships Working Group, University of Arizona Libraries.

2012-2015: Member, Tucson Meet Yourself Board of Directors.

2004-2020: Program host, The Chicano Connection, KXCI Community Radio, Tucson.

Teaching (limited to the past 10 years, approximately)

Invited Teaching

Spring, 2024:

Fall 2023:

  • JOUR 306 – Advanced Reporting. Introduction to the use of archives for primary research.2 sections. Lead instructor: Pate McMichael.
  • PAH 420: Innovation and the Human Condition: Learning How to Improve Life in the Community and Beyond. Resources on local history.  Primary instructor: Jacqueline Barrios. 1 hour.

Spring 2023:

  • ARC 532, History of the Built Environment from 1350 to 1940. Introduction to classic works of architecture. Primary instructor: Natsumi Nonaka. 1 hour.

Fall 2022:

  • Music 533, Music of the Twentieth Century, Using archives and special collections to find music-related primary sources. Primary Instructor: Matthew Mugmon, Hours Taught: 1

Spring 2022

  • ARH 480/580, Art and the Environment in the US , A look at the work of Judith Chafee, American architect. Primary Instructor: Lee Ann Custer , Hours Taught: 1

Fall 2019

  • Geog 375, Metropolitan Tucson, Finding primary sources for the study of local history. Primary Instructor: Taylor Miller, Hours Taught: 1
  • GWS 240, Gender in a Transnational World , Introduction to the use of  archives and primary resources. Primary Instructor: Domale Keys, Hours Taught: 1
  • HIST 498, Capstone/Research Seminar, Using archives for historical research.  Primary Instructor: Jadwiga Pieper Mooney, Hours Taught: 1

Fall 2018

  • IRLS 560, Collection Management, Diversity issues in collection management. Primary Instructor: Stoffle, Hours Taught: 3
  • HIST 375, Histories of Memories, Using archival resources for historical research.  Primary Instructor: Susan Crane, Hours Taught: 2
  • CATS Athletics minority student leadership group, N/a, A Look at the 1968 in America exhibit, Primary Instructor: Sophia Read, Hours Taught: 2

Spring 2018

  • IRLS 560, Collection Management, Diversity and collection development.  Primary Instructor: Stoffle, Hours Taught: 3

Fall 2017

  • LIS 567, Leadership in Libraries , Leadership in archives and special collections. Primary Instructor: Carla Stoffle , Hours Taught: 3
  • High School students from Nogales High School , N/A, An introduction to primary sources housed at the UA Libraries. Primary Instructor: Luke Brannen, Hours Taught: 2
  • History 495G, Natural Resources and the Law in the Spanish and Mexican Borderlands, Finding historical materials on the borderlands in Special Collections. Primary Instructor: Michael Brescia, Hours Taught: 2

Summer 2017

  • WSIP Summer Camp, An overview of Special Collections and archives for beginnning researchers , Primary Instructor: Andrea Hernandez Holm, Hours Taught: 2
  • Anthro 150, Many Ways of Being Human, An introduction to primary source research and the use of archives. Primary Instructor: Dana Drake Rosenstein, Hours Taught: 4

Spring 2017

  • Honors course, Picturing Arizona, Finding primary research materials on Arizona and an introduction to archives. Primary Instructor: McStott, Jennifer, Hours Taught: 2
  • JH 487, American Press History, Using primary sources in archives and special collections for research. Primary Instructor: Lumsden, Johanna, Hours Taught: 2
  • HIST 301, Introduction to the Study of History, Using primary sources for historical research.  Primary Instructor: Irwin, Hours Taught: 4

Fall 2016

  • IRLS 560, Collection Management , Collection Development and Diversity. Building diverse collections. Primary Instructor: Carla Stoffle, Hours Taught: 3
  • IRLS 557, Documenting Diverse Cultures and Communities , Community engagement and Libraries. Primary Instructor: Richard Chabran
  • MFA Generative Dramaturgy class, Generative Dramaturgy, Finding primary resources in theater arts. Primary Instructor: Jessica Maerz, Hours Taught: 2
  • HIST 301, Introduction to the Study of History, Using primary sources and archives for historical research. Primary Instructor: Irwin, Hours Taught: 3

Spring 2016

  • IRLS 560, Collection Management , Collection development and diversity. Primary Instructor: Carla Stoffle , Hours Taught: 3

Fall 2015

  • MAS 265, Overview of Mexican American Studies , An overview of Mexican American music history in Tucson. Primary Instructor: Dr. Lydia Otero , Hours Taught: 1

Fall 2014

  • UA, IRLS 557, Documenting Diverse Cultures , Community outreach and engagement and libraries. Primary Instructor: Janet Ceja , Hours Taught: 1
  • UA, Theatre Arts, Theatre of the Americas , Finding primary performing arts resources in archives and Special Collections. Primary Instructor: Kevin Byrne, Hours Taught: 3

Spring 2014

  • UA, CESL Conversation class for French students, Conversation, An introduction to archives and Special Collections. Primary Instructor: Holly Wehmeyer, Hours Taught: 1
  • Apollo Middle School, Science class, n/a, Science class, An introduction to Special Collections and archives. Primary Instructor: Steve Olguin, Hours Taught: 1

Fall 2012

  • MAS 265, Overview of Mexican American Studies, A historical overview of Mexican American music in Tucson. Primary Instructor: Lydia Otero, Hours Taught: 1

Student Mentoring and Advising Activities

  • Summer, 2022:  Bianca Finley Alper, Intern. Provided supervision and mentorship.
  • January-May, 2023: Bianca Finley Alper. Student worker. Provided supervision and mentorship.
  • Fall, 2015-Spring, 2016: Jessica Redhouse. Participated in mentoring program sponsored by ARL Mosaic program.
  • Fall, 2015: Guest lecture to students on leadership in Blue Chip Leadership program.
  • Spring 2014-Spring 2019: supervised student assistants in Special Collections who helped with exhibits and events.

Publications/Creative Activity (no time limit)

Refereed Journal Articles

1999: Helping Teams Work: Lessons Learned from the University of Arizona Library Reorganization”, article co-authored with Chestalene Pintozzi, Library Administration and Management, Vol. 13, No. 1, Winter 1999. https://bobdiaz.net/wp-content/uploads/2020/02/Helping-Teams-Work-Lessons-Learned-.pdf

Books, Chapters, Monographs

2013:

2005:

2003:

2002:

  • Latin America”, book chapter in  Magazines for Libraries 11th edition. New Providence, New Jersey: R.R. Bowker, 2002. Coordinator and primary contributor to a completely revised chapter with new co-authors Olivia Olivares and Veronica Reyes.  My contribution: 45%.  
  • Latinos” book chapter in  Magazines for Libraries 11th edition. New Providence, New Jersey: R.R. Bowker, 2002. Coordinator and primary contributor to a completely new chapter with new co-authors Olivia Olivares and Veronica Reyes.  

1998:

1997:

  • Latin America and Latinos”, two chapters in Magazines For  Libraries, 9th edition. New Providence, New Jersey, R.R. Bowker, Coordinator of and contributor to completely revised chapter, with additional contributions from Patricia Promis, Thomas Marshall,  and Theresa Salazar.

1995:

1994:

1993:

Other Publications

2023:

  • An overview of the history of Tucson and Southern Arizona”, article that appeared in a zine produced by Jacqueline Barrios’ PAH 420 class. 100% responsibility.

2020:

2009:

2008:

2004:

Blog posts

2023:

2022:

2021

2020

Exhibitions

2018:

2017:

2016:

2015:

  • Diaz, J. R. (2015). Tucson: Growth, Change, Memories  (exhibition and programs). Special Collections exhibition gallery. Tucson, Az.: The University of Arizona Libraries
  • Diaz, J. R. (2015). Celebrating Excellence: Women in Anthropology (exhibition and program). Main Library. Tucson, Az.: The University of Arizona Libraries. https://bobdiaz.net/2020/03/08/celebrating-excellence-women-in-anthrpology-exhibition-main-library-and-program/

2014:

2013:

2012:

  • Diaz, J. R. (2012, January 6). Company Town: Arizona’s Mining Communities During 100 Years of Statehood (exhibition and program). University of Arizona Science Engineering Library. Tucson, Az.: The University of Arizona Libraries. https://bobdiaz.net/2020/02/23/2012-company-town-exhibit/

2010:

Conferences/Scholarly Presentations

2023

  • Diaz, J.R. (2023). Coordinator, “Leadership in Archives and Special Collections from a BIPOC Perspective” panel presentation given at the annual RBMS Conference, Summer, 2023. (I wrote and submitted the proposal for this event as a member of the RBMS Diversity Committee and coordinated it, but was not part of the panel).

2022

2021

2020

2016

2013

2012

Awarded Grants / Contracts

2022:

  • Received  a $3,000 grant from the Arizona State Library to coordinate events for the Tucson Chapter of REFORMA’s  El Dia Del Nino/Dia Del Libro annual event.
  • Received a grant for $2,500 from the American Society of Architectects Arizona chapter to hire a student assistant to help process architectural collections.

2021

  • Received a $2,000 grant from the Arizona State Library to coordinate events for the Tucson Chapter of REFORMA’s El Dia Del Nino/Dia Del Libro annual event.

“Voices for Libraries”, Washington DC, March 6-7, 2024

I traveled to Washington DC in early March, 2024 to attend the American Library Association’s “Voices for Libraries” day of advocacy, where library leaders from all over the country gathered to meet with their Congressional representatives (or their aides) to convince them of the need for library funding for fiscal year 2025. This was the second year the American Library Association’s Washington office invited me to attend, and like last year’s adventure, it was a great experience. My colleague Erin MacFarlane and I attended training on the first day, and on the second day, we met with representatives from the offices of Senator Kelly, Senator Sinema, Congressman Grijalva, Congressman Gallego and Congressman Ciscomani. We were very warmly welcomed. The aides listened intently, asked great questions and took lots of notes so they could report back to their bosses about our meetings. All agreed that libraries are important and that the funding we asked for should be supported.

This was the second time I had the opportunity to participate in advocating for American libraries. Last year’s event was called the ALA Congressional Fly-In. Erin and I both represented Arizona last year as well, and we were able to meet briefly with Congressman Grijalva. This year we had no such luck. We met with five different congressional aides, but they were very nice to us.
Erin MacFarlane and I outside the US Capitol. She works for the Maricopa County Library system in the Phoenix area, and is a wonderful person.
VIsiting the different congressional office buildings was very exciting. We even had lunch in one of them and saw Senator Kelly at one point walking into his office. It surprised me to learn that he’s not very tall at all!
Senator Kelly and Senator Sinema
Congressman Ciscomani, Congressman Gallego, and Congressman Grijalva
Our task was to convince our hosts that federal library funding was badly needed in Arizona. We received training in storytelling the day before our visits and were provided with a bunch of talking points that we could use as we described the various services federal funding helped to provide. Erin and I enjoyed ourselves as we talked our way through each session. I tried to get each assistant to write 232 billion instead of 232 million in their notes. It was fun. I’d do it again in a heartbeat.
That same night, President Biden delivered the State of the Union address. It was thrilling to know that I was in a hotel room just about a mile or two away from where the President gave his speech.

I took an extra couple of days to go sightseeing and to buy souvenirs, but my plans were dampened a bit by a day full of cold, rainy weather on one of those days. Oh well. I did manage to visit a museum and to wander around some. Here are some photos I took of the places I stayed at and the buildings I saw. I had a great time.

ALA footed the bill for my stay at the Riggs Hotel, shown here. I later moved to the Hilton Motto Hotel in Chinatown.
I went to a few souvenir shops and found a bunch of stuff to bring back, including a Biden for President t-shirt and a decal. Unfortunately, there was a lot more Trump memorabilia available than Biden memorabilia. I think that’s because the Trump garbage doesn’t sell.

The only museum I was able to visit on this particular trip was the National Building Museum. I’m glad I went, even though they didn’t have very many exhibits. The National Building Museum was built in the 1880s and was the former home of the US Pension Bureau. It served a variety of purposes until 1985, when it started a new life as a museum. The terra cotta frieze by sculptor Caspar Buberi in the bottom photo on the left depicts Union veterans from the Civil War, who received benefits from the US government processed by workers housed in this building

The ceramic San Xavier figurine on the right is identical to the one I have at home. It’s really a little coin bank with a slot in the back. I’ve had mine since the 80’s and was quite surprised to see one exactly like it on display in this exhibit of building miniatures from every state.

Here are some of the buildings I saw during the day. The cherry blossoms were just starting to bloom.

Included here are the Supreme Court, Cherry Blossom trees, The US Capitol and the Martin Luther King Library building.
I ventured out for a walk one evening along Constitution Avenue. It was a beautiful night. The buildings in the bottom row are the National Archives and the old Post Office, which is now a hotel. The statue is of Benjamin Franklin.

I just had to include the following about the National Archives building. The article is from the March/April 2024 edition of the magazine, Archival Outlook, published by the Society of American Archivists.

The photo on the top left is of the entrance to Chinatown. I stayed at the Hilton Motto Hotel my last couple of days in Washington. The room I stayed in was very small, but the only thing it lacked was a coffee maker. Oh well. The nightly rate wasn’t bad and it was just for a couple of days.

There were other things I got to see and do, like have delicious Chinese food in Chinatown. I also bought myself a new waterproof jacket at Macy’s and took the Metro up to the Dupont Circle area to Second Story Books, where I splurged and bought a few books. I walked around the downtown area a lot too.

I really missed my friends Ron and Jane this time around, however. They moved to New York’s Hudson River Valley last year, so I’ll just have to go there to visit at some point. I also missed seeing my friend Elizabeth Robinson. We’ve been friends since the late 80s and met while working at the University of Michigan. I love her and Ron and Jane dearly. They are wonderful, amazing, beautiful people, and I am very lucky to know them.

Ron and Jane. I’ve known them since I was in high school.
My friend Elizabeth. She’s head of rare book cataloging at the Library Congress and has worked there for many, many years.

Oh well. Maybe next time. Overall, I had a great visit. DC is always a blast!

Dr. Arnulfo Trejo: A Look At His Life And Work

When I was in high school in the mid-70s, my journalism teacher, Jane Cruz, enrolled in the Graduate Library Institute for Spanish-speaking Americans (GLISA), a special master’s of library science program at the University of Arizona. The program, a federally funded initiative to train librarians of Hispanic descent and those wishing to serve the country’s ever-growing Spanish-speaking population, was directed by Dr. Arnulfo Trejo, a longtime librarian, academic, and founder of REFORMA, the National Association for the Promotion of Library Services to the Spanish-speaking.  The curriculum of the GLISA program focused primarily on training librarians in outreach and programming for the Spanish-speaking and in building Spanish-language library collections.  

Jane and her husband Ron had just acquired ownership of La Campana Books, a local bookstore that specialized in leftist literature, Latino literature and bilingual materials, and Dr. Trejo, a regular visitor to the bookstore, encouraged her to apply for a spot in the GLISA program. She was very busy at the time, raising two children, teaching at Salpointe High School, and running a new business. Unfortunately, she was also dealing with some serious health issues, and as a result decided, after having devoted a considerable amount of time and effort to her studies, to leave the program before she completed her degree. It was a difficult decision.

Learning about Jane’s experience with the GLISA program sparked my own interest in librarianship, as ever since childhood, I had loved visiting the library and reading. Jane’s experience helped me realize that being a “bona fide” librarian meant one had to have a master’s degree in library science. I kept that thought in the back of my mind as I entered college.

I attended the University of Arizona from 1977 to 1982 and graduated with a bachelor of arts degree in psychology with a minor in sociology. Shortly thereafter, I decided to apply to the graduate program in Sociology at the U of A. I was accepted into the program and took courses for a semester or two, but didn’t really care for it after a while, as it turned out not to be what I thought it would be.  I didn’t know that so much of the study of sociology deals with “data” and its manipulation and interpretation.

By the Fall, 1984 semester, I remembered that I had thought about becoming a librarian at one point, so I decided to try my hand at library school, and I was accepted into the program in January 1985.  By then, Dr. Trejo had retired and the GLISA program had folded. There weren’t many other Latinos in the program at the time, and I felt like a lone wolf, but I soon discovered REFORMA and I learned more about the important role that Dr. Arnulfo Trejo played both in its founding and in the broader profession as a leader in the effort to provide library services for diverse populations through recruitment of Latino librarians and the promotion of reading among the Spanish Speaking.

I joined REFORMA around 1986 while still in library school, but it wasn’t until I was working as a librarian and attending conferences that I became more involved in the organization. By the early 90’s I had served as national secretary and president of the Arizona Chapter, and had made a lot of friends who were fellow REFORMISTAs.

In 1992, I landed a job as Assistant to the Dean for Staff Development, Recruitment at Diversity at the University of Arizona, and it was at this point that I really got to know Dr. Trejo. My boss, Carla Stoffle, asked me to start laying the groundwork for the creation of a Mexican American borderlands archives program, so I set out to meet and interview a number of influential Latinos in the Tucson community, including Dr. Raquel Goldsmith, Lupe Castillo, Salomon Baldenegro and of course, Dr. Trejo, to gauge whether or not there was interest in such a program and if it was really feasible. Would there be enough material available locally to build such a program?

Dr. Trejo was a member of my parents’ generation, and I approached him with the utmost respect. He seemed very formal to me, always dressed in a suit and tie, but also very kind, approachable and thoughtful. My own style at the time was much more informal. I never wore suits or ties, and I remember him encouraging me to think twice about that. He said to me “people generally will remember you for what you say, but also for how you looked”. I didn’t take too well to the advice, but have come to realize over time that his words were quite true. I still don’t wear suits and ties, but I can see how one’s appearance does affect one’s overall impression on people.

Over the next 10 years, I would run into Dr. Trejo a lot. He was a very busy man, organizing educational institutes, selling Spanish Language books, and participating in our local REFORMA meetings. His wife, Ninfa Trejo, also worked at the U of A Library, and we worked together on planning the local arrangements for the 2nd National REFORMA Conference, which was held in Tucson in 2000.

It was a sad day when we all heard the news that Dr. Trejo had passed. The following January, a tribute was held in his honor at the 2003 Midwinter meeting of the American Library Association in Philadelphia, and I was asked to contribute to it by writing a corrido about Dr. Trejo’s life and work. I don’t consider myself much of a songwriter, but I have written one or two of them. This particular request came from a good friend named Ben Ocon, who was the national president of REFORMA at the time. I couldn’t turn him down, so I rose to the challenge, and I ended up performing “El Corrido de Don Arnulfo Trejo” in a room full of librarians (the lyrics are included at the very end of this post). I engaged everyone in a sing-a-long, and by the end of the performance, the crowd was on its feet applauding like crazy. The corrido was a hit! It was a moment in my life that I’ll never forget.

Dr. Trejo’s papers were left with Special Collections at the University of Arizona Library, and in 2014, I was asked to write the biographical note for the finding aid. I used Dr. Trejo’s biographical file and his papers to write the summary and I learned many details about his life that I and many others didn’t know. It was a real eye opener. I later re-published and expanded the biographical sketch and posted it on my blog. It has become one of my most popular blog posts. It, along with the corrido are available here: Remembering Dr. Arnulfo D. Trejo, 1922-2002.

I was recently asked to give a presentation on the life and work of Dr. Arnulfo Trejo at the VII Encuentro Internacional Sobre Comunicacion, Frontera y Movimientos Emergentes, held at the Sam Lena Branch of the Pima County Public Library on December 2 and 3, 2022. PCPL library associate and REFORMA member Escarlen Chavez invited me to do this because this year’s encuentro was dedicated to the memory of Dr. Trejo, and she knew I had written about him in the past. I was happy to oblige.

It was a great honor to be in the presence of such luminaries as Dr. Adalberto Guerrero, Dr. Macario Saldate and Dr. Armando Miguelez, who each spoke a bit after my program. I was honored and humbled by their words of thanks and appreciation. Dr. Trejo was their colleague and they were glad to know that his memory and legacy live on. They recommended that my presentation get published in “La Estrella De Tucson” and that we encourage our current UA President to create an award in Dr. Trejo’s memory. Both of these efforts will take some thought and work, but hopefully my colleagues in the local Tucson chapter of REFORMA will help me achieve these goals.

Here is the flyer for the two-day program:

Here are some photos of the event:

After the program, we took a group selfie. My friends Lorenia Diaz, Bianca Finley-Alper, Escarlen Chavez and Sila Gonzalez were all very kind and supportive.

I opened my presentation with the following quote:

“According to Salvador Guerena and Edward Erazo, in their article, “Latinos and Librarianship“(source: Library Trends, V. 49, no. 1, Summer 2000), “of all the people who have contributed to Latino librarianship in this country, there is no one who has made a greater impact advancing this cause than Arnulfo D. Trejo, indisputably one of the country’s most illustrious and distinguished library leaders.”

I then presented the following slides, elaborating and adding context along the way:

Dr. Trejo received ALA’s highest honor, that of Lifetime member. the award was given to him by then president of ALA, Nancy Kranich.

Dr. Trejo and many of the former presidents of REFORMA, some of which were his students in Library School.
Some of Dr. Trejo’s publications. The one in the middle is titled, “Bibliografia Chicana: A Guide to Information Resources”.

The following title, a work that Dr. Trejo edited, is available in full text online. See the page, The Chicanos: As We See Ourselves, and click on the download button to retrieve the full text of the book.

El Corrido de Don Arnulfo Trejo

by Bob Díaz

Voy a cantarles un corrido

De un hombre valiente y de verdad

Don Arnulfo Trejo se llamaba

y luchó para nuestra libertad

CORO:

Libertad pa’ ser Americano

Libertad pa’ hablar en Español.

Libertad pa’ ser educado

Libertad pa’ leer en Español.

Nació en México de veras

Pero a este lado su destino fue a quedar

Se creció en Tucson Arizona y desde joven luchó por la libertad

CORO:

Libertad pa’ ser Americano

Libertad pa’ hablar en Español.

Libertad pa’ ser educado

Libertad pa’ leer en Español.

Profesor y bibliotecario

Fue un hombre de grandísima vision

Padre de GLISSA y REFORMA

Le damos gracias por toda la nación

CORO:

Gracias Don Arnulfo Trejo

Gracias por su linda visión

Gracias Don Arnulfo Trejo

Gracias por su ardiente pasión

Vuela vuela palomita

Que ya se va acabando esta canción

Pero hay que siempre recordarse

¡La lucha continua, si señor!

¡La lucha continua, si señor!

==========================================================================

I’m very glad I was given the opportunity to do this program. It turned out to be another memorable occasion.

2022 AZLA Conference, Prescott, Az.

I have been a member of the Arizona Library Association for over 30 years, and in that time, have held numerous offices in the association. Most recently, in 2020, I was elected to the Executive Board as the southern region representative, (and was just re-elected this October to another 2 year term).

These past few years have been very challenging for AZLA. The pandemic has been largely responsible for us not having an in-person conference in over two years. That, combined with a few other major challenges, held us back significantly, causing us to lose membership and go into debt. Things began to change however, in early 2022, when a new slate of officers was elected to manage the association. The new president, Lisa Lewis, brought all the current officers and members of the State Library together at a planning retreat held in May in Chandler. We renewed our commitment to keep the association alive and growing. We also let go of our office manager and took control of the association’s website and other management functions. Our top priority was to plan our upcoming conference and to get our finances in order. The board and the conference planning committee were very eager to see to it that this conference was successful.

In the end, the 2022 conference, was in my opinion, one of the best we’ve ever put together. While we didn’t get huge attendance numbers, we had some excellent programs and all of our keynote speakers were top-notch. I cannot take any credit at all for the conference’s success. That needs to go to our conference planning committee and our president, president-elect, and treasurer, who met frequently to sort out all the issues, select the programs and keynote speakers, and pay all the bills that come with putting on a big three day event like this. It turned out to be one of the best conferences I’ve ever attended.

The conference was held in Prescott, Az, on October 27 and 28, 2022. I left Tucson at 9am on the 27th, and made a pit stop in Phoenix where I bought a few things at Bookmans on Northern Ave, including a couple of Benny Goodman albums and a book on jazz before heading up to Prescott.

More Benny Goodman albums for my growing collection.
I found this too. It’s a heavy mutha.

I arrived at the hotel in Prescott some time in the afternoon. I’d never been to Prescott before, and was pleasantly surprised at what I found. The elevation of the town is over 5,000 feet, and there are hills and mountains all around. It was gorgeous. The weather was cool and the skies were nice and clear the whole time. I spent most of Wednesday, Thursday and Friday at the conference, but did manage to go shopping at a few thrift stores and visit the downtown area on Friday morning. I regret not being able to spend more time exploring, and would like to go back one day to do that. Jerome and Camp Verde are in the vicinity and it would have been great to visit these places and to visit friends who live in the area.

I bought this postcard in the downtown area. It’s one of many that I found while there.
The drive to Prescott from Tucson took more than 4 hours. I stopped in Phoenix and visited Bookmans on the way up and also encountered some slow traffic along the way.
“It’s a New Day” was our conference theme. Lisa Lewis, our new president came up with it. It was perfect.
AZLA President Lisa Lewis and President-elect, Casey Van Haren at our registration table. Lisa is a very no-nonsense, but inspiring leader, and Casey is a hoot. What a great team!
Our conference was held at the Prescott Resort and Casino. My room was spacious, but the bed wasn’t very firm, and the carpeting was lumpy. Oh well. At least there was a great view.
The first photo was taken from my room window, and the one on the right was taken during our opening reception.
I ran into my friend and colleague, Jean McClelland. She photobombed my shot of the sunset.
Jamie LaRue is a longtime librarian who has spoken several times at our conferences. He was just great. He spoke about the idea of “intentional transformation” and how libraries can change lives. It was a very profound talk and I enjoyed it immensely.
My good friend Jose’ Aguinaga is now a library science professor at San Jose’ State University. He made it to the conference on the first day, and we had coffee and lunch together. I always enjoy meeting up with him. He’s a great friend and colleague.
This was a very informative program.
Some of the women featured in this book were present and spoke during the luncheon on Thursday. They were amazing.
I introduced the speaker for this program. The young woman who did the presentation shared a lot of interesting information and ideas.
I also introduced my colleague Robin Huff-Eibl, who spoke about the University of Arizona Library’s technology lending program and its impact on our student population, particularly students of color. It was a very informative presentation.
I don’t know why I’m including this place, but I had dinner here. It was not great and way too expensive, but convenient, as it was just down the street from my hotel.
I sat at the same table with these volunteers from the Scottsdale Public Library. The lady pictured on the far left won this year’s volunteer of the year award.
Adiba Nelson closed the conference with a wonderful talk about her life and its challenges. She made us all laugh so many times it was just wild. Loved her.
On Friday morning, I hit the thrift and antique stores, as well as the Sharlot Hall Museum. The Governor’s mansion houses the little gift shop there, and these photos were taken inside it.
I found these while in the antique stores. The Dee Dee Sharp picture sleeve didn’t come with the actual record, but I already had it at home.
Treasures from the St. Vincent DePaul thrift store.
I found all of these cds for 50 cents to a dollar at the St. Vincent De Paul and Disabled American Veterans thrift stores. CDs are not as popular as they once were, and one can easily find lots of great recordings at these places, but it sometimes takes patience and time to wade through a lot of “junk” before you find the good ones. I found a lot of great ones! It was my lucky day.

More postcards that I found along the way.
I was able to make a quick stop into one of the stores along Whiskey Row. The photo on the left is of the kiosk on the grounds of the old State Capitol, I think.
My last activity while in Prescott was having dinner with Lisa Lewis and other folks involved with the conference. We had a lovely time. I got up bright and early the following day and headed back home to Tucson to prepare for my Boston vacation with Ruben.

Old Main Renovation 2014

UncategorizedEdit

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During her tenure as President of the University of Arizona (2012-2017), Ann Weaver Hart decided it was time to renovate Old Main, the University’s oldest and best-known campus building. It was previously renovated in the 1940s and in 1972 was selected for listing on the National Register of Historic places. The latest project, begun in early 2013, was expensive, totaling over 13 million dollars, and not a very popular undertaking (with some donors and administrators), but in the end, the transformation of the second floor of Old Main was a sight to behold. The newly renovated building, replete with new air conditioning units on both floors, now houses, among other things, student services, spacious meeting rooms, and the president’s office, and showcases some of the University’s finest artwork and cultural artifacts. The architectural firm, Poster, Frost, Mirto took the lead in designing the recent project. Sundt Construction completed the work.

In 2013, the director of Special Collections assigned me and another colleague the task of assisting the coordinator of the Old Main interior design project in identifying historic photographs and other materials for display in Old Main. My colleague took the lead in identifying and providing photographs and I worked on identifying materials for a small exhibit case and wrote annotations for many of the photos.

Historic photographs of the campus and photographs of covers of UA Yearbooks now fill the hallways and meeting rooms of the 2nd floor the Old Main building.

I chose materials for the exhibit case below. An inventory follows.

This is the exhibit case that I filled with memorabilia and documents from Special Collections. Below is the inventory of material included.

Most of the following photographs are from Special Collections. My colleague and the interior designer assigned to the renovation project worked with a professional photographer to restore and frame the historic photos included here.

Old Main at the beginning…
The original floor plan, courtesy of Special Collections.
Old Main now.
Corky Poster, one of the architects involved in the renovation project.
Photos from Special Collections above the exhibit case that I contributed material to.
Rodney Mackey, a staff member of the UA’s Planning Design and Construction department, gave a tour to the UA staff who contributed artwork and artifacts to the project.
The Arizona State Museum contributed some beautiful American Indian pottery to the project.
Minerals from the UA minerals collection.
From Special Collections, a photo of an early 20th century celebration at the Old Main fountain.
This sign, belonging to the original contractor, was found in the attic during the renovation.
The walls are also filled with photos from the Center for Creative Photography.
Meeting rooms on the 2nd floor.

Another shot of Old Main, courtesy of Special Collections.
One of the larger meeting rooms on the 2nd floor.
Another large meeting room.
The reception area leading to the President’s office.
Students at work in a science classroom, early 1900’s.
UA co-eds outside one of the women’s dorms.
Yearbook covers lined the walls of the various meeting rooms on the renovated second floor.

The architects held an open house for contributors to the project in advance of the grand opening. Below are some of the photos of the renovation.

From a presentation given by the architect, Corky Poster.
More photos of the work.
Photo courtesy of Sundt Construction.

Click here see a complete, annotated list of the photos contributed to both the Old Main project and the Phoenix Health Sciences building project.

A thank you letter from President Hart

Further reading:

Saving Old Main, The UA’s Oldest Building, by La Monica Everett Haynes, University Communication, October 1, 2013.

Old Main Renovation almost finished at University of Arizona, by Anne Ryman. The Arizona Republic, May 5, 2014

Old Main Re-opens Its Doors, University Relations-Communications, August 27, 2014.

University of Arizona Old Main Renovation. Sundt Construction.

That’s all, folks!

UA Alumni Association 50 year reunion exhibition

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2015 UA Alumni Association 50 Year reunion

In early 2015, I was asked to work with representatives of the UA Alumni Association to create a small exhibit of materials from the UA Class of 1965. The exhibit cubes shown below are housed on the 1st floor of Old Main. The exhibit remained in place for several years.

I did a lot of research for this particular exhibit, and could not possibly fit everthing I wanted to into three cases. I still have all the material I gathered and will be adding more to this blog post, as there is no limit here. I can add as much stuff as I want, so I will! What I have gathered together so far does not provide much context for what happened in 1965, so I’ll be working to add more factual information and additional photos etc. Stay tuned. It may take me a while, but I’ll get there soon enough!

Stay tuned. More to come…

Status of Hispanic Library and Information Services : A National Institute for Educational Change, July 29-31, 1993

I was a member of the planning committee for this event. My main role was to organize the opening night reception. I worked with colleagues from the Library and student members of the local chapter of REFORMA, of which I was president, to plan the logistics and serve as hosts. It was a very successful and fun evening, with live music and plenty of food and drink.

The following photos were taken during the opening reception of the Institute. I worked with members of the Library staff to host this event in Special Collections.

Reference Services in Special Collections at the University of Arizona Library

Introduction:

Reference services in academic libraries have evolved significantly since the mid-1980s. In 1985-86, when I attended Library School at the University of Arizona, I took several courses in reference service, including basic reference, information sources in the humanities, and administration of reference.

“Introduction to Reference Work, Volume I”, (1982) by William A. Katz, was my textbook for the class, “Basic Reference”, LIS 505, taught by Dr. Donald Dickinson in 1985.

I also completed a six month internship at the UA LIbrary reference desk.

The University of Arizona Library Reference desk. Pat Paylore, a reference librarian, is sitting at the desk. In the background is the reference collection. It filled the entire west end of the 2nd floor.

Librarians back then did not have computers or the Internet to rely upon for finding information or finding facts. Instead, they used, among other paper-based tools, dictionaries, encyclopedias, almanacs, chronologies, directories, indexes, bibliographies and of course, the card catalog.

The card catalog at the University of Arizona LIbrary. It was divided into the subject catalog, and the author title catalog. Pictured is just one of five or six rows of catalog drawers. Technical services staff worked day and night to keep the catalog up-to-date. The Technical Services department in the Library in the late 80’s had over 70 staff to do this work.

In 1987, after spending seven months working as a children’s librarian at the Nogales-Santa Cruz County Public Library, (my first job after library school), I was hired at the University of Michigan and worked in the Undergraduate Library as a reference and instruction librarian for five and a half years. I worked the desk an average of 12 hours a week and spent many, many hours providing classroom-based library instruction. From 1990 to 1992, I managed the reference assistant program, hiring and training graduate students in the art of reference service.

I am pictured here sitting at the reference desk at the University of Michigan Undergraduate Library, chatting with a reference assistant. The computers in the background were called “cd-rom terminals” and they provided access to single tools like “PsychLit” a computerized version of Pscyhological Abstracts.
One of my projects at the reference desk was to review reference sources in this book and “annotate” them. This was considered the reference librarian’s bible.

In 1992, I was hired at the University of Arizona Library as the Assistant to the Dean for staff development, recruitment, and diversity. My reference skills proved to be invaluable in my new job, as I considered myself an expert user of the library, and I could easily use indexes, the library catalog and other reference tools to find information related to my new job. I served as the Assistant to the Dean for 8 years.

During that 8 year-period, computers were starting to transform the way libraries provided access to information. Online catalogs made keyword searching possible, and over time more and more reference tools were available in computerized formats. However, it took a long time for computers to completely make paper-based reference tools a thing of the past. Librarians who provided reference service in specific subject areas continued to rely on what are known as “research guides” to do their work. Here are a few examples:

In 2000, I decided to shift gears and I joined the Fine Arts and Humanities team at the UA LIbrary, and my new areas of focus (with some changes over time), were music, dance, media arts, theater arts and Africana Studies. My office was in the Fine Arts Library, and my duties included reference, faculty liaison work, library instruction and collection development. I created subject research guides and spent a great deal of time adding diverse materials to the music collection, which while strongly focused on Western Art Music, held very little material on world music, jazz, Latin American music or popular music. I also did library instruction for students in theater arts, music, dance, media arts and, later, Africana studies.

By the early 2000’s, the World Wide Web had gained a strong foothold across the globe, and more and more resources were becoming available electronically. Wikipedia became the all-in-one, go to reference source for many people, especially students, and many libraries began changing how they provided reference services. Some began hiring paraprofessionals to staff their reference and information desks or eliminated reference desks altogether, and librarians who specialized in reference, were encouraged to develop new skills in other areas such as assessment, grantsmanship, and knowledge management.

Below is a sampling of the kinds of training I did and the research guides I created while a public services librarian at the Fine Arts Library:

Basic Music Reference Sources / 2005. This is the outline to a training session I created for staff at the University of Arizona Fine Arts Library. It was designed to give a basic orientation to the topic.

Country Music Reference Resources / 2005. This is comprehensive resource guide to country music that I put together in 2005 when I worked at the Fine Arts Library. It has not been updated since then. It includes some websites (likely outdated by now), but consists mostly of books, the majority of which are available at the University of Arizona’s Fine Arts Library.

Resources for the Study of Early/Modern Music. / 2006. This is a research guide I prepared for a class in the Group for Early/Modern Studies program at the University of Arizona in 2006.

Congressional Universe Training session / Workshop, April 29, 2010. I conducted this research database workshop as a member of the Library’s Research Services Support Connection Development Team. The database covers a variety of governmental and congressional resources.

Latin Music Resources / Web page, March 27, 2011. A page I created when I was the music, dance and theater arts librarian in 2011. The links no longer work, as the page is inactive, but there are still useful resources included.

The Flute: A Resource Guide / Web page, June 10, 2011. I created this web page as a resource for flute students and members of the National Flute Association when I was working out of the Fine Arts Library. The web page is no longer available, and the links in many cases do not work, but much of the information is still relevant and useful.

Mexican American Studies: A Guide to Resources / Research Guide, December , 2011. (Note: the links included in this guide no longer work, as our catalog records were all migrated to a different system a few years ago. One can still use our current catalog, however, to search for the titles included in this guide.)

I worked as a member of the Fine Arts Humanities Team (which later became Team Y, and then Research Support Services) until 2011. At that point, the Dean of the Library offered me a position in Special Collections to manage the department’s exhibits and events program and to focus on building collections in the performing arts, with an emphasis on the Southwest.

As a member of Special Collections, I curated exhibitions for the Main Library, the Science Engineering Library and Special Collections from 2012 to 2018. In addition to serving as curator for the performing arts, over time I also took on management of the department’s architectural collections. Since 2019, I have managed our virtual reference services. Learning new areas and new skills came easily to me, as I continued to rely on my research skills to come up to speed on subjects and issues that I had not previously worked on.

So here we are. I was asked to do a session for you on how we do reference in Special Collections. I thought I would add some background for you, so that you have an idea of the work I’ve done in the area of reference, and so that you get a sense of how computers and the internet have, over time changed the work that librarians do.

Special Collections librarians and archivists provide access to rare, unique, and one-of-a-kind materials and material housed in archival or manuscript collections. Reference service within the context of a special collections library or archives, is really no different from the traditional reference that librarians have provided over time. While more and more material is becoming available digitally, most of the resources found in special collections and archival repositories requires physical access, human intervention and the use of fact tools and finding tools.

Source: “Providing Reference Services for Archives and Manuscripts”, by Mary Jo Pugh, Chicago: Society of American Archivists, 2005.

Public services in our department have changed a great deal over the past 20 years. At one point, archivists and librarians staffed the front desk, and individuals seeking access to our materials worked with specialists in the department to gain access to our archival holdings. Finding aids/collection guides were not available electronically. The librarians and archivists on staff needed to build their expertise and knowledge of our collections over time. (Arizona Archives Online, which provides access to the finding aids for materials in Special Collections, was established over 20 years ago, and was one of the first such tools available for accessing archival materials. Our department was part of this effort from the beginning, but it took many years to get all of our finding aids loaded into the system).

Approximately 10 years ago, the Library administration decided to have members of the library’s access and information services team (some had library degrees but all were paraprofessionals) manage our front desk, which they did until the end of 2019. They relied upon the Special Collections archivists and librarians to provide in-depth consultations for patrons whose needs were not readily identifiable. The AIS staff also managed our electronic reference service, and also passed on to the specialists on the staff those questions that required more in-depth subject expertise.

In 2019, the administration made yet another change, and pulled AIS staff out of Special Collections, putting the front desk operations back in the hands of Special Collections staff. This required shifting some job duties and making room in everyone’s schedules for spending time at the desk. It also required that Special Collections staff take on management of the virtual reference tools that had been used primarily by AIS staff. We had to re-learn how to use the library’s circulation system, which was new to most of us, (we switched from a company called Innovative Interfaces, Inc. to ExLibris/Alma just a couple of years ago), and we had to learn how to use Libanswers, a module in a product called Libapps, produced by a company called Springshare.

LibApps

In March 2020, just three months after Special Collections staff took over management of the front desk, the pandemic hit, and we were closed down, but still did our best to provide reference services and access to our collections. We publicized on our website that we were closed, but encouraged users to use our Services page to request research assistance and digital copies of materials, which we later started providing when possible.

In July 2020, I worked with Patricia Ballesteros, a staff member in the department, to develop a set of guidelines for the provision of reference and reading room services for users of Special Collections. It was revised a couple of times since then. The document is titled, “Recommendations for Reference/Research Consultation and Reading Room Services.

I currently manage our Libanswers system, and twice a day I check the “queue” to see which questions have come through. These questions are either requests for appointments to view our collections, requests for subject assistance, requests for digital copies of material or permissions requests. My job is to handle those questions that I feel I can adequately answer, to handle copyright and permissions requests, and to route to the staff those questions that require their expertise. Our duplications process is handled by Patricia Ballesteros. She also manages the appointments process and the reading room operation. Because we provide service by appointment only, we are better able to prepare for our patrons’ visits, and we have their materials ready for them to view when they arrive. We allow only three people in the reading room at a time at present and provide services Monday through Friday from 10 to noon and 2 to 4pm.

Staff also receive questions directly via email or telephone. Another job I have is to gather monthly statistics on our reference service. The LibApps product contains a module called Libinsight that we use to report our statistics. We gather information on our user population, what materials they use and how frequently we respond to questions.

I recently conducted a brief training session for Special Collections staff on statistics gathering. It was in the form of a powerpoint presentation To view it, click on the following title: “Keeping our statistics up to date”.

Each year, we answer approximately 1,000 questions. You can see what our areas of focus are by going to the Special Collections page and clicking on the words “explore our collections“.

The reference interview is a very important part of the process of helping people find what they’re looking for. Sometimes, they won’t be direct about what they need, so it’s important to probe a little by asking clarifying questions. Patron’s sometimes are nervous or afraid to reveal too much information. You should tread lightly if the patron shows any signs of hesitation. Our patrons have privacy rights, and its important to treat the consultation process professionally and to keep information confidential, especially if it is in any way sensitive or if the patron requests confidentiality. Sometimes the patron doesn’t really know what they are looking for, so the job of the specialist is to help guide them in determining what resources might be useful to them. Because at present we are not providing walk in service, we encourage our users to use our online tools to figure out what they want. We also refer users to our specialists for additional assistance.

We sometimes get customers who want us to do all their research for them. At times, we do accommodate such requests, particularly if the person making the request is a major donor. Most of the time, however, we let our customers know that we can usually spend only up to 30 minutes to an hour doing research for them. As was just noted, we encourage our users to learn how to find information on their own by pointing them to a variety of tools, such as our online catalog, our Special Collections page, our indexes page, Arizona Archives online or any number of other sources available to them.

Here is a list of specialists in Special Collections:

Roger Myers: rare books, photography, artists books and anything having to do with the history of Special Collections

Veronica Reyes-Escudero: Borderlands Studies, the Southwest.

Bob Diaz: performing arts (theater, vaudeville, dance, music, film), architecture.

Erika Castano: University of Arizona History, digital formats.

Steve Hussman: political affairs, history of science, medicine, mining.

Trent Purdy: audio/visual formats, curator for the USS Arizona collection.

Amanda Howard: audio/visual formats.

Randi Johnson: digital formats.

Lisa Duncan: general questions about our archives.

While local history falls under the category of “borderlands studies”, there are others on the staff with knowledge about Tucson and Arizona history, including Erika Castano, Bob Diaz, and Roger Myers.

We tend to get lots of questions about UA history, architecture, specifically the Joesler collection, Arizona history, mining, vaudeville, local history and genealogical questions.

There are a lot of tools that we use to help our patrons. Some are fact tools, such as directories and almanacs, others are finding tools such as indexes and catalogs. Below are links to various sections of the library website, to research guides and other resources that are important to know about when working in Special Collections.

Helpful Resources:

About Special Collections page: This information page tells the reader what the University of Arizona Library’s Special Collections department’s areas of strength are: (Arizona and the Southwest, U.S-Mexico Borderlands, Literature, Political Affairs, Performing Arts, History of Science and University of Arizona History. Links are also provided to other information, including FAQ’s, hours, location and parking, contact information etc.

Architectural Collections at the University of Arizona Libraries : This page provides an overview of the architecture-related collections held in Special Collections, and provides background information about the various architects represented in our collections

ArchiveGrid . From the home page: “ArchiveGrid includes over 7 million records describing archival materials, bringing together information about historical documents, personal papers, family histories, and more. With over 1,400 archival institutions represented, ArchiveGrid helps researchers looking for primary source materials held in archives, libraries, museums and historical societies”.

Arizona, Southwestern and Borderlands Photograph Collection. Housed in Special Collections at the University of Arizona, this collection contains photographs, from various sources, of Arizona, New Mexico and Mexico including places, people, events and activities, and dating from about 1875 to the present. Formats include postcards, stereographs, cabinet cards, cyanotypes, viewbooks and photoprints.

Arizona and Southwestern Biographical File. The University of Arizona Library, Special Collections. Contains biographical sketches, clippings, articles, and miscellaneous documentation of various people from the late 1800’s to the present. Files vary in size and content and do not include photographs.

Arizona Archives Online . Arizona Archives Online (AAO) provides free public access to descriptions of archival collections, preserved and made accessible by Arizona repositories, including libraries, special collections, archives, historical societies, and museums. Use this source for finding archival collections housed in the UA Library’s Special Collections department.

Arizona genealogical and historical research guide : early sources for southern Arizona : including Cochise, Pima, Pinal, and Santa Cruz counties (Special Collections, F810 S26 2006). A guide for genealogical and historical research on southern Arizona that includes resources from a wide variety of organizations, and advice on finding records from cemeteries, the military, immigration documents, newspapers, medical records, schools, and more.

Arizona Historical Society Library. “The Arizona Historical Society Libraries & Archives collects published and unpublished material of enduring historical value that allows researchers to explore Arizona’s economic, political, social, and cultural heritage. Formats include manuscripts, photographs, diaries, letters, oral histories, sound recordings, moving images, microfilm, maps, books, and digital files”.

Arizona History (research guide) This guide, compiled by University of Arizona librarian Mary Feeney, provides a select list of basic reference sources on Arizona, as well as a list of indexes and primary research resources useful for conducting more in-depth research in Arizona history and other related topics. Includes information on access to Arizona newspaper.

Arizona Memory Project. The Arizona Memory Project provides access to the wealth of digitally available primary sources in Arizona archives, museums, libraries, and other cultural institutions. Visitors to the site will find some of the best examples of government documents, photographs, maps, and multimedia that chronicle Arizona’s past and present.

Arizona News (research guide): This list of resources is a subset of a guide to materials by type from the University of Arizona Library’s website, and provides links to five different collections of historical newspapers from Arizona. Included are links to Mexican American newspapers, local Tucson newspapers, as well as newspapers from other cities in Arizona.

Arizona, Southwestern and Miscellaneous Vertical File

Finding materials by type (research guide)

Finding primary sources (research guide)

Historical news sources (research guide)

History (comprised of several regional history guides

Index to Arizona News in the Arizona Daily Star. Special Collections AI 21 .A72

Jack Shaeffer Photographic Collection

Joesler Digital Collection (still considered a hidden collection because it has no access point in our catalog yet).

News sources (research guide)

Proquest Dissertations and Theses Global

Records of the Catholic Church, Diocese of Tucson.

Special Collections research guides

Tucson City Directories: Special Collections D9791 T89

University of Arizona Biographical File

University of Arizona Catalogs digital collection

University of Arizona Libraries website, including catalog

University of Arizona Photograph Collection

University of Arizona Theses and Dissertations (Campus Repository)

University of Arizona Yearbooks digital collection

Worldcat

Hidden collections: These are collections housed within Special Collections that do not have any access tools attached to them.

*University of Arizona Life and Times

*University of Arizona Annual Reports from Colleges and Schools, Depts. Etc. through the early 1980s.

*University of Arizona performing arts programs of musical performances, plays, and dance recitals given by students and faculty in the Schools of Music, Dance and Theater Arts.

*The backlog

A word about genealogical research: We have tended to shy away from answering genealogy-related questions, although we do have some collections that provide access to people’s names and family histories. These include the records of the Catholic Diocese of Tucson, and the Alianza Hispanoamericana Records collection, among others. Genealogy research is time consuming, and there are other places locally where people can get expert advice. The Arizona Historical Society Library offers genealogy reference and the Church of Latter Day Saints has a local Family History Center. There is also a local organization called the Southern Arizona Genealogical Society that offers low cost memberships to people interested in genealogy.

Learn where materials are located. There are several sections of materials. The manuscript collection includes collections in the AZ call number range and the MS call number range. Our book collection uses three different classification systems, the Dewey Decimal system, Library of Congress and the Arizona Collection classification system, which was developed in house many years ago. We also have oversized materials, elephant oversized materials, maps in flat files, pamphlet collections, oversized photo and oversized vertical file collections.

A word about copyright: It’s important to know some basics about copyright law and the permissions process. A great tool for learning about it is housed at Cornell University Library. It’s called the Cornell Copyright Center. Copyright law is always changing, so it’s important to keep up with such changes when possible.

The ability to answer reference questions and research queries is a skill that is developed over time. You won’t know or learn everything all at once, and it’s important to ask for help when you need it. The Special Collections staff often works collaboratively to help our customers with questions that are difficult or time consuming.

I encourage you to learn the basic tools: our catalogs, our indexes, our finding aids and collection guides. Explore, do your own research on topics of interest to you and ask lots of questions. Reference service can be very fulfilling. It helps to have a strong desire to continuously learn new things and to explore a variety of topics.

Sources consulted and other useful titles:

American Reference Books Annual, . Santa Barbara: Libraries Unlimited (Main Library stacks and reference , Z1035.1 .B5344)

Art Information Research Methods and Sources, by Lois Swan Jones. Dubuque, IA: Kendall/Hunt Publishing. 1990. (Science Library N85. J64 1990)

Developing and Maintaining Practical Archives, by Gregory S. Hunter. New York; Neal-Schuman, 2003. CD 950 .H86 2003. (New 2020 edition available electronically via Ebscohost)

Guide to Reference: Essential General Reference and Library Science Sources, Chicago: American Library Association, 2014.

Guide to Reference Books, compiled by Eugene P. Sheehy. Chicago: American Library Association, 1976. (Latest edition published in 1996 and authored by Balay and Carrington. Main Library, Z1035.1 .G89 1996)

The Humanities: A Selective Guide to Information Sources, by Ron Blazek and Elizabeth Aversa, Englewood, CO.: LIbraries Unlimited, 1994, 2000. Main Library Z6265 .B53 2000 AZ 221 .

Introduction to Reference Work Volume I: Basic Information Sources, by William A. Katz. New York: McGraw-Hill, 1982. (2002 edition available at Main Library Z711 .K32 2002)

Introduction to Reference Work, Volume II: Reference Services and Reference Processes, by William A. Katz. New York: McGraw-Hill, 1978.

Introduction to Reference Work in the Digital Age, by Joseph Janes. (Main Library Z711 .J36 2003)

Literary Research Guide: A Guide to Reference Sources for the Study of Literatures in English and Related Topics, by James L. Harner. New York: Modern Languages Association of America, 1989. ( 1993 edition available at Main Library, PR83 .H373 1993)

Managing Reference Today: New Models and Best Practices, by Kay Ann Cassell. London: Rowman and Littlefield, 2017. Main Library Z711 C354 2017

Music Reference and Research Materials: An Annotated Bibliography, by Vincent H. Duckles and Michael A. Keller. New York: Schirmer, 1988. (1997 edition available at Fine Arts Library, ML 113 .D83 1997)

Providing Reference Services for Archives and Manuscripts, by Mary Jo Pugh. Chicago: Society of American Archivists, 2005. (Main Library CD971 .P84 2005)

Reference and Information Services: An Introduction, by Richard E. Bopp and Linda C. Smith. Englewood, CO.: Libraries Unlimited, 2001. (2011 edition available at Main Library, Z711. R443 2001)

Tucson: A Drama in Time, by John Warnock. Tucson: Wheatmark, 2019. (Bob Diaz private collection).

Tucson: The Old Pueblo–A chronology, Tucson Pima County Historical Commission. Special Collections F 819 .T957 T83 1977

Bob Diaz | Movers & Shakers 2002

In 2002, Library Journal started a new tradition. It created a supplement called “Movers and Shakers”, which featured profiles of librarians from across the country who LJ recognized for their work in the field of librarianship. Some were leaders, others activists, and others innovators, among other distinctions. I was very fortunate to have been nominated by my colleague and friend Patricia Tarin, and subsequently chosen to be a member of the very first class of Movers and Shakers. The tradition LJ started in 2002 continues to this day. Each year at ALA, LJ hosts a reception for all of the awardees. I’ve attended a couple of these over the years, and they are a lot of fun. Below is the article that appeared in the first Movers and Shakers supplement in March, 2002.

by Library Journal
Mar 11, 2002 | Filed in Archive

Diversity and Dedication

University of Arizona librarian, president of the Tucson County-Pima Library Board

For Bob Diaz, being a librarian is more than a career. It is a calling. “Librarians in this country are at the forefront of social and cultural change,” says Diaz. “Our world is getting smaller and smaller, and we need to continue to provide people with the tools they will need to live and work in an increasingly multicultural world.”

Throughout his life and career, Diaz has been a tireless champion of diversity and democracy, earning him a national reputation as a leader and garnering accolades, from professional recognition to a personal thank you from one of Diaz’s heroes, labor leader César Chávez. As a librarian, Diaz knows that knowledge is power. And as a librarian, Diaz has worked tirelessly to bring the experiences of all people to light, not only through his work at the University of Arizona but also as a three-year member, and now president, of the Tucson-Pima Public Library board.

Vitals
Current position: Librarian, Fine Arts & Humanities team, University of Arizona Library, Tucson Degree: MLS, University of Arizona, 1986 Activities: Cesar Chavez, Martin Luther King, Jr., Mahatma Gandhi

Diaz says he didn’t actively seek out a role on the library board, but once the opportunity found him, it was a chance he couldn’t resist. “I thought this would be a great opportunity to do community service in an area that is near and dear to me,” Diaz says. “I was born and raised here in Tucson and have been a user of the public library virtually all my life.” As president, Diaz says he will work with Library Director Agnes Griffen, as well as other board members, to ensure that the information needs of the entire community are met.

“I make it a point to be an advocate for the socioeconomically disadvantaged population in our community,” Diaz says proudly. “Librarians need to continue our efforts to provide free and easily accessible materials to our public that reflect the life experiences of all people,” he says. “We need to be defenders of freedom of expression. And as a profession, we need to develop leaders who are culturally sensitive and who are willing to battle racism, sexism, and homophobia in the workplace.”

40 Years of Tucson Meet Yourself: Folklife and Culture, with Dr. Maribel Alvarez / Program, November 19, 2013

Promotional material by Marty Taylor, University of Arizona Libraries

The second program associated with this exhibition featured Dr. Maribel Alvarez, professor of Anthropology and executive director of the Southwest Folklife Alliance.

Here is the news release for the event:

“40 Years of Tucson Meet Yourself: Folklife and Culture”

Date: November 19, 2013

Times: 6:00 pm – 8:30 pm

Location:   Special Collections

Contact: Bob Diaz

Description:

Join us for the final lecture accompanying Special Collections’ current exhibition, “40 Years of Tucson Meet Yourself.” Maribel Alvarez, research professor for the UA Southwest Center and Tucson Meet Yourself program director, will share stories of Tucson’s folklife and culture and how they manifest themselves in every day life.

The following biographical snapshot of Dr. Alvarez is borrowed from the University of Arizona Southwest Center’s webpage:

“Maribel Alvarez, Ph.D., is an anthropologist, folklorist, curator, and community arts expert who has documented the practice of more than a dozen of the country’s leading emerging and alternative artistic organizations. She is Associate Dean for Community Engagement for the College of Social and Behavioral Sciences, is the Jim Griffith Chair in Public Folklore and Associate Research Social Scientist in the Southwest Center, and Associate Research Professor in the School of Anthropology.  She founded, and until recently served as executive director of the Southwest Folklife Alliance, an independent nonprofit affiliated with the University of Arizona. 

She teaches courses on methods of cultural analysis, with particular emphasis on objects, oral narratives, foodways, and visual cultures of the US-Mexico border. In the last few years, Maribel has written and published essays about poetry and food, intangible heritage, nonprofits and cultural policy, the theory of arts participation, artisans and patrimony in Mexico, and popular culture and stereotypes. In 2009 she was a Fulbright Fellow conducting research in rural Mexico.  Maribel was the co-founder and executive director for seven years of MACLA–Movimiento de Arte y Cultura Latino Americana, a contemporary, alternative urban arts center in San Jose, once described as a “lab for intelligent cultural interventions.” Maribel is a trustee of the American Folklife Center at the Library of Congress; in addition, she has served as faculty for ten years at the National Association of Latino Arts and Culture’s summer Leadership Institute in San Antonio, TX. Currently, she is completing two book manuscripts for the University of Arizona Press, one on the verbal arts and lore of workers in the Mexican Curios cottage industry at the US-Mexico border, and another on the cultural history of wheat and flour mills in the state of Sonora in northern Mexico. Maribel was born in Cuba and came to the United States at the age of seven; she lived in Puerto Rico for eleven years before moving to California in 1980, where she became active in the Chicano arts community and multicultural arts movement of that decade.”

Teatro Libertad: Reflection and Discussion / Program, October 1, 2013

Special Collections, University Libraries

September 25, 2013

Join us on October 1 from 6:00 p.m. – 8:30 p.m. in Special Collections for an evening of reflection and discussion with members of Teatro Libertad, a local street theatre company from the 1970s. A viewing of select scenes from La Vida Del Cobre (The Life of Copper), one of the group’s plays, accompanies the talk.

Former members of Teatro Libertad together again

Click here to see videographer Brenda Limon’s filmed version of highlights of the program.

Teatro Libertad is featured in a new exhibit on display from Sept. 3, 2013 – Jan. 12, 2014 at the UA Main Library. Formed in 1975 by seven local actors and musicians – Scott Egan, Barclay Goldsmith, Teresa Jones, Arturo Martinez, Pancho Medina, Arnold Palacios, and Sylviana Wood – the group was influenced by the tradition of teatro Chicano, the Chicano movement of the 60s and 70s, and with inspiration from El Teatro Campesino – a group formed by Luis Valdez in the early 1960s.

Former Teatro member Scott Egan

Teatro Libertad tackled real life, everyday issues as experienced by the Chicano community in Tucson and the Southwest. Using satire, comedy, and music, the group wrote and performed their plays with the goal of getting people to think about issues such as unemployment, union organization, race, and cultural identity. Among the plays written and performed by Teatro Libertad were Los Peregrinos, El Vacil de 76, Los Pelados, La Jefita, Semilla Sembrada and La Vida Del Cobre.

It was a packed house

The bilingual, multicultural group relied on simple stage sets and props – old boxes, masks, and signs – when performing in local neighborhood centers throughout Tucson and in Mexico City, San Diego, Santa Barbara, and New York. The group also performed – sometimes from a flatbed truck – in Arizona’s mining towns for striking miners or farmworkers.

Audience members included a who’s who of the Chicano community

More than 25 performers participated in the all-volunteer Teatro Libertad during the group’s 14-year run. Additional members included Pamela Bartholomew, Olivia Beauford, Bob Diaz, Lilliana Gambarte, Pernela Jones, Jean McClelland, Juan Villegas, and a host of others.

The event is free and open to the public. Light refreshments will be served.

Barclay Goldsmith and Teresa Jones, former Teatro members

Click here to see the entire program, recorded on camera by Antonio Arroyo.

Arturo Martinez and Silviana Wood
Teatro Libertad members on the cover of La Estrella de Tucson
Another write up about the group, by Ernesto Portillo, Jr.

1968: From the My Lai Massacre to Yellow Submarine / September 6, 2018.

1968: From the My Lai Massacre to Yellow Submarine featuring Tom Miller

Tom Miller
Tom Miller’s press pass for the 1968 Democratic Convention, from the Tom Miller Collections, Special Collections.

Special Collections, The University of Arizona Libraries

September 6, 2018

From the UA News Service:

Where were you – or your parents – 50 years ago? Many people took part in the anti-Vietnam war movement, hoping to bring pressure on the government to pull out of Vietnam through underground presses and demonstrations. According to Miller, the critically acclaimed writer and author of “Cuba, Hot and Cold” and “The Panama Hat Trail,” the underground press was a “joyously sloppy endeavor made up of people who knew little about journalism but had strong feelings about the war and the cultural life it spawned.” Miller, who witnessed the violence surrounding the 1968 Chicago Democratic National Convention in the aftermath of the Robert F. Kennedy and Martin Luther King Jr. assassinations, will present a talk about his activities in the underground press and how the rest of the country reacted to the anti-war movement.

In 2002, the University of Arizona Special Collections acquired Miller’s archives, and some materials from this collection will be included in the “1968 in America” exhibit.

Listen to the audio of Tom’s program here.

Tom Miller showing his draft card to the audience.

What’s in a name?: LGBTQ+ and Latinx perspectives on access terminology–challenges and solutions / Program, June 26, 2021

In 2020, I was appointed to the American Library Association’s Rainbow Roundtable (formerly the ALA LGBT Task Force) program planning committee. Last summer, the committee brainstormed programming ideas, and I came up with the idea of having a panel discussion on the term Latinx and its relevance to discussions about access terminology. I argued that this was an important discussion to have because it dealt with folks who are nonbinary–trans people essentially, and that it would help raise awareness of the issues in the broader queer community. After discussing the idea with the rest of the committee, we agreed to expand the focus some to include the broader LGBTQ+ community as well as the Latinx community. I did the bulk of the work on this program, including identifying speakers, submitting the program proposal to ALA on behalf of the RRT program planning committee, and following through on the remaining work once the program was approved. I received a lot of support from my colleague Susan Wood, a fellow member of the committee. She helped me with the program description and agreed to moderate the program, which was a huge help. The program took place virtually on a Saturday afternoon and drew a crowd of over 600 viewers. We received very positive feedback and everyone involved agreed that the program was a success.

Saturday, June 26, 2021

4:00 PM – 5:00 PM CT

ALA Unit/Subunit: RRT

Over fifty years ago, Sanford Berman spoke up about serious problems with some of the word choices employed by the creators of Library of Congress subject headings. Some terms were downright offensive to different groups, while others were antiquated, and some necessary terms simply didn’t exist. Over the years, Berman and many others, including Ellen Greenblatt and Hope Olson, have worked tirelessly to raise awareness among catalogers and librarians of the need for more culturally sensitive, modern terminology. The struggle continues to this day, particularly when addressing terminology that describes diverse populations, such as trans people, queer people, immigrants, and people of color. In this session, we will discuss progress, share ongoing concerns and consider potential strategies for further improvement.

A news article about the program by Carrie Smith, appeared in American Libraries magazine on July 26, 2021. It provides an excellent summary of the panel discussion. The article is titled, “What’s in a Naming Term? Subject headings and inclusion for LGBTQ+ and Latinx communities“. Click here to read it.

Click here to view the program. Then click the button that says “video”. (Available only to ALA members who attended the conference. You must sign in with your email address and ALA Conference access code to view the video). For more information contact Bob at joserobertodiaz@cox.net.

Moderator(s)

Susan Wood

Associate Professor of Library Services
Suffolk County Community College

Speaker(s)

Jamie A. Lee

Associate Professor
The University of Arizona
Tucson, Arizona

Emily Drabinski

Interim Chief Librarian
The Graduate Center, CUNY
New York, New York

 Andrea Guzman

Library Assistant
The Oakland Public Library
Oakland, California

Learning Objectives:

  • • Upon completion, participant will be able to identify the key issues and challenges related to subject headings, metadata and cultural sensitivity.
  • • Upon completion, participant will be able to have a deeper understanding of the power of words in librarianship and the need to be vigilant and strategic in addressing inequity.
  • • Upon completion, participant will be able to identify problems with controlled vocabularies that affect access to materials, by, for and about people in marginalized communities.

Click here to see comments and questions brought up during the program.

Remembering Dr. Arnulfo D. Trejo 1922-2002.

NOTE: I wrote an earlier version of this biographical sketch of Dr. Trejo in May, 2014 for the finding aid for the Arnulfo Trejo Papers, MS 515, which are housed in Special Collections at the University of Arizona Library. I updated the bio with photos and additional information in 2020 and posted it as a blog entry. Following the biographical sketch are a couple of articles about Dr. Trejo, including one where I appear on the cover of the REFORMA National newsletter. I wrote a corrido in honor of Dr. Trejo and performed it at a tribute given to him at the American Library Association Midwinter conference in Philadelphia in January, 2003.

Arnulfo Trejo, at 26 years of age. From the Tucson Daily Citizen, February 28, 1949.

——————–

Arnulfo Duenes Trejo  was born in Villa Vicente Guerrero, Durango, Mexico on August 15, 1922. His family immigrated to the U.S. when he was three. He spent his youth growing up in Barrio Libre in Tucson, Arizona, and attended Drachman Elementary, Safford Jr. High and Tucson High School.

Trejo served in the military during World War II, in the 143rd Infanty Division in the South Pacific, reaching the rank of sergeant. He received both the Purple Heart and a Bronze Star medal as well as th Asiatic Pacific Services medal and the Philippine Liberation Ribbon for his service. He became a U.S. citizen while enlisted, in 1944.

Arizona Daily Star, August 20, 1943

Trejo was an active member of the Tucson community, and participated in a variety of civic and social causes. The following newspaper article describes his early efforts at organizing in the Mexican American community. This is just one example of the leadership role he played in Tucson. In the 1960s and 1970s he continued these efforts by organizing groups that opposed the building of a freeway through the middle of one of the most historic sections of Tucson. His efforts resulted in the saving of the “El Tiradito” shrine, one of Tucson’s most beloved historic landmarks.

The Arizona Daily Star, Sept. 21, 1947

After the war, Trejo enrolled at the University of Arizona, where in 1949, he received his B.A. degree in Education. Shortly thereafter, in 1951, he earned an M.A. degree in Spanish Language and Literature from La Universidad de las Americas in Mexico City. By 1953, Trejo had also received a M.A. in Library Science from Kent State University.

Trejo began his career as a librarian in Mexico in 1953. By 1955, he landed a position at UCLA as a reference librarian, followed by a four year stint as Assistant College Librarian at California State College at Long Beach. He also spent time directing the library for Stanford University’s Escuela de Administracion de Negocios para Graduados in Lima Peru. Upon his return to the United States, he worked for two years as Assistant Professor of Library Service at UCLA.

In 1959, he received his Doctor of Letters degree (with honors) from the National University of Mexico.

Arizona Daily Star 03-04-59

In 1966, Dr. Trejo was hired by the University of Arizona, where he served as Associate Professor of Library Science and Bibliographer for Latin American Collections.

Upon his return to the University of Arizona, Dr. Trejo spent time teaching a course in Mexican American literature. He was also a founding faculty member of the Graduate Library School, where he began teaching courses in Latin American Bibliography in 1970.

According to the Arizona Daily Star (2-3-67) in 1967, Dr. Trejo published the following guide:

In 1968, he took a yearlong leave of absence to serve as a consultant for United States Agency for International Development (USAID) in Caracas, Venezuela. His connections to libraries and scholars in Latin America proved beneficial to the University of Arizona, as he helped build one of the richest collections of Latin American materials in the country.

Dr. Trejo kept quite busy in the early 1970’s, both as an academic and as an activist. He was instrumental in organizing a community effort to save a downtown monument called “El Tiradito”, or the Wishing Shrine, from being torn down to make way for a new freeway. Trejo’s efforts helped place the shrine on the National Register of Historic Places in 1971. He remained active as a member of Los Tucsonenses, a community organization dedicated to preserving local Latino culture, throughout the 1970s.

Tucson Daily Citizen, May 11, 1973.

In 1973, Dr. Trejo gave a talk at an early meeting of REFORMA on library services for Chicanos. California State University at Fullerton has generously made the filming of that talk available through the Internet Archive. To hear this talk, click here.

Throughout his life he accomplished many things, but was best known for having founded REFORMA, The National Assocation for the Promotion of Library Services to the Spanish Speaking in 1971, and for creating the Graduate Library Institute for Spanish Speaking Americans at the University of Arizona’s Graduate Library School. Latino librarians throughout the country agree that Trejo was the “father of Latino librarianship.” His legacy is a rich one and his admirers are many.

Trejo founded REFORMA, the National Association of Spanish Speaking Librarians in the United States in 1971, and served as its president from 1971-1974. The organization is still in operation, and its purpose is to, among other things, provide a means for bilingual librarians to network with each other, to promote the collection of Spanish-language materials in libraries, to advocate for the recruitment of Latinos to librarianship, and to provide programming that benefits the Latino community. The organization now has chapters in every corner of the US as well as in Puerto Rico and is now called, REFORMA: The National Asssociation for the Promotion of Library and Information Services to Latinos and the Spanish Speaking

In 1975, Trejo organized and administered the Graduate Library Institute for Spanish Speaking Americans (GLISA) a federally funded project that operated for four years under his direction. 56 individuals earned their master’s degrees in library science through this program. Many of these graduates went on to become directors of major library systems. Today’s Spectrum Scholar’s program, an American Library Association sponsored project, and the University of Arizona’s Knowledge River program were both modeled after GLISA.

The University of Arizona Library houses copies of various reports generated during the GLISA Program. Below are copies of these reports:

GLISA-I-Final-Report-8-20-76

GLISA-II-Final-Report-11-1-78

GLISA-III-First-Quarterly-Report-11-15-78

GLISA-III-2nd-Quarterly-Report-2-15-79

GLISA-III-3rd-Quarterly-Report-5-15-79

GLISA-III-Final-Report-10-25-79

GLISA-IV-Third-Quarterly-Report-6-13-80

GLISA-IV-Final-Report-8-13-80

Dr. Trejo took the lead in organizing this event. It took place prior to the White House Conference that he describes in the article below. Click here to see the table of contents and Dr. Trejo’s preface to this publication.
Arizona Daily Star, 10-04-79.

In 1980, Dr. Trejo opened Hispanic Book Distributors, a book vending company specializing in books from the Spanish Speaking world, and dedicated to increasing the availability of Spanish language materials in U.S. libraries. Dr. Trejo particularly enjoyed making regular buying trips to Mexico, Spain and Argentina, and his materials were sold to public, school and academic libraries across the country.

Trejo retired from the University of Arizona Graduate Library School in 1984, a full professor, with a long list of accomplishments and publications.

In 1992, after the death of his second wife Annette M. Foster, Dr. Trejo founded the Trejo-Foster Foundation for Library Education, where he was able to continue to influence the library profession by providing educational institutes focused on library services to Latinos and the Spanish speaking.

To see the full program, as well as more photos and information about this institute, see my blog post, titled, Status of Hispanic Library and Information Services : A National Institute for Educational Change, July 29-31, 1993

Dr. Trejo chatting with one of the attendees of the Institute.
Dr. Charles Hurt and students from the Library School handling registration at the Institute’s opening reception in Special Collections at the University of Arizona Library.

Trejo died in Tucson, Arizona in 2002, at the age of 79.

Dr. Trejo’s Memorial Service brochure

Among Trejo’s publications they include: Bibliografia Chicana: A Guide to Information Resources, Gale, 1975, The Chicanos: As We See Ourselves, University of Arizona Press, 1979, (Trejo was editor), and Quien Es Quien: a who’s who of Spanish-speaking librarians in the United States, Hispanic Book Distributors, 1994.

Philadelphia Trip,2014

I’ve been to Philadelphia several times over the years. My last trip there was for this ALA Midwinter 2014 conference. My partner Ruben and I flew out together. At the time, I was a member of ALA Council and president of the local REFORMA chapter, so I had meetings to attend and other committee obligations, but we found time to venture out and explore the city. We also saw our friends Ricardo, Tracy, Karen and Alex and had a very nice time with them going out to dinner and sightseeing. We stayed at the Doubletree on Broad Street and our room was on one of the upper floors. It had a decent view too. Once the conference ended, Ruben and I took a train up to Montreal for vacation. We went from Philadelphia to New York City, then up to Albany where we took another train to Montreal. I’ll post photos and write more about that leg of our trip later. The attached photos include postcards and other ephemera, photos I took and photos I found on the internet. Overall, this part of our trip was a lot of fun!

The Philadelphia Convention Center, where ALA was held.
We stayed at the Doubletree on Broad Street. Ruben didn’t like it. I did.
I thought we had a great view.
It wasn’t bad at all.
Another view from our room.
This is my favorite place in Philadelphia It’s called the Reading Terminal and It’s jam packed with places to eat, fresh produce and meat counters and lots of people all the time. One must be careful when going, however. Our friend Alex had her wallet snatched by a couple of scam artists. It put a damper on her trip, that’s for sure.
Ruben and I ate an Amish breakfast here one morning. We had scrapple with eggs. It’s an acquired taste. Kind of like meatless Spam but not as salty.
My two partners in crime, Ricardo and Tracy, were at this conference too.
Ruben and I had dinner here with Ricardo and Tracy. The Perch Pub has since closed, I believe.
The Bike Stop is gay men’s bar, but Tracy came with me and Ricardo anyway. She was the only female in the place. She’s an adventurous one, that’s for sure! Ruben stayed in the room at the hotel.
We decided to venture out and go sightseeing. It had just snowed overnight and it was freezing.
I don’t do well in this weather. Ruben loves it.
This place was full of tourists from other countries. American tourists didn’t venture out on this particular day, it seems.
It was colder than it looks.
Benjamin Franklin’s gravestone. The cemetery was closed, so I had to take this photo through the fence.
We toured this place. It was nice, with a lot of very old furnishings.
Betsy Ross’s grave.
Chinatown is right next to the Convention Center and the Reading Terminal. There are many fine restaurants. Unfortunately, we ended up at one that wasn’t all that fine. Oh well.
My friends Karen and Alex came with us to dinner.
The jacket and hat were nice and warm. It was freezing. Karen, who lives in Michigan felt right at home. Not me.
Ruben and I made it over to this gay bookstore. It was going to close for good and we were lucky to go.
After the conference, Ruben and I took a train up to Montreal. This is the train station in Philadelphia.
The interior of the train station.

Dallas Trip, 2012

The very first American Library Association annual conference that I ever attended was held in Dallas back in 1989. It was not a pleasant experience. It was the middle of summer, and very hot and humid. My hotel was miles away from the convention center too. Getting around was a big drag, and the wait to catch the bus to where the action was at the various hotels and the convention center downtown took forever. Subsequent trips, in 2006 and 2012, as I recall, were much more pleasant, however. This particular ALA gathering, Midwinter, 2012, was a lot of fun, mostly because I got to spend time with two wonderful friends, Ricardo Andrade, and Tracy Stout. Our hotel was smack dab in the middle of downtown, and there was lots to do. We walked over to Pioneer Plaza one day and had a blast taking photos with the cattle drive sculptures, and then later we went to a reception sponsored by Elsevier, one of the big library vendors. My friend Tracy has a video of me riding the mechanical bull and falling off of it. I’ve linked it in case you want to see me make a fool of myself. Ricardo is one of my best friends, and I miss him very much. I haven’t seen him in a while. He used to work in Tucson at the U of A Library, but has since moved on to other jobs in Chicago (University of Chicago) and New York where he currently works at the Columbia University Medical Library. Tracy is a former Knowledge River (UA Library School) student, and a dear friend who lives in Missouri, where she works as an academic librarian at Missouri State University. We’ve spent time together at various conferences over the years– New Orleans, Philadelphia and Dallas, and each time we’ve had some pretty wild adventures, but it’s been a while. I hope to see them again one day soon!

Pioneer Plaza Cattle Drive Sculptures
My buddy Ricardo.
Tracy Stout, librarian extraordinaire and the most gorgeous woman you’v’e ever met
Moi
I call him my baby boy, or El Sticky Ricky, depending on the situation…
Bob riding the bull (links to an external video of Bob making a fool of himself),

Celebrating Excellence: Women in Anthropology / Exhibition, March 9-August 27, 2015 (Main Library)

A new exhibit at the Main Library celebrates two great occasions – the centennial anniversary of the UA School of Anthropology and Women’s History Month – by exploring the seminal work, impact and achievements of women in the field of anthropology. Through biographical profiles, photographs, studies and monographs covering gender, race and  feminism in anthropology, “Celebrating Excellence: Women in Anthropology” highlights the contributions of seven influential American female anthropologists.

Covering the 20th century to present day, the exhibit features the work of:

-Ruth Underhill (1883-1984), known for her many publications that dispelled myths about Native American culture

-Ruth Benedict (1887-1948), an anthropologist and folklorist known for studies of the relationships between personality, art, language and culture. Benedict was also the second female president of the American Anthropological Association

-Gladys Reichard (1893-1955), a cultural and linguistic anthropologist best known for her studies of Navajo language and culture

-Hortense Powdermaker (1896-1970), best known for her ethnographic studies of African Americans in rural America

-Margaret Mead (1901-1978), a cultural anthropologist who tackled controversial social issues and became a frequent speaker and lecturer in 1960s and 1970s

-Ruth Landes (1908-1991), a cultural anthropologist best known for studies on Brazilian candomblé cults and her study of race and gender relations

-Jane Hill, Regents’ Professor and Professor of Anthropology and Linguistics at the University of Arizona known for her research on the Uto-Aztecan languages and language ideology

“Celebrating Excellence: Women in Anthropology” is on display in the UA Main Library from March 9-Aug. 27 and was curated as a companion display to Special Collections current exhibition, “Celebrating Excellence: 100 Years of UA Anthropology,” which runs through July 30.

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Celebrating Excellence: 100 Years of Anthropology at the University of Arizona / Exhibition, February 9-July 30, 2015

I learned a great deal about the history of the University by doing this exhibit. The Anthropology program, started by the great archaeologist, E.E. Cummings, put the University on the map in the early part of the 20th century. The more I read about Cummings and his successors, Emil Haury, Raymond Thompson, Ed Spicer, Clara Lee Tanner, the more admiration I felt for my home institution. The Anthropology department has a fascinating history. My effort at capturing 100 years of it is shown below. Although I know I didn’t quite cover the entire 100 year period, it was quite gratifying to know that the late Dr. Raymond Thompson liked my work. Meeting him was the highlight of the whole experience for me.

In celebration of the 100th anniversary of the founding of the School of Anthropology, Special Collections has put together an exhibition that features a variety of historical material, including photos, original documents, pamphlets, articles and books related to the school and its impact on our campus and community.  

Included will be archival materials on Byron Cummings, founder of the program, and his successors Emil Haury, and Raymond Thompson. These photos, documents and articles come from a variety of places, but most notably from the University of Arizona Biographical files, housed in Special Collections.

Also on display will be information about various archaeological field schools, such as Point of Pines and Grasshopper, as will information about the Bureau of Ethnic Research (now called the Bureau of Applied Research in Anthropology) and the “Garbage project”.

Historic photos and information about the Arizona State Museum, which was for many, many years, managed by the directors of the anthropology program is also included.

Documents from various manuscript collections of former students and faculty, most notably Henry Dobyns, Trudy Griffin-Pierce and Paul Ezell will add to the exhibit’s focus on the history of the anthropology program.

The University of Arizona Press is also highlighted, as Dr. Emil Haury was a key player in convincing then President Harvill to get the Press started  in 1959.  Over the years, the UA Press has focused on publishing a number of works in anthropology and archaeology, many of them written by UA faculty, and these will be featured as well.

Some of the documents and other materials that are noteworthy include:

  • Byron Cummings hand written resume, submitted to the University upon applying for a position in 1915.
  • Paul Ezell’s field notebook from his time spent at Point of Pines in 1939.
  • 1930’s annual reports from the Anthropology Dept.
  • Original photos of the Arizona State Museum in its various locations.
  • Photos of members of the UA Anthropology club.
  • Early publications such as the Kiva, the Atlatl, and the UA Press’s Occasional Papers in Anthropology.

Two companion exhibits are also in the works. In March, the Main Library will host an exhibit on women and anthropology, and in April, an exhibit about A.E. Douglass and the Tree Ring Lab will open in the Science Engineering Library.

Dr. Raymond Thompson, who was director of both the School of Anthropology and the Arizona State Museum for many years, wrote a very kind letter to my supervisor where he noted how much he enjoyed the exhibit. I was both humbled and gratified to receive this kind of recognition, as I put my heart and soul into this project. Dr. Thompson passed away recently. He was a real gentleman.

Dr. Raymond Thompson, 1924-2020.

“Join us as Diane Austin, Professor and Director of the School of Anthropology and Research Anthropologist with the Bureau of Applied Research in Anthropology (BARA) opens Special Collections’ newest exhibition.

The presentation will highlight some of the key historical and current challenges addressed by University of Arizona anthropologists”

Dr. Diane Austin, head of the Anthropology Dept
The opening drew a nice sized crowd
Dr. Austin speaking to guests
Guests viewing the exhibition

El Dia De Los Muertos Altar / Exhibition, November, 2014

I designed this year’s altar. Jennifer Eschedor loaned us her quilt, titled, “The Unknowns” for the occasion.

This year’s altar focused on honoring people how had died in 2015, including actors, musicians, writers and other prominent Americans, such as Pete Seeger, Maya Angelou, Lou Reed, Lauren Bacall, Carlos Fuentes and others. Jennifer Eschedor, a local educator and artist, also loaned her quilt, honoring those who had died while trying to cross the desert, to Special Collections, for display alongside the altar.

Here’s the promo I wrote for the altar:

Dia De Los Muerto Altar at Special Collections

The staff of Special Collections are once again setting up a “Dia De Los Muertos” altar in the Special Collections exhibit gallery. There are several ways you can participate. You are welcome to  bring a photo of a departed loved one to place on the altar anytime from now until November  7.   You can also join  the procession that will take place at noon on Monday November 3. Led by a group of visiting teachers from Mexico, it will start at Special Collections and finish at the Cesar Chavez Building. “Pan de muerto” (Day of the Day bread) and hot chocolate  will be served . Talks about the significance of “El Dia De Los Muertos” will also be  presented by our guests from Mexico. Everyone is welcome!

“The Unknowns” by Jennifer Eschedor.

ABOUT THE QUILT:

This quilt, titled The Unknowns, was made to commemorate the people who lost their lives while attempting to cross the US/Mexican border during fiscal year 2012-2013 as they were seeking a better life for themselves and their families.  An organization called Los Desconicidos, founded by Jody Ipsen, seeks individuals and groups to use migrant clothing to create a quilt to honor those who have died during each fiscal year since 2000.  I found the names and causes of death on a website provided by the Coalition de Derechos Humanos.  My purpose for creating this quilt was to increase awareness of the horrors that continue at our border.  The skull image has become a pop symbol, yet it is used here to hopefully confront viewers with the outrageous number of deaths (183) that occurred during one year.  The skull, gun and hammer images were carved out of linoleum and printed individually on cloth.  I wanted to give a graphic illustration of the cause of deaths.  In the extremes of the desert environment, many bodies are found so decomposed that the cause of death, and even gender can not be determined.   Working with jeans that were actually worn by the migrants made me feel a strong connection to them as real people….I couldn’t help but imagine the families they left behind. 

I received a BFA from Kent State University in Studio Art with a focus in textiles.  After teaching art in public schools in Pittsburgh, PA for a few years, I grew tired of the gray skies and moved out to Tucson in 1999 to attend the University of Arizona.  In 2000, I earned my MA in Art Education and have taught in a variety of situations, both public and private in Tucson.  Currently, I enjoy working in mixed media.

Jennifer Eschedor

A close up of this year’s altar, honoring those who had passed on in 2015.
Visitors

“Latin America”, in MAGAZINES FOR LIBRARIES, 8th Edition / Publication (1995)

Latin America

I led the way on the publication of this chapter on magazines and journals about Latin America and Latinos for the reference publication, Magazines for Libraries, edited by Bill Katz. Work on the project started in 1994. I recruited several colleagues, including Susan Husband, Tom Marshall, Patricia Promis and Theresa Salazar to help with the project. Mr. Katz, a legend in the field of Library Science, was quite happy with the end result, as the following letter attests:

SPEC Kit 230: Affirmative Action in ARL Libraries / Publication (1998)

I co-authored this with Jennalyn Tellman. The purpose of SPEC (Systems and Procedures Exchange Centers) Kits is to focus on a “hot topic” and gather policy statements, guidelines and other kinds of documentation from various academic libraries so that those studying or formulating their own practices have some guidance and resources at their fingertips. The role of the authors is to write a summary of the issues involved in the topic and to select documents for inclusion that reflect best practice. Institutions represented in this document include: The University of Arizona, Arizona State University, Brown University, Columbia University, The University of Michigan, the University of New Mexico, Ohio State University, Rutgers University, and The State University of New York at Albany.

Instruction in a Multicultural-Multiracial Environment / Workshop Presentation (1997)

This was a workshop that I co-presented with Karen Downing at the 1997 ACRL Learning to Teach Preconference, held in Berkeley, CA, June 27, 1997. It was based off the chapter that Karen and I had published back in 1993 in the publication, Learning to Teach: Workshops on Instruction.

See the chapter “Instruction in a Multicultural/Multiracial Environment” from the above publication here.

A Philippine Festival and Potluck Party / Program and Exhibition (1998)

When I was Assistant to the Dean for Staff Development, Recruitment and Diversity, I worked with a group called the Library Diversity Council to provide training and programming for the Library staff. One of our most memorable events was the Philippine Festival and Potluck Party we hosted, in commemoration of the 100th anniversary of Phillipine Independence from Spain. There were several Filipino staff members in the Library at the time, including MaryLou Myers, Aida Short, and Ditas Reitz, and they were able to convince a local club, The Mabuhay Dance Group to join us in the festivities. There was wonderful food, and the group curated an exhibition outside the Library Administrative Offices that was both informative and colorful. My role was that of sponsor, mostly. The bulk of the work on this one was done by Library staff. It was a fun event!

The Institutionalization of Diversity at the University of Arizona Libraries / Poster Session (2000)

I put this poster session together in April, 2000 for the Diversity Now! Conference held in Austin, Texas when I was the Assistant to the Dean for Staff Development, Recruitment and Diversity at the University of Arizona Libraries. I had worked since 1992 as Carla Stoffle’s assistant, and my main goal in this position was to help the Library move forward in becoming what at the time we called a “multicultural organization”. I worked with the Library’s Diversity Council on providing programming and training for the staff, and with the Library’s Cabinet to formulate policy statements and workplace expectations. The documents below all come from that time period. This poster session took place the same year that I stepped down from my position as Assistant to the Dean for Staff Development, Recruitment and Diversity to join the Fine Arts/Humanities team and begin a new chapter in my career as a music and dance librarian.

Abstract:

For the past ten  years, the University of Arizona Library has maintained a strong commitment to promoting and incorporating  diversity into the everyday life and culture of the organization. The purpose of this program is to describe the key components of this initiative, which include adding diversity in the mission, vision, and values of the organization, creating a half time administrative position dedicated to promoting diversity, the formation of an active Diversity Council whose mission is to model and promote diversity through educational programming and training, and the active pursuit of campus and community partnerships that foster and promote diversity. Numerous examples of the varied programming, training and cooperative efforts will be highlighted.

INITIAL CAMPUS EFFORTS

In the late 80’s, following the lead of other institutions like the University of Michigan and Stanford University, University of Arizona President Henry Koffler mandated that diversity become an campus-wide priority. The Campus  Diversity Action Plan was published shortly thereafter.

Diversity at the campus level was defined as:

Diversity encompasses differences in age, color, ethnicity, gender, national origin, physical or mental ability, race, religion, sexual orientation, socioeconomic background, Vietnam Era veteran status, or unique individual style.

UNIVERSITY OF ARIZONA DIVERSITY ACTION PLAN MISSION STATEMENT

The purpose of the Diversity Action Plan is to develop a campus climate which understands, accepts, and embraces the value of diversity among students, faculty and staff. This will be accomplished through a comprehensive and broad application of the concept of diversity. Diversity encompasses differences in age, color,  ethnicity, gender, national origin, physical or mental ability, race, religion, sexual orientation, socioeconomic background, Vietnam Era veteran status, or unique individual style. The program comprises the following components:

Initial and ongoing assessment of the attitudes, expectations, and needs of students, faculty, staff, and administration relevant to issues of diversity

Provision of educational information and resources regarding the unique characteristics of various groups

Facilitation of personal understanding, tolerance, acceptance and valuing of diversity through structured training programs which will be required of all

members of the University community

Enhancement of general social awareness of the value and importance of diversity through public activities, celebrations, and events

Integration into academic and training curricula specially-designed courses which promote positive attitudes and understanding of diversity and the

incorporation of materials addressing diversity into all areas of the academic curriculum

Evaluation of the impact of the program through utilization of a variety of assessment methods

The focus of this program will be to assure that all persons affiliated with this institution believe that their individual characteristics, talents, and contributions are valued.

University of Arizona Library Mission Statement

The University of Arizona Library is dedicated to meeting the diverse information, curricular and research needs of students, faculty, staff and affiliated customers. In an environment of free and open inquiry and with a commitment to excellence, the Library participates in the scholarly communication process to promote life-long learning skills and continuous educational achievement.

The University of Arizona Library Vision Statement   

To be recognized as the primary community for access and appropriation of information

By developing excellent services that meet expressed and anticipated needs of the learner, and that aim to exceed expectations

By building a diverse staff, valued for their knowledge and abilities in gathering, organizing, and distributing information, prepared for collaborative learning and recognized as partners contributing to the research enterprise

By outreach with students, staff and faculty

INITIAL LIBRARY EFFORTS

In 1990-91, the University  created a Diversity Task Force, later renamed the Library Diversity Council.

The Task Force set to work on studying the efforts of other Universities and made a number of recommendations to the Library administration that were intended to move the Library forward in achieving diversity.

One of its first accomplishments was the creation of a Library Diversity Mission Statement and formation  of the LIBRARY DIVERSITY COUNCIL.

UNIVERSITY OF ARIZONA LIBRARY DIVERSITY MISSION STATEMENT:

The University of Arizona Library has a dual dimension:  (1) it is an institution whose function is to collect and provide access to information and ideas that have derived from varied intellectual traditions representing peoples and cultures over many centuries;  (2) it is a community of people, a microcosm of the University community,  which seeks to represent the richness of human diversity and to integrate and promote this pluralism.  Through its collections and services, the Library seeks to be a MODEL OF and a MODEL FOR this intellectual and social diversity.  Our vision for diversity represents a new effort to move beyond statements of concern to plans for action which will encourage diversity among our patrons and staff as well as our collections and services.  The University of Arizona Library guarantees students, scholars and staff equitable access to its resources and for employees, equal access for advancement, without regard to their race,  color, creed, religion, national origin, sex, sexual orientation,  ancestry, age, marital status, handicap, or Vietnam veteran status.

UNIVERSITY OF ARIZONA LIBRARY DIVERSITY COUNCIL BYLAWS

1. Constituency

The Diversity Council consists of 9 members who are appointed to staggered two year terms. Before being appointed chair of the Council,  a person must have served at least one year on the Council and can be either appointed or classified staff.

Members will be selected from Library staff who have expressed interest, via memo or other means, to serve on the Council and will be broadly representative of the diversity in the community and all job categories in the Library. Staff from diverse groups are encouraged to

become members of the Council, but the most important factor for membership is interest. The Council will make recommendations to the Dean for Libraries for new council members at the end of the fiscal year.

Ex officio members of the Council are the Dean of Libraries and the Assistant to the Dean for Staff Development, Recruitment an Diversity.

At the end of their two year term, council members may request to continue for a full term or for one year only. They may also continue on committees on a year-to-year basis as non-council members.

2. Committees (task forces of the council):

In order to accomplish specific tasks or goals, the council may initiate committees that consist of members of the Council and other interested Library staff. Some committees may be standing committees of the Council; others may be formed to accomplish a specific task,  such as the Diversity Film Series. Non-council members serving on committees will be appointed on a year-to-year basis. Before being appointed chair of a committee, a person must have served at least one year on the Diversity Council.

3. Authority and Charges:

The Diversity Council reports to the Dean of Libraries with the following authority and charges:

The Council will be an advisory board for the Dean and the Library Cabinet and will make recommendations concerning diversity issues and their impact on existing policies and procedures. It will also make recommendations for changes to policies and procedures or make recommendations for implementation of new policies and procedures.

The Council will work to be a model for the Library for creating a multi-cultural organization.

The Council will be a resource on issues of diversity to all staff.

The Council will assess needs and assist the Library in moving towards a diverse environment.

The Council will set long range goals to meet the University and Library mission statements.

The Council will provide training on diversity issues.

The Council will communicate and coordinate programs and events with related committees and groups within the Library, the University, and the Tucson community.

Subsequent efforts to incorporate  diversity at all levels of the organization have included:

  • adding diversity to the Library’s mission, vision and values statements.
  • creating a half time administrative position devoted to diversity
  • including diversity in the Library’s strategic planning efforts.
  • adding diversity related questions to all job interviews.
  • incorporating diversity expectations  into all job descriptions, including those of work team leaders and team leaders.
  • aggressive programming and training efforts, in collaboration with other campus units,  aimed at all levels of staff, including administrators.

TEAM LEADER INTERVIEW PROCESS

Whenever the Library recruits for a new team leader, the Diversity Council is included in the interview schedule. Other groups that meet with a candidate also typically ask diversity related questions. A sampling of such questions is listed below.

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The Library is a multicultural environment and is committed to maintaining diversity to serve our customers. Describe where you have worked with diversity and how you have promoted it in positions you have held.

The Library’s Diversity Value Statement is: We value, respect, and are strengthened by viewpoints and experiences outside the dominant culture. We strive to build a multicultural organization. Describe situations where you have acted on this value.

As a team leader, part of your job will be to chair selection committees for open positions within your team. Please explain your understanding of diversity related issues as they pertain to recruitment and selection of employees. How would you balance the need to create a multicultural institution with other compelling factors?

How have you participated in diversity education and how have you encouraged diversity  in your previous positions? Are there other related activities that you have taken part in?

Describe any challenging situations in your previous positions where diversity was an issue. How did you deal with the situation and what was the outcome?

As a team leader, what programs can we count on you to implement to encourage diversity thinking on your team?

Can you share with us an experience you have had where diversity within a team precipitated conflict–and share with us what your response to that conflict was?

How have you learned to work effectively with people who are very different from you–either in culture, gender, sexual preference, age, temperament, etc.? 

As a team leader, what would you expect from the Diversity Council?

DIVERSITY IS BUILT INTO TEAM LEADER AND WORK TEAM LEADER EXPECTATIONS DOCUMENTS. EACH TEAM LEADER  IS EVALUATED BASED ON HIS/HER  ABILITY TO MEET EACH EXPECTATION.

THE UNIVERSITY OF ARIZONA LIBRARY

EXPECTATIONS OF  TEAM LEADERS

1. Understands and communicates the Library’s mission, vision, values, goals, and while conveying the larger context in which the Library operates, exhibits personal commitment and takes leadership in creating team commitment to achieving them. Leads team in translating library and team strategic goals into action.

2. Promotes team commitment to a customer focus.

3. Works proactively and constructively to identify, define, and solve problems within their own team and between teams and other individuals and teams. Works with team members to develop coaching mechanisms to help individual team members who are having performance problems.

4. Facilitates and involves all team members in team planning, objectives setting, and problem solving, empowering and holding team members accountable for participation and results.

5. Works with team to define team and team leader roles and appropriate methodology for decision-making. Seeks and utilizes data and objective criteria for decision-making. Helps team recognize options and consequences of team decisions. Has final accountability for seeing that decisions get made and that there is appropriate follow through.

6. Fosters an environment that encourages risk taking and creativity.

7. Works proactively and constructively to develop and coach team members to be self-motivated; ensures professional, career, and skill development; ensures structure is in place for all team members to participate in the coaching and development of all staff.

8. Communicates and leads development of team understanding and support of library-wide decisions and priorities; helps the team communicate and create understanding of team issues library wide.

9. Helps promote and support diversity within the team and the Library.

10. Works with the team to build self-managing capabilities including effective delegation to sub-teams and individuals.

11. Champions cross-functional efforts to improve quality, service, and productivity.

12. Anticipates, initiates, and responds to changes in the environment to help the Library move forward.

13. Leads in management of budgets and fosters understanding of and responses to internal and external funding opportunities and constraints.

THE UNIVERSITY OF ARIZONA LIBRARY

EXPECTATIONS OF WORK TEAM LEADERS

Definition

The primary purpose of a Workteam Leader is to take leadership in facilitating processes within the scope of a specific  workteam to enable the workteam to accomplish its work.

Assumptions

1. That the Performance Learning Project will result in each team developing work and behavioral expectations for all members and a mechanism for holding each other accountable.

2. Team will use these expectations as a basis for a dialog about observable outcomes.

Expectations

1.  Understands and communicates the Library’s mission, vision, values, goals, and, while conveying the larger context in which the Library operates, exhibits personal commitment and takes leadership in creating workteam commitment to achieving them. Leads workteam in translating library and team strategic goals into action.

2.  Promotes workteam commitment to a customer focus by modeling appropriate customer service behavior and responding appropriately to customer needs.

3.  Works proactively and constructively to identify, define, and solve problems within their own workteam and between workteams and other individuals and teams.

4.  Facilitates and involves all workteam members in workteam planning, objectives setting, defining expectations, and problem  solving, empowering and holding workteam members accountable for participation and results.

5.  Works with team to define team and work team leader roles and how decisions are made. Helps  workteam  recognize options and consequences of workteam decisions. Is individually accountable for seeing that decisions get made and that there is appropriate follow through. It may be necessary for  workteam leaders to make decisions for the workteam in limited circumstances such as the workteam being unable to reach a decision or during special circumstances.

6. Coordinates the gathering, analysis, and utilization of data and information to make decisions.

7.  Models and encourages creativity and informed risk taking.

8.  Works proactively and constructively to develop and coach workteam members to be self-motivated and to be lifelong learners.

9.  Communicates and leads development of workteam understanding and support of library-wide decisions and priorities; helps the workteam communicate and create understanding of team issues library-wide.

10.  Demonstrates support for diversity as defined by the Library.

11. Works with the workteam to build self-managing capabilities including effective delegation to workteam members.

12. Champions process improvement and other cross-functional efforts to improve quality, service, and productivity.

13. Anticipates when possible, participates with an open mind, and responds appropriately to changes in the environment.

14. Understands the allocation of budget and resources process. Leads in management of budgets and resources.

15. Attends and actively participates in  workteam meetings.

16. Models good communication skills by actively listening and giving and receiving constructive feedback.

17. Interprets, communicates, and applies relevant library policies.

18. Identifies and implements effective ways of making staff and students feel accepted and valued.

19. Leads and participates in the hiring process, primarily within the workteam.

20. Takes leadership in developing and implementing a training program for staff and students which may include customer service.

21. Schedules work to ensure that time is available for consultation with and coaching of staff and students. Maintains an open attitude to staff,

students, and their ideas.

22. Develops facilitation skills, uses them, and supports workteam members in doing the same.

1998/99 LIBRARY STRATEGIC PLAN (partial)

GOAL 4, “STAFF ENVIRONMENT”: To transform the Library work environment and culture to improve the way staff are supported through programs and activities that enhance their ability to achieve the Library’s Mission.

CONTEXT STATEMENT: Sustained support and effort on both the individual and group level is instrumental to the success of a team-based learning organization. We hold ourselves and each other accountable for achieving the Library’s mission and for resolving any conflicts that arise in this process. Creative flexibility is needed in the ways in which the Library manages work assignments, promotes career progression, and promotion, pursues and provides competitive salaries, supports continuous education and learning, evaluates performance, and recognizes and rewards staff achievements.

To serve an increasingly diverse population, the Library recognizes that diversity among its staff is a strength in understanding, responding to, and respecting the needs of our customers.

Staff need opportunities to develop proficiencies in utilizing technologies and other tools to achieve new and higher performance  satisfaction levels.

OBJECTIVES:

1. INDIVIDUAL AND TEAM DEVELOPMENT: To support individual and team development through the continuing work of the Performance Project Team, through December 31, 1998; and through the developmental systems that are created by this project, by June , 2000.

2. REWARDS AND RECOGNITION: To strengthen employee rewards and recognition by enhancing existing programs and developing new ones, by June, 1999.

3. MINORITY RETENTION: To increase the retention of minority individuals within the Library by openly addressing issues of participation and mentoring, as well as white privilege, racism and other forms of injustice by June, 2000.

4. MINORITY RECRUITMENT: To increase the diversity of the Library and better serve our increasingly diverse customer base by proactively recruiting and hiring minority librarians and career staff by June, 1999.

University of Arizona Position Description

Position Title:  Assistant to the Dean for Staff Development, Recruitment and Diversity

Position type:   Appointed personnel, full time, exempt.

Department: Library Support Team

Reports to:  Dean of the Library/LST Team Leader

Regular Hours of Work (indicate if changes occur)

8am to 5pm

The Library is an innovative, team-based organization committed to continuous learning, increasing customer self-sufficiency and fostering a diverse environment.  Our mission includes furthering cultural transmission, preservation and the educational roles of the Library.

All work that addresses customer needs will be performed (e.g. circulation, reference, check-in, cataloging, process improvement, etc.).  Individuals can expect that this work will include team-wide and Library-wide work (e.g. process improvement teams, meetings, planning, Strategic Long Range Planning, etc.).  As customers’ needs change, our work formula or patterns may change.  As a result, team and Library work is negotiated within the team, the end product being an agreement in writing in the performance evaluation.

The incumbent performs the work appropriate for a  librarian, as needed within the team, to meet the changing needs of the Library’s customers.  As those needs change or disappear it may be necessary to reassign staff to areas in greater need of support and to change work hours to accommodate our customers.

Each team member is responsible for:

*          understanding and communicating the vision, mission and priorities of the Library and the team(s) in order to move the Library and team(s) to their goals

*          committing to excellence, process improvement and continuous learning

*          participating in the planning and decision-making processes for customer services

*          obtaining the information necessary to perform his/her job

*          accepting change and exhibiting flexibility in working within teams and dealing with team and Library-wide issues and concerns

*          helping fellow team members in a team-based work environment and participating on cross-functional and process improvement teams in the Library as necessary

*          attending and participating in team meetings and projects as assigned and facilitating and leading meetings as needed

*          solving as many of their own problems as possible; expected to resolve issues close to the action rather than to pass responsibility for solutions to others and are empowered to do so

*          making decisions at appropriate levels

*          prioritizing work

*          maintaining a customer service orientation

*          challenging him/herself and colleagues to think creatively and broadly

II. PURPOSE/OUTCOME OF THIS POSITION:          

The development of a supportive and responsive multi-cultural and diverse working environment is a top priority for the University of Arizona Library .  Creation of such an environment involves pursuing new strategies for recruitment of librarians and addressing staff development issues relating to diversity and other change processes in which the Library will be involved.  This position will be responsible for coordination of all staff development programs and professional recruitment, and will carry out special projects relating to personnel policy and procedures. The incumbent will participate fully in the Dean’s Cabinet meetings, and act as liaison with the Staff Development Committee, Affirmative Action Committee, and the Diversity Action Council.  The position reports to the Dean of the Library.

To contribute to the profession and the professional literature to fulfill the responsibilities of a library faculty member through service (e.g., active participation in library-related associations and organizations) and scholarship (e.g., presentations at local and national conferences and meetings, publication of original research).

As a member of the library profession, the Library Faculty Assembly, and the general faculty of the University:

      * To resist censorship of library materials and eliminate barriers to access to    

         information

      * To commit to intellectual freedom in the pursuit of truth  and knowledge for

          customers and staff

      * To commit to honesty and respect for customers and staff

      * To commit to the professional Code of Ethics for  Librarianship

      * To be involved in the governance of the Library and the University through service

         in the Library Faculty Assembly and on appropriate University committees

III. PRINCIPLE RESPONSIBILITIES

1. (.5 time)   Coordinates the Library’s staff development activities.  Works with an advisory committee,  members of the Library’s Human Resources team  and a  .5 administrative secretary to conduct needs assessment,  plan and implement training and professional development for librarians and staff. Administers Staff Development Fund and Special Workshops Fund.  Coordinates new staff orientation.

2. Acts as the administrative liaison with the Affirmative Action Office, University Diversity Council, the Provost’s Office on Appointed Personnel and the University Human Resources Department (where appropriate).  Updates and monitors the Library’s Affirmative Action Plan and Diversity Action Plan in conjunction with appropriate committees. Administers Diversity Fund.

3. Works with the Library Diversity Council to coordinate programs in support of building a multicultural organization.  Provides leadership to the Diversity Council as it strives to become a model the Library in working across racial and ethnic lines.

4. Works with other members of the HR Team to assess needs for team development, systems and process change, new policies and procedures that support the continued success of the Library with its customers.

5. Works in conjunction with Library’s human resources specialist and selection teams to ensure that recruitment pools for professional positions are diverse.  Provides guidelines and support for search committees.  Insures compliance with University EEO/AA and Diversity plans.  Assists with interviews of candidates on site and at professional meetings.

6. Participates fully in leadership activities of the Library through membership on Library          

Cabinet.

7. Supports the library profession beyond primary job responsibilities through involvement in professional service and scholarship.

LIBRARY-WIDE RESPONSIBILITIES:

1. Participation in library strategic project teams, cross-functional teams, and other teams required to complete the goals of the Library:

The  Library Diversity Council has proactively partnered with other campus units and groups, including the University Diversity Action Council, the College of Agriculture’s Diversity Committee, and  the Commission on the Status of Women to provide top notch programming, training and celebratory events that unite the campus and the Library community.

Recruitment of a Diverse Staff

A key responsibility of the Assistant to the Dean for Staff Development, Recruitment and Diversity has been to proactively recruit people of color to apply for open positions at the University of Arizona Library. This has been accomplished through:

  • training selection committees on diversity and affirmative action issues
  • attending conferences and handing out recruitment packets to librarians of color and other diverse individuals.
  • developing a network (database) of potential recruits and sending them invitations to apply for positions currently under recruitment
  • advertising the UA’s vacancies on listservs that reach librarians of color. These include REFORMANET, EQUILIBN,  the Chinese American Librarian’s  listserv, DIVERSITY-L, and AFAS-L, the listserv of the AFAS Roundtable.

Diversity in the Workplace / Presentation (1996)

I gave this presentation on enemy turf, so to speak. It felt like I had been thrown into a lion’s den and was about to get eaten alive at any moment. These ladies were not interested in hearing that the ability to speak Spanish and communicate with the Spanish-speaking was value-added and that it should be rewarded by increasing the pay of those who had this ability. In the end, however, I survived, and felt good that I did this presentation. I might have even convinced one or two of the attendees that having bilingual skills is indeed an asset when working with the public.

Announcement from the March 4, 1996 edition of the Arizona Daily Star

Diversity presentation

Introduction

View Post

Good evening. My name is Bob Diaz. Before I begin my presentation, I’d like to tell you a little bit about myself. I’m a Mexican American with roots here in southern Arizona that go way back, a native Tucsonan, and a graduate of the University of Arizona. I have a B.A. in Psychology and a masters degree in Library Science. I’m currently employed as Assistant to the Dean for Staff Development, Recruitment and Diversity at the University of Arizona Library. Prior to that, I was an associate reference and instruction librarian at the University of Michigan Undergraduate Library from 1987- 1992. I’m very happy to be here tonight, and I hope we have a very useful and productive session.

I’ve been asked to discuss the issue of diversity in organizations. I will talk about three major issues:  First I will ask the question, why bother with diversity anyway and will provide some context for what we are dealing with. Then I’ll discuss diversity within organizations, and use examples from my own experiences at the University of Arizona to illustrate some of the points I would like to make. Thirdly, I will discuss  the issue of personal responsibility as it relates to understanding and embracing diversity. Finally, we’ll open up the floor to questions and comments from you.

Just what is diversity and why are we bothering?

Is it about race, ethnicity, gender, sexual orientation, age?

Is it about individual differences not included in the above categories? Is it about affirmative action and equal employment opportunity? The answer is yes, yes, yes. In fact, there are a multitude of definitions. One organization defines diversity as: those human qualities or characteristics that make people different, unique, the same, and similar. These distinctions are not limited to race, gender, or ethnicity,  according to this definition. Another definition is: diversity is any difference that makes a difference.

However, the focus of my presentation tonight will not be solely on “individual differences” or unique qualities or characteristics” but on racial, gender and ethnic diversity and what needs to be done within companies and organizations, as well as at the individual level to change the way things now stand. I’ve chosen this focus because race, gender and ethnicity are key factors in the diversity equation and have been throughout the history of this nation. While some people would argue that there are laws on the books that protect the rights of members of minority groups and women and that there is equal opportunity for every citizen, it is clear that we are not yet at the point where we can say there is a level playing field. White males still dominate our country’s major corporations, and are still clearly the ones that hold most, if not all of the  power at all levels of government and society. 

Here are some basic facts that will help further this discussion:

3 out of 10 Americans are persons of color. However, in less than 50 years, (some say sooner) one half of the U.S. population will be African American, Latino, Native American, or Asian American. This is now the case in California.

By the year 2000, nearly one half of the civilian workers in the U.S. will be female.

Women with college degrees earn roughly the same as men with high school diplomas.

Women earn 72 cents for every dollar a man earns for the same work.

In a study of 15 major corporations, one researcher found that minorities comprised less than 8% of middle management and only 2% of upper management positions.

There are many other well known documented facts that are important to know. For example, 

Minorities have less access than non-minorities to quality education, good jobs, upward mobility,  and representation in government, and have lower income levels and higher mortality rates than non minorities.

Historically, minorities have been viewed by the dominant culture  as either the enemy (Asians and Native Americans) or as a source of cheap labor (Asians, Latinos, African Americans) and were treated badly by members of the dominant culture, receiving lower wages and fewer societal benefits. While we cannot go back and change history, what we can do is try to understand how we got to where we are now. It isn’t a matter of placing blame either. It’s a matter of putting these issues into context.

There is an increase in racial and ethnic violence in our society. Hate groups are on the rise. There is increased anti-immigrant sentiment and less tolerance for people who choose to continue to preserve their cultural traditions and languages.

What does all this point to?: change is taking place and, as always, there is resistance. In fact, one writer, has noted that “diversity was never the issue. Diversity is a fact. The question is about inclusion or exclusion of whom, on what terms, and for what purpose? The issue is about fear: our fear of the stranger, our shadow side, our fear of change, and our fear of failure.”

While the outlook for our society may seem bleak, it’s where we are. And we have to do something about it. We have to begin to learn about eachother and to work together to overcome our fear of one another. This has to take place at multiple levels: at the societal level, the corporate level and the individual level.

Before moving on to looking at what can be done in corporations and at the individual level, I’d like to make one other point.

 For me personally, embracing diversity has always been akin to “doing the right thing”. Respect for all people and tolerance for difference are values I hold dear. However, the arguments or what some would call “the moral imperative”  that provided fuel for the civil rights movement and much of the legislation that followed took us all only so far. In fact, some folks argue that the conditions for minorities in this country have worsened since the sixties.

What do we need to do to take us further? One writer argues that diversity is a bottom line issue, and indeed it is: if we don’t begin to include people of color and others outside the dominant culture in our institutions and corporations, they will go elsewhere, not only for employment but for products and services. And believe me the competition is there waiting to serve and to sell. A good example is the Honda corporation. It realizes that  it has a diverse customer base here in the U.S., so it has done market studies to determine the needs of these customers and it has also hired people from these diverse communities to sell Honda’s products.  Remember that these communities are increasing in numbers too. What does this mean? Think about it.

So, what needs to be done to begin to address diversity in a company or organization? First, there needs to be commitment at the top. In study after study, the data clearly shows that the role of top management in setting the direction and agenda for implementing diversity goals, programs, and training is critical. Top management needs to set the agenda for change. It must look at its mission and values statements and change them. It must begin to address it’s hiring and recruitment practices and look at retention  and promotion issues, communication issues, supervisory practices, the services that are provided and how they are provided. Management must also encourage all of its employees to behave with respect both for their fellow employees and for their customers. Training needs to take place. But,  changes will not occur overnight. It takes practice and patience to change an organizational culture.

At the University of Arizona Library, we have a very strong  commitment from the top. Our Dean, Carla Stoffle, has written extensively on these issues and has really put her money where her mouth is. Our library has a very diverse workforce (in fact, we are far above the national average in terms of numbers of minorities at the professional level). We have also included diversity in our mission and values statements, in our team leader review process, in our job descriptions  and in many of our team objectives. We have in place my position, which oversees the efforts of the Affirmative Action committee and the Library diversity council.  We have provided our staff with many training and learning opportunities, and have even been rewarded for taking the lead on campus in the area of diversity. Many of our programs are both educational and celebratory. We’ve addressed such diverse issues as homophobia in the workplace, what it means to be Jewish in the U.S, we’ve had a Chinese New Year celebration, and we’ve sponsored programs for the entire campus on topics such as the role of women in Islam. We’ve also co-sponsored numerous events such as the recent visit by Harvard professor Cornell West. While it is clear that we have made lots of progress, there will always be more work to do. We are finding that in a team-based organization, meeting facilitation is a very important skill as it is key to fostering a environment where all staff are given a fair chance to communicate and participate in everyday meetings and events. We now are working on building these skills across the Library.

At the personal level, there are many things that can be done to understand and embrace diversity. First and foremost, I would encourage anyone to begin with a positive attitude. What an incredible opportunity this can be for learning and growth!! Begin by questioning your own assumptions about how you see the world. Question your generalizations and stereotypes (we all make them). Question what you see on television,  and what you read in books and magazines. Read a book by a person of color. Read a book about diversity. Go to a local fiesta or pow wow. Tucson is a very unique and diverse community. Explore it. Challenge your friends to a discussion of race and ethnicity. Question your assumptions again and again.

I’ll leave you with one final quote from a book entitled The Diversity Advantage by John P. Fernandez and Mary Barr. “Although the U.S. possesses the best laws in all the world to protect all its citizens, it must move from the philosophical and legal to the proactive and personal. US citizens must, in short, walk their talk. Each individual must recognize that he or she is part of both the problem and the solution….Thank you very much.

Celebrating Excellence: A.E. Douglass and Tree Ring Research / Exhibition (2015)

This exhibit in the Science-Engineering Library will offer a broad overview of the career of A.E. Douglass and basic information about the Laboratory for Tree Ring Research.

A.E. Douglass was an astronomy professor at the University of Arizona who headed the Stewart Observatory and established the science of dendrochronology, or the study of tree rings, which can be used to determine how old various archeological sites are. He also founded The Laboratory for Tree Ring Research in 1937. The exhibit will feature materials from the A.E. Douglass papers (Special Collections AZ 72), including photos, documents  and artifacts from Douglass’s  early youth through his later years. It will also feature material on loan form the Laboratory for Tree Ring Research, including a wooden beam from an archaeological site known as Chetro Ketl that is nearly 1,000 years old. 

A.E. Douglass was born in Windsor, Vermont on July 5, 1867, the fifth child of the Reverend Malcolm Douglass and Sarah Hale Douglass. He grew up in Andover, Massachusetts and attended Punchard Free (High) School.  His love for astronomy started at an early age.  By his senior year,  he was teaching the subject to other students. While in college, he excelled in the sciences. He graduated  from Trinity College in Hartford, Connecticut in 1889 with honors in astronomy, mathematics and physics.

After graduation, Douglass found work as a research assistant with William H. Pickering at the Harvard College Astronomy. He spent a year there before he was sent to South America to help build an observatory in Arequipa, Peru. He traveled to various other locales in South America and soon met Purcivell Lowell, an amateur astronomer with whom he began to work and who like Douglass, had a strong interest in the study of the planet Mars.

In the ensuring years, Douglass found  himself working for Lowell in Mexico, and then in Flagstaff Arizona where he supervised the building of the Lowell Observatory. He had a falling out with Lowell, and for a few years was a probate judge for the town of Flagstaff. By 1906, however, after having spent 12 years in Flagstaff, he secured a position at the University of Arizona. He taught physics and geography, among other topics.

Douglass entered the University of Arizona as Assistant Professor of Physics and Geography. Upon his arrival  he, with the help of his Harvard friends the Pickerings, made sure that the University of Arizona had a telescope. It was a borrowed,  8 inch, refracting telescope, but it was better than what was there  before.  The telescope stayed at the University of Arizona for many years atop the original Science Building just north of Old Main, but was eventually returned to Harvard.

It didn’t take  Douglass long to start lobbying  the powers that be for an observatory. He argued that the Tucson skies were perfect for star gazing. His wish was finally granted when in 1916, Mrs. Lavinia Steward,  a wealthy donor, gave the University $60,000 for a new observatory.  It  took nearly 6 years to complete, but Douglass happily witnessed a dream come true.  The Steward Observatory was officially dedicated on April 23, 1923.

Douglass served the UA in other capacities over the years. He was head of the Dept. of Physics and Astronomy, Interim President, and Dean of the College of Letters, Arts and Sciences.

Materials in this exhibit were borrowed from  the following sources:

Leslie Feinberg: Unity in The GLBT Community / Program (1994)

Flyer designed by Ken Godat, Wingspan Board member and owner of Godat Design.

In the early 90’s I was a member of the American Library Association’s GLBT Book Award committee. One of the books published for the year under review was Leslie’s Feinberg’s groundbreaking novel, Stone Butch Blues. It brought to light the issues faced by people who were transgendered and it struck a strong chord with me. I lobbied hard for the book to win the award for fiction, and indeed it did, in 1993. At the time, my position at the UA Library was that of Assistant to the Dean for Staff Development, Recruitment and Diversity and part of my work was to engage in building partnerships with campus and community groups to help educate the campus and the community at large about issues faced by underrepresented or misunderstood groups, such as the GLBT community. I decided that it would be great to bring Leslie to Tucson, and worked with the members of Wingspan, the local gay community center to raise money to fund her visit, which took place during the Fall 1994 semester. We received support from the University’s Diversity Action Council as well as from the University Library and other groups.

This is the news release I wrote for the occasion:

NEWS RELEASE….NEWS RELEASE…NEWS RELEASE…NEWS RELEASE

September 1994

  • September 30, 7pm:  Reading/lecture on Unity in the Gay, Lesbian, Bisexual and Transgendered Community. Modern Languages Auditorium, University of Arizona.
  • October 1, 6pm: Book signing and reception at Wingspan, Tucson’s  Lesbian and Gay Community Center, 422 N. 4th Ave.
  • Refreshments will be served.
  • For more information contact Bob Diaz at 621©2101.

Biographical sketch:  Leslie Feinberg came of age as a young butch lesbian in the factories and gay bars of Buffalo NY in the 1960’s. Since that time, Feinberg has been a grassroots activist and a journalist.S/he is nationally known in the gay and transgender movements.

Leslie Feinberg was given the distinct honor of being the opening  speaker at this summer’s  Stonewall 25 rally in New York City, which drew millions of people from across the country and around the world. Feinberg’s novel, Stone Butch Blues, published on March 1, 1993 by Firebrand Books, has received a wildly popular response. The novel has received the prestigious American Library Association Award for Gay and Lesbian Literature and a LAMBDA Literary Award.

A video about Leslie Feinberg titled Outlaw (see excerpt below) premiered at the New York City Lesbian and Gay Film Festival this summer and is being distributed nationally and internationally.

Feinberg has toured the country for two years with the slide show on transgender issues that has played to packed audiences and standing ovations. Since October 1993, s/he has appeared on the Joan Rivers show and scores of other television and radio programs. Feinberg has been interviewed and and her work reviewed by virtually every lesbian/gay, transgender and feminist publication in the last two years.

Transgender Liberation: A Movement Whose Time Has Come, originally published in 1992 by World View Forum. (Click on the title to read the pamphlet).

Biographical Highlights:

  • Winner of the 1993 American Library Association Gay and Lesbian
  • Task Force Book Award for Fiction.
  • Winner of the 1993 Lambda Literary Award for Small Press Fiction.
  • Subject of the video production, OUTLAW, which premiered at the
  • 1994 Lesbian and Gay Film Festival in New York City.
  • Nationally known leader in the Gay and Transgendered movements.
  • Grass roots activist and journalist.
  • A feature length movie about Ms. Feinberg’s life is now in production in Hollywood.

bd 9/94

Here’s a copy of the article that appeared in the Tucson Weekly about Feinberg’s visit:

Feinberg’s visit was the first of several made to Tucson over the years. Within a few years of her visit, the Southern Arizona Gender Alliance was founded, which was a support and advocacy group whose focus was to support those who identify as transgendered. The group still exists and is stronger than ever.

Az Daily Star, October 23, 1998
Feinberg visited Tucson again in 1998
From the Arizona Daily Wildcat, October, 1998

Feinberg returned to Tucson in 2004 for the following event.

April 21, 2004, Arizona Daily Star

In 2007, Leslie was the keynote speaker at the Annual Wingspan dinner in Tucson. Read about it here.

Read Feinberg’s obituary in the Advocate here.

Years later, after Feinberg died in 2014, when I was a member of the American Library Association Council, I authored a resolution for the Association that was passed in Leslie’s memory. I’ll never forget how encouraging and supportive Leslie was to me and my partner, with whom she became fast friends. She encouraged me to do more community organizing and complimented me on the work I did when I brought her to town all those many years ago. Introducing her to the Tucson community was one of the best moments of my career.

She was a true revolutionary.

Leslie and longtime partner Minnie Bruce Pratt. Pratt died on July 2, 2023 at the age of 76.

Further reading:

Leslie Feinberg–September 1, 1949 to November 15 2014, by Marla Brettschneider, in the Shalvi/Hyman Encyclopedia of Jewish Women.

Leslie Feinberg Beheld a World without Gender, by Martha E. Stone. The Gay and Lesbian Review, March-April, 2015.

Leslie Feinberg’s Curriculum Vitae.

Leslie Feinberg’s Web Page.

From the Jewish Women’s Archive.

Tucson Meet Yourself Lowrider Display/ Exhibition, October 12-14, 2012

A few years back, I was a member of the Board of Directors of Tucson Meet Yourself and for the 2012 Festival, I was invited to create a small exhibition on lowriders for display at the festival. The results can be seen below. I had a great time working on this, from painting the display boards to writing a bibliography on lowriding (see below) to meeting with members of the local car club, The Dukes, to borrow materials for the display. These include the little cars and the Dukes clock, as well as the hubcaps that are shown. I used material from my own record collections to create the display on oldies but goodies music. The photos below include a couple of my good friend Mel “Melo” Dominguez, a wonderful local artist with whom I shared a booth at the festival. Friends of mine stopped by and their photos are also included. Finally, I had to include some photos of the many beautiful cars that were on display that day. Again, this was another fun project!

Local artist extraordinaire, Mel “Melo” Dominguez, showing off the t-shirt he designed for the festival.
These t-shirts sold like hotcakes at the festival. I still have mine. It’s held up pretty well!
My friend Mel.
My friend RIcardo Andrade and his friends stopped by to say hello.

Lowrider Bibliography

These resources can be obtained from either  the University of Arizona Library or the Pima County Public Library.

How to build a lowrider. / by  Frank Hamilton. North Branch MN. Cartech, 1996. University of Arizona Library,  Special Collections. TL 255.2 .H36 1996

Lowrider: history, pride, culture. / by Paige R. Penland. St. Paul MN: Motorbooks, International, 2003. University of Arizona Library. Special Collections. TL 255.2 .P46 2003

Lowrider Magazine. San Jose, Calif.: A.T.M. Communications. Pima County Public Library. Various branches.

Lowrider space: aesthetics and politics of Mexican American custom cars./ by Ben Chappel. Austin, TX: University of Texas Press, 2012.  University of Arizona Library. E184.M5 C3837 2012

Lowriders. / by Lisa Bullard. Minneapolis, Minn: Lerner Publishing, 2007 (children’s book) Pima County Public Library. 629.2872 B8729L 2007 CHILD

Lowriders / by Matt Doeden. Mankato, Minn.: Capstone Press, 2005. (children’s book) Pima County Public Library. 629.2872 D67L 2005 CHILD

Lowriders. / by Robert Genat. St. Paul, Minn: MBI, Publishing, 2001. Pima County Public Library.  629.222 G2852L 2001 Espanol TEEN

Lowriders handbook, The: engines, tires and wheels, hydraulics, custom interiors, custom bodywork, chassis and suspension, air ride. / from the editors of Lowrider Magazine. New York: HP Books, 2002. University of Arizoan Library. Special Collections. TL 255.2 .L68 2002

Lowriders in Chicano culture: from low to slow to show. / by Charles M. Tatum. Santa Barbara, Calif: Greenwood, 2011. University of Arizona Library. E-book.

Lowriding in Aztlan: the truth about lowriding! / a film produced by Katrina Jasso-Osorio, Daniel Osorio; written and directed by Daniel Osorio. New York: Universal Music and Video Distribution, 2006. Pima County Public Library. 629.222 L9552 2006 DVD TEEN

Low ‘n slow: lowriding in New Mexico. / photographs by Jack Parson; text by Carmella Padilla; poetry by Juan Estevan Arellano. Santa Fe: Museum of New Mexico Press, 1999. Pima County Public Library. 917.89004 P254L 1999

Low y cool. / a film by Marianne Dissard. Tucson, Az. M. Dissard, 1997. Pima County Public Library. 362.7089 L95 1996 DVD, available at various branches.  

Old barrio guide to low rider music, The. / by Ruben Molina. La Puente, Ca: Mictlan Pub., 2005. University of Arizona Library. Fine Arts Library and Special Collections. ML 3558 .M65 2005

Prepared by Bob Diaz for Tucson Meet Yourself. October, 2012.

An Evening of Corridos/ Program (2015)

AUDIO OF PROGRAM

Promo for the event:

Corridos are narrative songs which often chronicle socially relevant historical events. The corridos featured in this evening’s program come from both the Mexican Revolution and the  Cristero Rebellion, a revolt by Catholics against the Mexican government that occurred in response to anti-Catholic legislation in the 1920’s.

A lecture by Dr. Celestino Fernandez will be followed by the performance of corridos by local artists, including Juan Aguilar and Justin Enriquez, members of the quartet, Los Cuatro Vientos.

Dr. Celestino Fernández, Professor Emeritus in the University of Arizona School of Sociology, is himself a composer of corridos.  He served as University Distinguished Outreach Professor and Director of Undergraduate Studies for many years. His research focuses on various issues pertaining to culture, Mexican immigration, ethnic diversity, and education and he has published approximately 50 articles and book chapters. Dr. Fernandez serves on numerous community boards, and helped start San Miguel High School, a college-prep school for students from poor and working class families. Dr. Fernández received an M.A. and Ph.D. from Stanford University.

To learn more about the Cristero Rebellion, you may wish to visit the online exhibition La Vida Fronteriza: Church, Economy and Daily Life which features materials documenting the De la Torre family and their involvement in the Cristero Rebellion.

My introduction to the event:

Good evening. My name is Bob Diaz. I am the curator for the performing arts and the exhibits and events coordinator here in Special Collections.  Thank you for for joining us tonight. It’s my pleasure to welcome you to our second annual evening of corridos.  Before I introduce our guests, I’d like to mention our Dia De Los Muertos altar. This year’s altar was put together by Luis Coronado Gruel and students from his  History 368 class on Colonial Mexico. The altar is dedicated to Sor Juana Ines de la Cruz, one of the most important Mexican writers of all time. Thank you, maestro Gruel,  for doing such a wonderful job. 

Aristeo Brito, Dr. Celestino Fernandez and his wife

Tonight Dr. Celestino Fernandez, professor emeritus of Sociology, will be giving a presentation on the corridos of the Cristero Movement and the Mexican Revolution. Following his presentation, we will hear from a number of folks who brought their guitars with them and who will be singing some corridos for us. We have with us again, Justin Enriquez and Juan Aguilar, as well as a few other musical guests, including Bobby Benton, Jim Griffith, Antonio Gomez and Aristeo Brito, and Dena Cowan and Jesus Garcia. There may be others who have come along to join in on the fun, and hopefully we’ll have time to hear everyone sing at least one song.

Dr. Fernandez giving a presentation on Corridos of the Revolution

After the lecture and performances we will have refreshments, including pan de muerto from La Estrella Bakery. Please enjoy the program, stick around and check out the altar and our exhibit on Tucson, and enjoy yourselves. Nuestra casa es su casa”.

Mr. Bobby Benton
Juan Aguilar and Justin Enriquez
Aristeo Brito and a friend
Ms. Dena Cowan and Mr. Jesus Garcia
Day of the Dead altar prepared by Professor Luis Coronado Gruel and his History 368 class. The altar was dedicated to Sor Juan Ines de la Cruz
Pan de Muerto

Tucson: Growth, Change, Memories / Exhibition, August 17, 2015-January21, 2016.

A row of homes in Barrio Viejo

This exhibition was held in celebration of the anniversary of the “founding” of Tucson in 1775 by Spanish colonizers, and was centered around a collection of photographs I had found in Special Collections that consisted of photos of all of the buildings in the oldest part of town that had been demolished during Tucson’s urban renewal rampage, which took place in the latter part of the 1960s. Some beautiful houses and many historically significant buildings were lost in the old barrio, or “Barrio Viejo” to to make way for the building of the Tucson Community Center. My friend Richard’s father, Mr. Albert Elias, had mentioned to me that they existed, so I looked and looked until I found them. I was frankly quite shocked that these photos never got much attention before I pushed to have them digitized for use in this exhibition. The events I planned included a lecture by Tom Sheridan, assessing the present state of the Mexican community in Tucson and a panel discussion on growing up in Tucson that featured Katya Peterson, Molly McKasson, Lydia Otero and Ernesto Portillo, Jr. This was one of my best efforts. The programs were both well attended and the exhibition drew many visitors.

Click here to see the entire collection of urban renewal photographs held by Special Collections at the University of Arizona Libraries.

Photos of various buildings torn down to make way for the Tucson Community Center
15-19 Jackson St.
Tucson Memorabilia
More buildings that were destroyed during urban renewal
The Tucson Army Surplus building.
A selection of memorabilia and photos from the Santa Rita Hotel.

Click here to read Tucson Weekly writer Margaret Regan’s article “Bulldozing the Barrio: Photos and Film at UA Special Collections Document the Neighborhood Lost to Urban Renewal”.

Apartments, 32 W. Corral, near S. Convent.
More Tucson memorabilia
36-44 W. McCormick.
Memorabilia from the El Conquistador Hotel
Ying On Club, 101 S. Main Ave.
More Tucson memorabilia from various Tucson businesses.
El Teatro Royal at 320 S. Meyer Ave.
Special Collections is home to a number of books focusing on life in Tucson’s barrios.
The Otero House, corner of S. Main and McCormick.
Shopping bags, calendars, photos and more.
Building at corner of S. Convent and Ochoa.
Tourism brochures
Flores Nacional, a downtown pharmacy.

Affirmations and Surprises: Following the Transformational Trail of Tucson’s Mariachi and Folklorico Dance Movement / Program (2016)

I coordinated two different programs held in Special Collections for Hispanic Heritage Month in 2016. I worked with Socorro Carrizosa of the Chicano Hispano Center on the planning. Dan’s talk was the first one. The second program was another “Noche de Corridos” evening. I’ve known Dan Buckley since my days as a member of the Board of Directors of the Tucson International Mariachi Conference in the mid-2000s. He’s been a long time supporter of the Tucson International Mariachi Conference and his writing for the Tucson Citizen on the festival was always something one could eagerly look forward to reading.

Publicity designed by Marty Taylor, University of Arizona Libraries

Click here to listen to the audio of this program.

Local documentary producer, writer and music critic, Daniel Buckley, will share the story of the Tucson youth mariachi movement. He is currently in production on his eighth documentary, “The Mariachi Miracle,” which traces the impact of youth mariachis and folklórico dance groups on the social economic, educational, political and artistic fabric of Tucson, Arizona.

Producer/director Daniel Buckley is currently in production on his 8th documentary film, The Mariachi Miracle, which traces the impact of your mariachis and folklorico dance groups on the social, economic, educational, pollitical and artistic fabric of Tucson.

Buckely spent over 30 years as a music journalist, and later multimedia developer for newspapers in Tucson, Arizona and national magazines. During his nearly 23 years with the Tucson Citizien, de developed a deep interest in Tucson’s traditional Mexican and Native American cultural expressions.

In 2013, the Tucson International Mariachi Conference inducted Buckley into its Mariachi Hall of Fame, and in 2014 he was named Artist of the Year at the Arizona Governor’s Arts Awards for his work as a writer, composer, filmmaker, performance artist, and photographer.

Click here for more information on Buckley’s Mariachi Miracle project .

The Wilderness Act: Arizonans Keeping It Wild for 50 Years / Exhibition, August 25-September 26, 2014

In late 2013, I was approached by my friend Keith Bagwell, who asked me if I would be interested in working with a couple of people he knew who wanted to work on an exhibition in commemoration of the 50th anniversary of the passage of the Wilderness Act. Those two people turned out to be Meg Weesner, formerly of the National Park Service, and Kevin Dahl, executive director of the Tucson Audubon Society. They knew we housed the papers of the Udall brothers as well as those of Edward Abbey, and they were very eager to share their knowledge of conservation and environmental issues with me and to work with me to design an exhibition celebrating the 50th Anniversary of the passage of the Wilderness Act. It was a real pleasure working with them. Meg, in particular, put in a lot of time and effort into this project. She led the way.

Promotional material designed by Marty Taylor, University of Arizona Libraries

“This new exhibit showcases how, 50 years after becoming law, the Wilderness Act continues to benefit the American people by ensuring millions of acres of public land are available for recreation, exploration and inspiration. “The Wilderness Act” features original material from Special Collections including maps, books, archival documents and photographs from the collections of Edward Abbey and Stewart and Morris Udall.”

A brief interview with Meg Weesner

Read former student assistant Jarrod Mingus’s article about the exhibition here.

Listen to highlights of the opening program, courtesy of KXCI, here.

Books about Arizona’s wilderness regions
Books by and about Edward Abbey
Backpacking display. Materials on loan from Meg Weesner’s private collection.
Selections from the papers of Morris K. Udall, a dedicated environmentalist
Material on loan from the collection of Meg Weesner

Mars Madness: Sci-Fi, Popular Culture and Ray Bradbury’s Literary Journey to Outer Space / Exhibition, January 21-August 1, 2014

I co-curated this exhibit with Gloria McMillan and India Spartz. My sections of the exhibition are shown below. I created the displays featuring science fiction-related toys loaned to Special Collections by Wolf Forrest, the featured speaker for our opening event. I also made arrangements with the staff at the Lunar and Planetary Lab to borrow the Mars globe, and visited with Dr. William Hartmann at his home, where he graciously loaned me one of his Mars paintings and some of his Mars-related reference books for inclusion in the exhibition. I also purchased the posters that were displayed and made arrangements for Dr. Bradley Schauer to speak at the exhibition’s second event. It was a real pleasure getting to know Mr. Wolf Forrest, who it turns out, is not only a Sci-Fi buff, but a rock and roll music buff too!

The Mars Madness exhibit, subtitled “Sci-Fi, Popular Culture and Ray Bradbury’s Literary Journey to Outer Space” opened January 21st, and will be on display until August 1, 2014 in the Special Collections at the University of Arizona, 1510 E. University Blvd., Tucson, AZ. An array of Ray Bradbury material will be on display, including original works by the author, works of others who influenced him, pulp SF magazines, photos of Mars, movie memorabilia, and a selection of SF related toys on loan from the private collection of Wolf Forrest. The exhibit is curated by India Spartz, Bob Diaz, and Gloria McMillan, editor of Orbiting Ray Bradbury’s Mars (McFarland),

Promotional material designed by Marty Taylor, University of Arizona Libraries
https://vimeo.com/112532202
Promo video for Mars Madness exhibition
Mr. Wolf Forrest, featured speaker at the exhibition’s opening event.

The opening reception will be held on January 21, 2014, at 5:30 p.m with a talk by Mr. Wolf Forrest. A book signing with McMillan will be held March 15, 2014, at 3:30 p.m., and a lecture, “Filming Pulp Poetry: Ray Bradbury and It Came From Outer Space” with assistant professor of the School of Theater, Film and Television, Bradley Schauer, will be held on April 8, 2014, at 5 p.m.

Mars globe on loan from the Lunar and Planetary Lab. Mars books by William K. Hartmann on loan from the author.
Toys on loan from the collection of Mr. Wolf Forrest
More of Mr. Forrest’s collection
And more toys. Books/magazines from Special Collections huge collection of science fiction related works.
More books from Special Collections science fiction holdings.

The Performing Arts in Tucson / Exhibition (2015)

I put this exhibition together for display in the Main Library. All of the material comes from Special Collections, which has an amazing collection of performing arts-related holdings. The exhibition, although small, was well received, and was a pleasure to work on. I don’t have photographs of every section, but I did save some.

Description:

“Special Collections has a growing number of collections about the performing arts. This exhibit will draw on these collections to provide a look at Tucson’s history of performing arts from the 19th century to the present day. Included will be recordings, photographs, programs and other ephemera.

Tucson has been home to a rich arts scene encompassing music, dance, theater and cinema. The Tucson scene has thrived in part because of its inclusive nature, which has included classical as well as popular offerings. For instance, music offerings span symphonic and opera offerings at one end of the spectrum to street music and folk festivals at the other.

Tucsonans are fortunate that our community has so many arts and cultural organizations that sponsor performances, not the least of which is the University of Arizona. The exhibit will include materials from UA Presents, the “Saturday Morning Music Club” and Tucson Meet Yourself among other collections.”

THE PERFORMING ARTS IN TUCSON

Native peoples of Southern Arizona included chants and drumming in their ceremonial lives long before the arrival of the Spanish in the 16th century. Shortly thereafter, as the missions were built, the Spanish priests trained the local people in the music of the Church. Choral music and voice lessons provided by the local friars were a regular part of mission life during the 18th and 19th centuries. 

After Mexico won its independence from Spain in 1821, the local people continued many of the traditions that the Spanish brought with them. Tucson was a small outpost on the northernmost frontier, so entertainment by outsiders was sporadic. Small local Mexican performing groups existed, and their infrequent work consisted of serenades and performing at parties.

When the Gadsden Purchase was signed in 1854, Tucson became part of the United States, and its population gradually increased. Easterners brought with them their own European-based cultural activities. However, visiting performing groups came mostly from Mexico.  El Teatro Royal, later called the South Main Theater, was one of Tucson’s first entertainment venues. Traveling musical groups and theater troupes entertained the locals with plays in Spanish, and even opera. It is said that the world famous Mexican opera star, “La Peralta” even performed there once.

Angela Peralta, one of the greatest Opera stars of the Nineteenth Century.

The following story comes from the book, “Tucson Incunabula”, by Alexandra Maria Diamos.

In the 1870s, Levin’s Park was the home of Tucson’s first “Opera House”, which hosted traveling musical and theatrical shows. It didn’t last long, but soon other venues were created for entertainment. Military bands stationed at Ft Lowell also provided countless hours of entertainment for the local community at this time.  

In the 1880’s, St. Augustine’s Cathedral was soon joined by other churches representing the Presbyterian, Methodist, Baptist and Episcopalian faiths. Choral music and other religious music thus increased.  Along with this, the local schools (public and private) that were opened also emphasized the importance of the arts, music in particular. The University of Arizona, founded in 1885, played an important role in Tucson’s musical life. By 1906, the department of music and dance was training students in choral music and lessons were given to students learning instruments such as the violin and piano.

Tucson Daily Citizen, April 7, 1911.
Arizona Daily Star, April 12, 1911.
A scene from “Camille” with Sarah Bernhardt in the title role.

At the turn of the century, a new Tucson Opera House was built on Congress, as were other venues, including the Broadway Theater and Elysian Grove, which was located at the present site of Carrillo School on S. Main and was the former home of The Carrillo Gardens. One can only imagine what it was like attending Buffalo Bill’s Traveling Minstrel Show or seeing the great Sarah Bernhardt on stage. Both appeared in town in the early 1900s.

By 1910, what one would call “more refined” entertainment in Tucson began to increase.  The Tucson Opera House hosted everything from Shakespearean drama to nationally renowned singers and other classical musicians, while theaters such as El Teatro Carmen, established by Carmen Soto Vasquez, continued to host travelling groups from Mexico that offered both musical and theatrical entertainment.

Teatro Carmen, circa 1918.

CLASSICAL MUSIC IN TUCSON

Tucson High School was the home of many early classical concerts up through the late twenties. The auditorium was a beautiful space, and a favorite of the Tucson Symphony and other local performing groups in the 1920s.

This concert program is from 1920 and features an orchestra from Mexico.

Madeline Heineman Berger, who co-founded the Saturday Morning Music Club in 1906, also founded the Temple of Music and Art. Built in the late 1920s, it became the home of the Tucson Symphony Orchestra as well as to local theater groups that performed there. From 1929 through the late 1960s, the Temple served as a major center for Tucson’s performing arts community. The Temple fell on hard times in the 1960s and 1970s, and changed ownership a number of times, but never completely closed its doors. Today, it continues to be a thriving performing space and is home to the Arizona Theatre Company.

The Old Pueblo Mexican Orchestra, in front of the Temple of Music and Art

The Tucson Symphony Orchestra began its long life at the end of the 1920s and performed not only at Tucson High and the Temple of Music and Art, but also at the University of Arizona auditorium, well into the 1960s. In the early 1970s Tucson Community Center Music Hall became its permanent home.

By mid-century, the University had a well-established annual visiting artist series, and hosted many talented musicians and groups, including dance troupes such as the Ballet Russe de Monte Carlo. The students and faculty of the School of Music also provided concerts for the public on a regular basis. Theater was taught both in the public schools as well as at the University level, and performances of plays, musicals and opera were held on a regular basis by both local and visiting performers.

This postcard is from my personal collection. What an amazing line-up of talent!

El Dia De Los Muertos in Special Collections / Program (2013)

Over the past 25 years, the University of Arizona Library has hosted several El Dia De Los Muertos programs and altar installations. Dr. Alba Nora Martinez, a professor in the Spanish Department was an early promoter of this programming, and I worked with her at the Main Library to produce at least two different programs and installations in the late 1990s, when I was Assistant to the Dean for Staff Development, Recruitment and Diversity. Years later, after I became coordinator of exhibits and events at Special Collections, I decided to have the programming revived. In 2013, I worked with three graduate students, Amy Vaterlaus, Stephen Curley and George Apodaca on the altar below. We made paper flowers and I purchased other materials for inclusion in it. They also gave very informative presentations about various aspects of the Mexican Day of the Dead traditions in Mexico and the United States. Justin Enriquez and Juan Aguilar provided musical entertainment and there were Mexican beverages like horchata and jamaica as well as pan de muerto, provided by La Estrella Bakery. It was a fun and memorable event!

Promotional video for the El Dia De Los Muertos altar

2013 El Dia De Los Muertos altar created by Bob Diaz, Amy Vaterlaus, George Apodaca and Stephen Curley
A close up of the altar.

Video of the entire event by Antonio Arroyo

Stephen Curley, Amy Vaterlaus and George Apodaca
Pan de muerto
Visitors checking out the altar
Justin Enriquez and Juan Aguilar

The Life and Legacy of the U.S.S. Arizona / Exhibition (2016)

I co-curated this exhibition with another member of the Special Collections staff, who chose the materials for inclusion in the exhibition. My contributions included writing all of the captions and a narrative of the ship’s history (see the text below) as well as a timeline/chronology of key events in the life of the ship. All photos used here are from the U.S.S. Arizona collection, AZ 517, courtesy of Special Collections, The University of Arizona Libraries.

Promo from the UA News Service:

Special Collections, at the Main Library, has one of the largest collections of USS Arizona materials in the world. The collection will host a signature exhibition honoring the 1,177 USS Arizona crewmen and officers who gave their lives in the line of duty during the attack on Pearl Harbor.

The extensive USS Arizona collection, which has been created primarily from donations of individuals associated with the battleship during her 26-year life, is the source of content for the exhibition, “The Life and Legacy of the USS Arizona,” which opens on Aug. 29.

The exhibition will remain open through Dec. 23, featuring original photographs that document the USS Arizona’s personnel and operational history. Other materials on display will be papers, scrapbooks, documents and memorabilia, such as the ship’s newspaper, official Navy documents and crew correspondence. Also included will be oral histories with men who served on the ship and papers from the USS Arizona Reunion Association.

Click here to see the chronology that I created for the exhibition.

The narrative I wrote for the exhibit:

1914-1915

At the close of the 19th century, the military strength of Japan and Great Britain was largely based on their sea power, and both led the world in building great battleships. Domination of the seas meant domination of commerce and trade.  The United States, not to be outdone, dedicated itself into building even greater, mightier war ships, and in the early 1900s several were built. It took an act of Congress to authorize the construction of such ships. Upon completion of construction, the USS Arizona, the 41st battleship built by the US Navy, was said, by the New York Times, to be “the world’s biggest and most powerful, both offensively and defensively, super dreadnought ever constructed.” The ship was built at a cost of 15 million dollars, and was a sister ship to the USS Pennsylvania. 

There was speculation in the news media about the name of the new ship. Some believed it would be named after the home state of the Secretary of the Navy, Josephus Daniels, who hailed from North Carolina. However, as fate would have it, the keel for the new ship was laid on March 14, 1914 and it was christened the USS Arizona on June 19, 1915, in honor of its entry as the 48th state into the union on February 14, 1912.

Esther Ross, an Arizona native and the daughter of a prominent Prescott businessman, was chosen by Governor George P. Hunt as the ship’s sponsor.  It was her job to “christen” the ship, and an estimated 75,000 people crowded the New York Navy Yard in Brooklyn witness Miss Ross fling two bottles, one filled with champagne and one with water, at the prow of the ship, proclaiming, “I christen thee Arizona!”

1916-1920

The USS Arizona was commissioned on October 17, 1916 by Rear Admiral Nathaniel R. Usher. Its first captain was John D. McDonald. Following her “shakedown cruise”, or maiden voyage, on November 10, 1916, she joined the Atlantic fleet, and by the end of 1916 had sailed to Cuba and had fired both her 5-inch and 14-inch guns for the first time. Unfortunately, the ship had experienced some mechanical problems with one of its engines, and as a result had to return to New York for repairs, which took about four months.

The ship remained stateside during World War I because oil, which wasn’t readily available in Europe during the war, was the ship’s main fuel source, while other ships in the US fleet ran on coal, which was plentiful in places like England.

Shortly after the war ended, the ship participated in escorting President Woodrow Wilson to Europe for the Paris Peace talks in December 1918. It was then sent to Turkey in 1919 at the beginning of the Greco-Turkish War to represent US interests, which included the oil companies owned by men such as John D. Rockefeller. It then sailed back to New York where it remained until the following year. In January, 1920, the ship sailed to the Caribbean once again, with visits to Cuba, Barbados and Panama.

1921-1925

In early January of 1921, the USS Arizona joined the rest of the Atlantic fleet for a trek to Cuba to participate in a series of tactical exercises in the Caribbean. Having its sister ships in proximity offered the crew of the USS Arizona the opportunity to compete with the crews of other ships in a variety of sports, including football, rowing, boxing and baseball. Several of these athletic teams from USS Arizona won awards and trophies.

 The fleet transited the Panama Canal on January 17, 1921, and made its way to Peru, crossing the Equator for the first time on January 24. This was the USS Arizona’s first opportunity to both transit the Canal and to cross the Equator. Crossing the Equator, according to naval tradition, meant it was time for the “crossing the line” ceremonies, a series of mostly fun-filled activities and practical jokes intended to initiate new recruits into the naval brotherhood.

By mid-1921, a number of changes took place, including a change in senior leadership. The USS Arizona was now under the command of Rear Admiral Josiah S. McKean and tasked to join the Pacific fleet, with its new home base at San Pedro, a port adjacent to Long Beach, Ca.

In 1923, President Warren Harding reviewed the ship while anchored in Seattle. Upon his death the following month, the USS Arizona half-masted her colors and joined other ships in firing a salute to the deceased President.

1925-1930

The latter part of the 1920s found the USS Arizona with a busy schedule. It was continually moving, often engaged with its sister battleships in a variety of military exercises. From its home base in Southern California, it sailed up and down the West Coast, from San Pedro to San Francisco to Seattle and back numerous times. It sailed to Hawaii twice, to Panama and the Caribbean, and up to New York and back. Its final trip of the 1920s was through the Panama Canal up to the Norfolk Navy Yard where it was dry docked in late May, 1929, and underwent major renovations.  The cage masts were replaced with newer tripod-type masts, and newer five inch guns replaced her old three-inch anti-aircraft battery. Outer plating was added to protect against underwater mines and torpedos.  Work on the ship was finally completed in December of 1930.

1931-1935

Remodeling of the ship was completed by 1931 and the ship is re-commissioned. It sails the East Coast, and escorts President Herbert Hoover on a cruise to the West Indies and back to Maine. It also makes trips to Cuba and the Panama Canal on its way back to the West coast. By early 1932 it makes its way to Hawaii with other battle ships for tactical exercises, but soon returns to the West Coast. This would be the normal routine for the ship for the remainder of the 1930s, although there were a few out of the ordinary adventures, including the occurrence of an earthquake in Long Beach in 1933. The crew of the ship assisted with the relief efforts that followed. Another was the use of the ship as the main prop for the movie, “Here Comes the Navy” starring James Cagney in 1934.

1936-1940

The next five years (1936-1940) finds the ship spending time sailing up and down the Pacific coast, as well as making a few long distance trips to Hawaii, Panama and the South Seas.  It crossed the Equator two more times, offering the ship’s men the opportunity to engage in more rounds of “crossing the line” ceremonies. It also participated with the rest of the US Fleet in various military exercises throughout this time period.   Tragically, on July 9, 1937, one of the USS Arizona’s planes, an O3U-3 biplane, was caught by a sudden wind that plunged it five hundred feet, into Puget Sound, leaving one man, Seaman First Class William H. Meyers, dead. By late September, 1940. the ship returned to the West Coast and spent the last days of 1940 in the Puget Sound region. 

December 7, 1941

Pearl Harbor. The fate of the crew on the USS Arizona took the worst turn imaginable on December 7, 1941. Early in the morning, the Japanese attacked the US fleet docked in the harbor, and virtually destroyed the USS Arizona with a direct hit which split the ship in half and caused it to sink, killing most of its men. In all over 1,100 lives were lost. Over 900 of these men are still buried on the ship. As then President Franklin D. Roosevelt proclaimed shortly after the bombing, Dec. 7 1941 “would be a day that would live in infamy”. 

There are numerous first person accounts of the day Pearl Harbor was attacked. To learn more about these personal testimonies, please see the computer kiosk included as part of this exhibit. It includes two recorded oral histories. 

The book, “The USS Arizona: the ship, the men, the Pearl Harbor attack, and the symbol that aroused America,” by Joy Waldron Jasper, James P. Delgado and Jim Adams. New York: Truman Talley, 2001, is also available in the Main Library and Special Collections.                (Call #: D 767.92 J37 2001)

Daily Life on the USS Arizona

The USS Arizona was home to over 1500 crew members at any given time. There was a clearly defined chain of command and very little, if any, informal interaction between officers and the non-commissioned and enlisted ranks. Those in the enlisted ranks were assigned the most laborious jobs, such as holystoning the deck, (sanding the deck with a brick attached to a pole) polishing brass and peeling chipped paint.

While daily life on the USS Arizona was very regimented, the sailors still found time for engaging in various activities, including a variety of sports such as boxing, rowing, baseball and football.  Over the years the teams representing the USS Arizona in competition with teams from other ships won a number of trophies and awards.

The ship housed a printing operation, and published a weekly newsletter, as well as programs for events and other activities. The ship had its own band, and concerts were given whenever possible. Parties, and special dinners occurred all too rarely, but were memorable events. The ship also had a library, and a canteen, and church services were held every Sunday.

William Watkins

William Allen Watkins was born in Jackson County, West Virginia and served aboard the USS Arizona from 1931-1938. He remained with the US Navy for 23 years, and retired in 1953. His duties while on the USS Arizona included that of turret crew member, where he kept the turret #1 clean and ready for firing.  He was active in sports, and participated on the ship’s tennis, baseball and rowing teams throughout the 30s.  He donated over 400 USS Arizona related items to the University of Arizona, including photographs, albums, books, certificates, banners, a kerchief and various handmade souvenirs such as handmade photo frames and ashtrays, made from shell casings and scrap metal.

Carlos Cecil

Carlos Cecil enlisted in the US Navy in 1917. He was a Carpenter’s Mate 1st class, and served on board the USS Arizona from 1919 to 1921, whereupon he received an honorable discharge. He was born on October 15, 1899 in St. Louis Missouri, and passed away at the age of 70 on July 8, 1970.  His last will and testament stipulated that his collection of Navy memorabilia be donated to the University of Arizona. These included photographs, news articles and programs for various events. They were presented to the University by Cecil’s widow at the 18th Annual Fleet Reserve Associations SS Arizona Memorial Service, held at the Student Union building on December 5, 1971.

Crew-Kin Association

The USS Arizona Crew-Kin, an Arizona non-profit organization, was founded in 1979 shortly after the fourth annual reunion of the USS Arizona Reunion Association. The organization’s objectives were to: maintain membership of the immediate relatives of persons who served on board the USS Arizona; to perpetuate and memorialize the Battleship USS Arizona and the officers and men who served on board; and to conduct reunions with such members. Meetings were held annually and reunions were to take place on the weekend nearest the 7th of December at the University of Arizona’s Student Union building. The organization’s bylaws included descriptions and duties for various committees, including the newsletter committee, a historian committee, and a publicity committee.

Pearl Harbor Memorial

Efforts to create a memorial at Pearl Harbor date back to 1950, when Admiral Arthur W. Radford, commander of the Pacific Fleet, attached a flag pole to the main mast of the USS Arizona and began a tradition of hoisting and lowering the flag. A temporary memorial was created that same year above the remaining portion of the deckhouse.  As early as 1951, Radford requested funding to create a national memorial, but it took over 10 years to see his vision realized.

The USS Arizona Memorial was built in 1962, and is the resting place of 1,102 of the 1,177 sailors and Marines killed on the USS Arizona during the Japanese attack on Pearl Harbor. The memorial was designed by Honolulu architect, Alfred Preis.

The National Park Service currently manages a visitor’s center, where historical information about the ship is provided.  It also runs a shuttle to and from the memorial, and provides other general visitor services. 2 million people visit the site annually. The sunken remains of the USS Arizona were declared a National Historic Landmark on May 5, 1989.

The Ship’s Bell

In June, 1944, while in search of scrap material in the Bremerton Navy Yard, Wilbur Bowers, (a University of Arizona graduate, class of 1927), discovered one of the ship’s bells from the USS Arizona, enclosed in a crate and in line to be melted down. Bowers worked immediately to save the bell, contacting the senior Naval command. In August of the same year, Arizona Governor Sidney P. Osborn wrote to the Honorable James V. Forrestal, Secretary of the Navy, requesting that once the war ended, that the ship’s bell be turned over to the State of Arizona, to be hung at the University of Arizona’s Old Main building. The bell reached the campus in 1946, and when the new Memorial Student Union building was constructed in the early 1950s, was installed in a tower built specifically for it. While the Memorial Student Union has since been re-modeled, the bell remains a stalwart fixture in the structure, and is rung on special occasions. It is also rung seven times every third Wednesday of the month to honor the achievements of UA students, faculty and staff.

Crossing the Line Ceremonies

The Crossing the Line ceremony is an initiation rite in the US Navy that has origins going back hundreds of years.  It commemorates a sailor’s first crossing of the Equator. The two-day event is a ritual in which previously inducted crew members called Trusty Shellbacks, are organized into a “Court of Neptune” to induct “slimy pollywogs” into the “mysteries of the deep”. The pollywogs undergo a series of personal initiation ordeals. After a day and half of such activities, a pollywog receives a certificate indicating his new status as a shellback.

The USS Arizona crossed the Equator three times, first on January 24, 1921, then again on May 19, 1936 and a final time in July, 1940. On each occasion, the crossing of the line ceremony was held. The USS Arizona collection includes a variety of photographs and memorabilia commemorating each crossing.

Click here to see Special Collections’ online exhibition.

Una Noche De Corridos / Program (2013)

Promotional material by Marty Taylor, University of Arizona Libraries

This was the first in a series of 3 corridos programs held between 2013 and 2016. Several performers shared their talents, including Mr. Bobby Benton, Mr. Jim Griffith, Justin Enriquez and Juan Aguilar of Los Cuatro Vientos, and an unknown gentlemen who shared some of his own original compositions. It was a night to remember. See below to listen to the audio of the program.

Many thanks to Aengus Anderson for shooting this beautiful promotional video for Una Noche De Corridos, featuring Justin Enriquez and Juan Aguilar.

From the UA News Service:

Celebrate Hispanic Heritage Month at the UA Special Collections as local musicians, including UA students, perform ballads of passion, pride and politics, also known as corridos. Throughout the oral history and tradition of Mexico, the corrido has been a source of information, education and celebration about events, people or places.

The corrido was particularly important during the Mexican War of Independence and the Mexican Revolution when news of events, heroes and tragedies were shared through the genre.

Often times sung by a single performer playing a guitar, corridos vary in length, style and rhythm. As a staple of Mexican musical life, corridos are also celebrated in an annual contest held during the Tucson Meet Yourself festival”.

Watch the entire program here:

Mr. Bobby Benton
One of the evening’s performers, name unknown
Members of the audience
Juan Aguilar, Justin Enriquez and Bobby Benton
Big Jim Griffith

Teatro Libertad and Chicano Theater in Tucson / Exhibition, September 3, 2013-February 20, 2014

I was a member of Teatro Libertad from 1983 to 1985. Putting this exhibit and program together was one of the highlights of my career in librarianship. It took many months of planning to bring over 25 former members together, but I managed to pull it off. Teresa Jones flew in from Seattle, Pamela Calla joined us live from New York via Skype, and other members just seemed to pop out of the woodwork. The reunion was a memorable occasion, and putting the exhibit together was a blast.

Promotional material designed by Marty Taylor

From the UA News Service: “A local street theater company from the 1970s, Teatro Libertad, is featured in a new exhibit on display from Sept. 3, 2013 – Jan. 12, 2014 at the UA Main Library.
Formed in 1975 by seven local actors and musicians – Scott Egan, Barclay Goldsmith, Teresa Jones, Arturo Martinez, Pancho Medina, Arnold Palacios, and Sylviana Wood – the group was influenced by the tradition of teatro Chicano, the Chicano movement of the 60s and 70s, and with inspiration from El Teatro Campesino – a group formed by Luis Valdez in the early 1960s.


Teatro Libertad tackled real life, everyday issues as experienced by the Chicano community in Tucson and the Southwest. Using satire, comedy, and music, the group wrote and performed their plays with the goal of getting people to think about issues such as unemployment, union organization, race, and cultural identity. Among the plays written and performed by Teatro Libertad were “Los Peregrinos,” “El Vacil de 76,” “Los Pelados,” “La Jefita,” “Semilla Sembrada” and “La Vida Del Cobre.”

Teatro Libertad’s first full length play, Los Peregrinos


The bilingual, multicultural group relied on simple stage sets and props – old boxes, masks, and signs – when performing in local neighborhood centers throughout Tucson and in Mexico City, San Diego, Santa Barbara and New York. The group also performed – sometimes from a flatbed truck – in Arizona’s mining towns for striking miners or farm workers.


More than 25 performers participated in the all-volunteer Teatro Libertad during the group’s 14-year run. Additional members included Pamela Bartholomew, Olivia Beauford, Bob Diaz, Lilliana Gambarte, Pernela Jones, Jean McClelland, Juan Villegas and a host of others.

Semilla Sembrada was written and performed in the early 1980s


The exhibit, “Teatro Libertad and Chicano Theatre in Tucson,” is a retrospective review of the societal and cultural context in which the group performed. Original scripts, promotional materials, photographs, newspaper articles, reviews, and other original documents recreate the work of Teatro Libertad. Bob Diaz, associate librarian in Special Collections, curated the exhibit, with material on loan from former members. A permanent archive of Teatro Libertad will also be established for the benefit of future academic research and scholarship.

A selection of plays and other materials on Chicano theater

40 Years of Tucson Meet Yourself / Exhibition, September 12, 2013-January 12, 2014

Promotional material by Marty Taylor, University of Arizona Libraries

In the mid-2000s I was a board member of Tucson Meet Yourself. Knowing that the 40th anniversary of the event was coming up, I decided to curate an exhibit on the event. Special Collections is home to the archives of the Southwest Folkore Center, which sponsored Tucson Meet Yourself. There was a wealth of materials to choose from, and it was great fun putting this exhibition together.

From the UA News Service: In celebration of the 40th anniversary of Tucson Meet Yourself, the UA Special Collections is hosting “40 Years of Tucson Meet Yourself” through Jan. 10. The special exhibition, curated by Bob Diaz, offers a retrospective review of the origins, traditions and celebrations that define Tucson Meet Yourself.

A view of the exhibition gallery
A display of Tucson Meet Yourself t-shirts

On display at Special Collections, 1510 E. University Blvd., the exhibition includes decades of posters, newspaper articles, programs, photographs and original documents, such as meeting notes. Also included is a music kiosk and a history of the festival’s annual corrido contest as well as a special profile of Griffith, the festival’s founder who is now retired from the UA.

Curated from the Tucson Meet Yourself Archive in Special Collections, which documents the festival from its first year through 1995, the exhibit also includes select items borrowed from the festival headquarters that were recently relocated to the UA Downtown campus in the Roy Place building. 

A display of recordings by Lydia Mendoza and Lalo Guerrero, two regional musicians who performed at Tucson Meet Yourself

For more information about the 40th anniversary of Tucson Meet Yourself and the exhibition, see the Zocalo article, “Ephemera and Eccentricities”, by Monica Surfaro Spigelman.

50 Years: Civil Rights in Arizona / Exhibition, January 15-August 13, 2013.

Publicity material by Marty Taylor, University of Arizona Libraries

From the UA News Service:

UA Exhibition Reflects on Decades of Civil Rights in Tucson

Jan. 14, 2013

On Aug. 28, 1963, thousands were drawn to the National Mall in Washington, D.C. to be part of what would become a historic event: the March on Washington for Jobs and Freedom.

On a national level, the march spurred the passing of important civil rights legislation.

To honor that history, a new exhibition at the UA’s Special Collections will review how, 50 years later, the fight for civil rights has impacted local Tucson communities.

The exhibition, “50 Years: Civil Rights in Arizona from 1963 to Today,” is on display Jan. 15 through Aug. 31 at the UA Special Collections, 1510 E. University Blvd. The Special Collections exhibition focuses on national civil rights issues. A companion exhibition focusing on local civil rights will be on display in the UA Main Library during the same time period.

Highlights of the exhibit include national civil rights legislative documents from the Morris K. and Stewart L. Udall Collections and from the Tucson Council for Civic Unity archive, which detail the council’s effort to end discrimination and segregation in Tucson and Arizona.

The exhibition also includes photographs and papers from civil rights groups and individuals representing the African American, Native American, Asian American, Mexican American and lesbian, gay, bisexual and transgender (LGBT) communities of Tucson. An audio kiosk with songs from the civil rights era is also part of the exhibition.

A lecture series featuring community leaders, UA scholars and local educators, will accompany the exhibition. All lectures take place at Special Collections and are free and open to the public. They are:

  • Jan. 15: “50 Years: Tucson’s African American Community will be held 7-9 p.m. A screening of the documentary film “In Their Own Words: The 1960s Civil Rights Movement in Tucson” and a panel discussion with Charles Ford, former Tucson Vice Mayor and retired Tucson Unified School District principal, and Cressworth Lander, anative Tucsonan and president of the Dunbar Coalition.
  • Feb. 12: “50 Years: Tucson’s Native American Community” will be held 4-6 p.m. A discussion about Arizona, the Supreme Court and legal cases affecting and involving tribal members law cases, Arizona during the civil rights era with Robert A. Williams, Jr., the E. Thomas Sullivan Professor of Law and American Indian Studies at the UA James E. Rogers College of Law.
  • March 7: “50 Years: Tucson’s LGBTQ Community” will be held 7-9 p.m. A discussion with Adela Licona, an associate professor in the UA’s English department; Stephen Russell, who directs the Frances McClelland Institute; and Jamie Lee, a doctoral student in the UA School of Information Resources and Library Science.
  • April 29: “50 Years: Tucson’s Mexican American Community” is a discussion with Lupe Castillo, a faculty member at Pima Community College, and Margo Cowan, a Pima County public defender.

Contact: Bob Diaz, UA Special Collections, at 520-621‐7010 and diazj@u.library.arizona.edu.

Here is another overview of the exhibition and programs, from the February 21, 2013 issue of the Tucson Weekly. The exhibition and programs were The Weekly’s “Pick of the Week”.

50 Years Later, by Megan Merrimac.

For more information see: 50 Years Later, a “Pick of the week” article by Megan Merrimac that appeared in the Tucson Weekly on February 21, 2013.

Visions of the Borderlands: Myths and Realities / Exhibition and Programs (January 23-June 30, 2017)

Promotional material by Marty Taylor, University of Arizona Libraries

I co-curated this exhibit with Veronica Reyes-Escudero and a graduate student from the Library School. My portions of the exhibit dealt with stereotypes of people and places and included a focus on pulp fiction, movies and movie posters, as well as dude ranches and promotional material used by entities like the Tucson Sunshine Club. Veronica’s sections of the exhibit dealt with real life accounts of life along the border taken from diaries, for example and photographs of farming and ranching. The annotations that follow were all contributed by Veronica.

From the UA News Service: “Visions of the Borderlands: Myths and Realities is an exhibition inspired by two works published by the University of Arizona Press, Celluloid Pueblo by Jennifer L. Jenkins and Postcards from the Sonora Border by Daniel D. Arreola. There is a reality and a myth of the U.S.–Mexico borderlands, propagated through multiple lenses. Featuring material depicting both reality and myth through photography, posters, pamphlets and written documentation, this exhibit centers on important areas of enterprise for the Southwest such as photography and film; copper mining; tourism; and cattle ranching. It also expresses issues of discord such as the Mexican Revolution, mining strikes and immigrant exclusionary legislation of the time.

Promotional video for “Visions of the Borderlands”
Local writer, Ernesto Portillo, Jr. featured “Visions of the Borderlands” in one of his “Neto’s Tucson” columns

The exhibit was also covered in a publication titled “Bear Essential News”. Click here to read it.

Two events were planned to go along with this exhibit. The opening event was titled, “Visions of the Borderlands: Exploring Popular Historical Imagery,” featuring author Daniel Arreola and University of Arizona Professor Jennifer Jenkins.

The second program “Visions of the Borderlands: Three Women Writers Share Their Stories”, featured the writers Denise Chavez, Patricia Preciado Martin, and Natalie Diaz. The program can be listened to in its entirety below. Producing this program was, for me, the best part of the whole project.

Arte Publico Press and the Legacy of Latino Publishing in the U.S / Exhibition, April 2- June 12, 2012

I worked with Dr. Charles Tatum of the Humanities program at the University of Arizona on this exhibit and lecture. Unfortunately, no photos of the actual exhibit exist, as they were lost when one of my hard drives bit the dust.

Promotional poster by Marty Taylor, University of Arizona Libraries

Main Library

April 2, 2012-June 12, 2012

News release by Bob Diaz

Tucson, Ariz. (March 29, 2012) – A new exhibit at the UA Main Library explores the history of Latino literature in the United States and chronicles a national movement to recover the Hispanic literary tradition. On display from April 2 – June 12, 2012, “Arte Público Press and the Legacy of Latino Publishing in the U.S.” showcases one of nation’s oldest and most esteemed Hispanic publishing houses. Nicolás Kanellos, director of Arte Público Press, will deliver the opening lecture titled “From the Latino Archive to Your PC or Laptop or Hand-Held Device: EBSCO Partners with Hispanic Recovery” on April 4 from 3:30 – 5:00 p.m. in UA Special Collections.

Nicolás Kanellos, founding publisher of the noted Hispanic literary journal The Americas Review (formerly Revista Chicano-Riqueña), established Arte Público Press in 1979. As that nation’s oldest and largest non-profit publisher of literature of U.S. Hispanic authors, Arte Público Press showcases Hispanic literary activity, arts, and culture. Its imprint for children and young adults, Piñata Books, is dedicated to the realistic and authentic portrayal of the customs, characters and themes unique to Hispanic culture in the United States.

Here is a selection of authors and book titles published by Arte Publico Press, and included in the exhibit.

Lucha Corpi

Cine Mariachi Film Festival at the Fox / 2006

In 2005, I became a board member of the Tucson International Mariachi Conference. It was a memorable experience. I hadn’t done a lot of fundraising before, but one of my tasks as a member of this group was to do just that. I came up with the idea of having a film festival, and pulled all my resources together to produce “Cine Mariachi at the Fox”. I worked with the Mexican Consulate in Tucson to secure a beautiful print of the film “Dos Tipos de Cuidado” starring Pedro Infante and Jorge Negrete, and I also pulled some strings to secure the Fox Theatre as the venue for the program. My friend Pima County Supervisor Richard Elias was intstrumental in helping me with this. My mariachi friends Johnny Contreras and Olga Flores helped get a small mariachi group together to provide musical entertainment, and we even had ballet folklorico dancers.The promotional materials were done by a marketing group that worked with the Tucson International Mariachi Conference. We even got write-ups in the local press. It was a full day’s worth of fun! Now that these films are freely available on Youtube, I have included them below. Enjoy!

Complete film: El Mariachi Canta
Rogaciano El Huapanguero. Complete film.
Dos Tipos De Cuidado in color. Complete film.

Photos of the program

These are copyrighted photos, available for purchase, courtesy of kevin@KvrCreative.com.

A Look at Medicine & Medical Facilities in Early Tucson / Exhibition, June 12-December 31, 2012

Promotional material designed by Marty Taylor, University of Arizona Libraries

Introduction: This was the second exhibit I curated at the Science Engineering Library. Once again, I found a treasure trove of information in Special Collections, including photographs, news clippings, books, pamphlets and brochures as well as advertisements in local magazines, directories and other sources. I learned a great deal about the topic, including some very interesting facts about tuberculosis and its treatment. Finding information on the Pima County Hospital was also very enlightening, as was learning about the various sanitariums that existed across the community. Another fun project!

News Release:

A new exhibit at the University of Arizona (UA) reviews 100 years of health care history in Tucson. “A Look at Medicine and Medical Facilities in Early Tucson” showcases Tucson’s system, and business, of health care from the mid-19th century to the mid-20th century. The exhibit is on display from June 19 – Dec. 31, 2012 at the UA Science-Engineering Library, 744 N Highland Ave.

“A Look at Medicine and Medical Facilities in Early Tucson” reviews the history of Tucson health care through three categories: physicians, hospitals, and Tucson’s approach to treating tuberculosis.

Included in the exhibit are profiles, photographs, and biographical information of 9 early Tucson physicians. One of Arizona’s most colorful and distinguished physicians, Dr. George E. Goodfellow, earned his medical degree in 1876 and became a self-taught expert on bullet wounds. He went on to make medical history in Tucson for performing the world’s first successful prostate removal surgery.

Tucson’s hospitals

Of interesting note for Pima County physicians was a county ordinance passed in 1875 that required local physicians to file their diplomas from accredited schools with the county recorder or face a fine up to $50. The Territory of Arizona did not take similar action until 1881.

The exhibit also offers a brief historical review through photographs, books, and ephemera of Tucson’s early hospitals including St. Mary’s Hospital, Pima County General Hospital, and the Veteran’s Administration Hospital.

The patient population at Tucson area hospitals ballooned in the early 20th century, an increase brought on by patients seeking treatment for tuberculosis which, by that time, was responsible for 12 out of every 100 deaths in the United States. Up to 25% of all newcomers to the Southwest over that period arrived in the region to recover their health, choosing the Southwest for its warm, dry air and their faith in its healing properties. Notable among those who came for the healing climate are Governor A.P.K. Safford, Sam Hughes, Hiram Dodge, “Doc” Holliday, and Harold Bell Wright.

More hospitals

Tucson sanatoriums, including Whitwell Hospital, the Desert Sanatorium, Comstock Hospital, Pastime Park, focused on treating tuberculosis patients. While wealthy patients were received care at resort-like sanatoriums, those without financial means were treated in Tentville, a “squalid ghetto” located in the area north of Speedway Blvd. between Park and North First Avenues. Photographs and ephemera included in the exhibit offer a brief history of Tucson’s sanatoriums.



“A Look at Medicine and Medical Facilities in Early Tucson” was curated to coincide with Tucson’s 237th birthday, an occasion where Tucsonans are encouraged to recognize our community’s history, culture, arts and environment.

Treating tuberculosis in the desert….
A room at the Desert Sanatarium in Tucson.

   

Tucson’s sanitariums
Tucson’s earliest physicians
Tucson’s VA Hospital
Medicine at Ft. Lowell
                                                                            

A Look at Tucson’s Cultural & Architectural Treasures/ Exhibition and Program (2012)

Promotional material designed by Marty Taylor, University of Arizona Libraries

A List of materials used in this exhibit

This exhibit was housed in the Main Library. I enjoyed putting it together. Dr. Brooks Jeffery graciously agreed to give a lecture on the architecture of Tucson. It was a fun project.

Happy Birthday Tucson: A Look at Tucson’s Cultural and Architectural Treasures

This exhibit celebrates Tucson’s 237th birthday. It includes a selection of books and other items about Tucson,  and a variety of materials on music and architecture. The section on classical music features music programs going back over 100 years, plus photos of the Temple of Music and Art and the original Tucson Symphony Orchestra. The mariachi music section features local musicians, including Lalo Guerrero, Linda Ronstadt and Los Changuitos Feos as well as other local groups and singers. Featured in the architecture section are a number of churches, including the San Xavier mission. A special section is devoted to photos taken of the Fox Theatre back in the 1930s by the Campbell and Pereira Studios.  Included is the original program for the opening of the movie, Arizona, for which the Old Tucson movie set was built. Most of the materials on display are either from the private collection of Joseph R. Diaz or from Special Collections.

Mexican Music in Tucson

Mexican music has long been a staple of Tucson’s cultural life. Today,  the Old Pueblo is known as one of the premiere centers for the study and performance of mariachi music, which is taught from the primary grades through the college level in many of the schools in the region. In addition, every April,  hundreds of students from throughout the country  gather here to participate in the Tucson International Mariachi Conference to learn music from some of mariachi’s top musicians, such as Mariachi Vargas de Tecalitlan, Mariachi Los Camperos de Nati Cano, and Tucson’s own Mariachi Cobre.  Tucson is also the hometown of the legendary  Lalo Guerrero and Linda Ronstadt.  Los Changuitos Feos, one of the nations’s first  youth mariachi groups,  was formed in Tucson in the early 1960’s, and is still going strong. The recordings featured in this exhibit are all of local musicians and are from the private collection of Joseph R. Diaz

Classical Music in Tucson

Tucson’s love for European art music goes back over 100 years. Some of the genre’s greatest orchestras and conductors have graced the stages of the Tucson Opera House, the Rialto Theatre, The Tucson High School auditorium and the Temple of Music and Art (shown in the photo on the right). The Tucson Symphony has a long standing history in the community and the photo in this exhibit is of the original group, founded in the 1920s. The Saturday Morning Music Club, a group of enthusiastic classical music supporters, was for a long time the primary force behind providing the community with rich musical  experiences. The programs featured in this exhibit are from UA Special Collections.

Religious Architecture and Sculpture  in Tucson

Over the years, Tucson has been home to a number of beautiful church buldings, the best known of which is the San Xavier Mission, a National Historic Landmark which  was founded by Father Eusebio Kino in 1692. Contruction of the current church began in 1783 and was completed in 1797. The oldest intact European structure in Arizona, the church’s interior is filled with marvelous original statuary and mural paintings. A renovation of the structure and interior was recently completed. It is truly a Tucson treasure!

More churches of Tucson

The Fox Theatre

Originally budgeted at $200,000, the Fox Theatre would eventually cost $300,000 including furnishings. Designed as a dual vaudeville/movie house, the Fox featured a stage, full fly-loft, and dressing rooms beneath the stage. The combined effects of “talkies” and the Depression limited the opportunities for live performance, and the dressing rooms were never completed.

Opening night, April 11, 1930, proved to be the biggest party the small community of Tucson had ever seen. With Congress Street closed and waxed for dancing, four live bands, a live radio broadcast and free trolley rides Downtown, the party was one not to be missed.Those lucky enough to have bought tickets in advance—3,000 or so people—enjoyed the show inside as well as out. The film “Chasing Rainbows,” a MovieTone short, and a Mickey Mouse cartoon were well received by both audiences that evening, and the Fox Theatre began its 40 ­year life as the center of Tucson’s entertainment world.

The photos in this exhibit, taken in the early 1930s,  are from the Campbell and Pereira Collection, housed in Special Collections. The program to the movie, Arizona, is  from the private collection of Joseph R. Diaz.

Architecture in Tucson

Tucson has a number of beautifully constructed buildings. Featured here are The Pioneer Hotel building, The Geronimo Apartments building, The Pima County Courthouse, the El Conquistador Hotel and the Santa Rita Hotel, as well as a number of private residences and postcards of hotels. For more information on Tucson’s architecture, see  A Guide to Tucson Architecture, by R. Jeffery Brooks and Ann M. Nequette. (Science-Engineering Library and Special Collections NA 735.T8 N46 2002). 

Judith Chafee: Iconoclast /Exhibition (2018)

Exhibit curated by Bob Diaz, Special Collections, The University of Arizona Libraries

Promotional material designed by Marty Taylor, University of Arizona Libraries

Monday, January 22, 2018 – 9:00am to Friday, July 6, 2018 – 6:00pm

Special Collections

The University of Arizona Libraries

Introduction:

Putting this exhibit together was a labor of love. I started out knowing very little about local architect, Judith Chafee, but learned a great deal from organizing her papers, which are housed in Special Collections, and working with her assistant, Kathryn McGuire a local architect and co-author of the book, “Powerhouse: The Life and Work of Architect Judith Chafee. As I poured over her work looking for material to include in the exhibition, I came to the realization that Chafee was an artistic genius, well ahead of her time. She was the first woman to graduate from Yale’s architecture program. She finished at the  top of her class, and won prestigious awards along the way. A highlight of the whole experience for me was meeting Chafee’s daughter and granddaughter, who made a special trip to Tucson to see the exhibition. They were very impressed by it. It made me feel just great knowing that they liked it. All that work I had put into this project paid off! Attendance at both of the events that were held in conjunction with the exhibit was beyond my expectations, and both were very well received. This exhibition was one of my favorites.

From the UA News Service:

A remarkable American architect, Judith Chafee was a true trailblazer, both as an architect par excellence, and as a woman in a male-dominated profession. She is celebrated as a visionary modernist whose structures harmoniously blend with their host environments.

This exhibit highlights key events and projects from her life and work. Materials will include photographs, drawings, artwork and more. 

A sample exhibit section
Judith Chafee with one of her many pets
“The Architect: Judith Chafee”, story by KUAZ, available for viewing in the exhibit lobby..

For more information see:

“Judith Chafee: Geographical Powers”. January 23, 2018. Program held in conjunction with the above exhibit.

“Judith Chafee: Breaking Barriers in a Man’s World”. March 13, 2018. Program held in conjunction with the above exhibit.

The Judith Chafee Papers Page–Special Collections, The University of Arizona Libraries

The Judith Chafee Papers Collection Guide

Powerhouse: The LIfe and Work of Judith Chafee

Christopher Domin and Kathryn McGuire, authors

“Powerhouse is the first book on the singular life and career of American architect Judith Chafee (1932-1998). Chafee was an unrepentant modernist on the forefront of sustainable design. Her architecture shows great sensitivity to place, especially the desert landscapes of Arizona. Chafee was also a social justice advocate and a highly respected woman in a male-dominated profession. After graduating from the Yale University Architecture School, where her advisor was Paul Rudolph, she went on to work in the offices of legends including Rudolph, Walter Gropius, Eero Saarinen, and Edward Larrabee Barnes. In addition to her architectural legacy, her decades of teaching helped shape a generation of architects. Chafee’s drawings and archival images of her work are complemented by stunning photography by Ezra Stoller and Bill Timmerman”. –from the Princeton Architectural Press site.

It was very nice of Kathy McGuire to mention me in the acknowledgements section (see below) of the book. I learned a great deal from her during our visits, and without her guidance the exhibition would not have been as informative and interesting as it turned out to be.

1968 in America / Exhibition (September 4, 2018-December 7, 2018)

Exhibit banner and poster designed by Marty Taylor, UA Libraries.

My most recent and last exhibit for Special Collections was a look back at 1968, 50 years later. I was only 9 years old at the time, but remember the era vividly. I had a brother in Vietnam, and two of my siblings were in California enjoying themselves in San Francisco, along with thousands of other young people. I spent the year collecting baseball cards and playing flag football with the other kids in the neighborhood. The assasinations of Martin Luther King, Jr. and Bobby Kennedy didn’t impact me that much, as I was not old enough to understand what was happening in the larger world. The music I listened to was usually the popular stuff one heard on the radio, and the Beatles, of course. Doing this exhibit brought back a lot of memories. It also impressed upon me that it was an amazing time, with so much going on, culturally, musically, and politically.

September 4, 2018-December 7, 2018,

Special Collections, The University of Arizona Libraries

From the UA News Service:

One of the most volatile years in the history of the United States was 1968. The Tet Offensive escalated the war in Vietnam, we lost two monumental leaders – Martin Luther King Jr. and Robert F. Kennedy – to assassination, and riots broke out across the nation. As students protested the war, popular music became a powerful voice for their generation. At the same time, the civil rights and Black Power movements inspired environmentalists, women, Chicanos, Native Americans and the gay and lesbian community to add their voices to the discourse.

This exhibit showcases a variety of materials from University Libraries’ Special Collections. Explore hidden treasures highlighting politics, news, art, literature and culture from 50 years ago – including underground press publications, sports and music memorabilia and photographs from the University of Arizona.

I found a bunch of “psychedelic”, 60s style handkerchiefs that I used for the exhibit cases.
60s memorabilia from a private collection.
More 60s memorabilia. Collection courtesy of Bob Diaz.
This section of the exhibit provided a chronological look at local, national and world events that happened in 1968.
A poster from the Tom Miller collectoin. The Yippees played a prominent role in the youth movement of the 60s.
A scene from Aengus Anderson’s short film on 1968 in America. Morgan Maxwell Jr. is on the far right side just to the left of the police officer.
Video program that accompanies the exhibit, created by Aengus Anderson.
Another scene from Aengus Anderson’s film.
A list of Arizona casualties of the Vietnam War in 1968. From the Arizona Daily Star Index.
Members of a student athlete leadership club visiting the exhibit

Company Town / Exhibition and Program (2012)

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Company Town poster. Designed by Marty Taylor.

Company Town: Arizona’s Mining Communities During 100 Years of Statehood, was the first exhibit I curated completely on my own in my new job as exhibits and events coordinator in Special Collections at the University of Arizona. The exhibit was located in the Science-Engineering Library, in a much smaller exhibit space than the Special Collections gallery. It was a fun project and one I was very eager to work on. I enjoyed doing the research on mining in Arizona and found that Special Collections has a rich treasure trove of historical information on mining. In the exhibit, I featured information on Ajo, Globe-Miami, San Manuel Superior, Jerome, Bisbee, Clifton-Morenci, and Ray/Sonora, and included original photographs, books and other materials. I learned a lot from this project along the way. Feedback I was given included that I used way too much material and that I should not have used sticky dots on any of the materials. I also didn’t include enough written annotations. The Dean of the College of Mining wasn’t too happy either because I included a section on labor strife in Arizona. She even asked the University administration to intervene on her behalf to pressure me to remove the information on labor issues, but the Vice-Provost and the Dean of the Library defended my right to include “controversial” information in the exhibit. Below, I’ve included an article written by the UA News service, with links to further information, including a video of the exhibit and an article written for the Arizona Daily Star by Ernesto Portillo, Jr.. I also planned one program, a lecture by Dr. Anny Ochoa O’Leary. A news story and the transcript of her talk are linked below.

SAMSUNG

January 6, 2012: Exhibit – ‘Company Town: Arizona’s Copper Mining Communities During 100 Years of Statehood |UA News …

“Company Town: Arizona’s Copper Mining Communities During 100 Years of Statehood,” a new exhibit at the UA Science-Engineering Library, shares 100 years of stories, struggles and triumphs from Arizona’s copper mining communities.

The history of mining in Arizona is rich and colorful with silver, gold and copper all having been discovered and mined in the state. The first mining company was established in Ajo in the 1850s; the arrival of the railroad brought a booming industry to Clifton-Morenci, Bisbee and Jerome.

Throughout the 20th century, while mining companies made significant profits, the mining workers’ salary was often not a living wage. Conditions in the mines were dangerous and unhealthy; many miners developed a lung disease now referred to as “miner’s lung.” In this context, labor relations between workers and the mine owners throughout Arizona’s history have been volatile, and at times violent.

“Company Town” features an in-depth selection of photographs, pamphlets, original manuscripts, federal and state reports and personal papers drawn from UA Special Collections. The materials on display detail the history of eight Arizona mining communities – Ajo, Bisbee, Clifton-Morenci, Globe-Miami, Jerome, Ray-Sonora, San Manuel and Superior – and show that these communities were more than just a mine, and the people more than just mining workers.

One community in particular, Clifton-Morenci, was the epicenter of the Arizona copper mine strike of 1983. Anna Ochoa O’Leary, a professor in the UA department of Mexican American and Raza Studies, lived in Clifton during the strike and was the president of the Morenci Miners Women’s Auxiliary in Clifton from 1985 to 1986. 

FOR MORE INFORMATION, SEE ALSO:

*Materials used in the Company Town Exhibit

*January 6, 2012-March 30, 2012: Company Town: Arizona’s Copper Mining Communities During 100 Years of Statehood | Special Collections

*News article from the Arizona Daily Star: Neto’s Tucson: Mining’s history interwoven With Arizona’s, February 12, 2012.

* Mine Exhibit Brought to Life Through Special Collections | UANews (video feature story)

The Role of Women in the Mexican Revolution as Portrayed Through the Corrido / Program, November 18, 2010

For the second program I coordinated, I invited UA professors Celestino Fernandez and Raquel Rubio-Goldsmith to speak about the role of women in the Mexican Revolution as portrayed through the corrido. We also had music that evening (corridos!), featuring Justin Enriquez and Juan Aguilar, of the group “Los Cuatro Vientos” who were joined by two additonal musicians from the restaurant, La Fuente. It was a night to remember!

Dr. Raquel Rubio-Goldsmith
Dr. Celestino Fernandez

From the news release: “Raquel Rubio Goldsmith, historian and lecturer in the UA Department of Mexican American and Raza Studies, will discuss the significant role women played during the Mexican Revolution. Celestino Fernandez, Professor, UA Department of Sociology, will discuss the corrido as a popular song form and its importance in communicating values, issues and ideas during the Revolution and into the present. The presentations will be illustrated by a performance from the local musical quartet Los Cuatro Vientos”.

The program was videotaped and is available for viewing below. It is divided into 8 separate sections. My thanks to Antonio Arroyo for filming it.

Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7
Part 8
La Adelita, probably the most famous of all the corridos of the Revolution.

Several years later, in 2016, I presented a lecture on the corrido Mexicano in Special Collections. It was titled, “What’s to Know about corridos anyway? I included it in my blog back then. It includes references for further reading and a number of corridos performed by some of Mexico’s best singers. Enjoy!

Architectural Collections at the University of Arizona Libraries

Introduction:

You may be wondering, oh boy, what’s he up to now? Why architecture? Let me explain…In 2011, I was transferred from the Fine Arts Library to Special Collections at the University of Arizona Libraries. I have done a variety of work while there, including managing the department’s exhibits and events programming and curating exhibits. While that work was extremely rewarding and I had a great time creating some fun exhibits and programs, in 2019, my duties changed. I now serve as curator for the Library’s performing arts and architectural collections and I manage reference service for the department. My passion for local history and love of local architecture help fuel my desire to learn all I can about the topic, particularly about the various architects who have worked in Tucson and Arizona. My intention with this posting is to introduce folks to the collections housed in Special Collections and to promote use of these collections among students, scholars and the general public.

THE ARIZONA ARCHITECTURAL ARCHIVES

The University of Arizona has had an architecture degree program in place since at least the 1960s and for a time, the School of Architecture had its own departmental library. However, over the years, because of decreased state funding, budgets for things like departmental libraries have shrunk to the point that collections and services have been consolidated where possible and facilities such as the Architecture Library have been closed. The College of Architecture’s library closed in the mid-2000s and the bulk of its collections were absorbed by the University Libraries.

The majority of the architecture-related holdings housed in Special Collections at the University of Arizona come from a collection called the “Arizona Architectural Archives”. This collection was started in 1976 at the College of Architecture Library and its purpose was “to provide documentation of the architecturally significant structures in Arizona, and of the architects and builders who have played a significant role in their field in the state”.

(Gresham, 1982. “Collections of Drawings and other records related to the buildings and the practice of architecture in Arizona”. Arizona Architectural Archives).

Initially, the collection included works by the following architects:

Place and Place (1918-1967) 88 projects are represented, most of which were completed before 1955. Roy Place  is credited with creating the “style” of the UA campus. Many of the early campus structures were built by his firm, which at the time was called Lyman and Place. John B. Lyman, who had moved to Tucson in 1917 partnered with Roy Place to build the Mines and Engineering Building, the Steward Observatory, the University Library (now the Arizona State Museum) and the Memorial Fountain, among other structures on the UA campus. After Lyman left the firm in 1924, Roy Place continued building on campus and his son joined him as a partner in 1940. Place also designed the Pima County Courthouse, Mansfeld Jr. High, the Arizona School for the Deaf and Blind,  and the Pioneer Hotel. He died in 1950 and his son Lew continued the work of the firm until 1976. The collection of drawings by Roy Place and his associates was donated by Lew Place in 1976. 

Pima County Courthouse, Roy Place, 1928.

Henry O. Jaastad A Norwegian born in 1872,  Jaastad immigrated to the US in 1886. He moved to Tucson in 1902 and worked as a cabinet maker and carpenter. He also studied electrical engineering at the University of Arizona. He became an architect in 1908 and designed mainly residential buildings. He was a member of the Tucson City Council and also mayor from 1933 to 1947. He expanded his architectural practice over the years and built churches, schools and hospital buildings as well as other buildings for public use. He died in 1965 at the age of 93. Public buildings built by Jaastad include Roskruge Jr. High, Drachmann School, the Southern Arizona Bank, and the YWCA buildings.  Nearly 300 projects were completed. Annie Graham Rockfellow worked for him as the lead designer for the firm but never received proper credit for her work.

Henry O. Jaastad

Annie Graham Rockfellow
Annie Graham Rockfellow
El Conquistador Hotel
El Conquistador Hotel, 1928. Annie Rockfellow, designer.

D. Burr DuBois 1901-1979. DuBois graduated from the School of Architecture at the University of Michigan and moved to Tucson in 1926. He worked for a number of different architects including Henry O. Jaastad and James MacMillan, but always did his own work as well. He built the Himmel branch of the Tucson Public Library and was responsible for several additons to various University of Arizona buildings, including the Student Union Memorial building. His collection includes 570 drawings and five boxes of records and cover the time period, 1937-1968.

Apache Santa Cruz Hall, D. Burr DuBois, 1957.

Russell Hastings  1909-1979. Hastings moved to Tucson in 1931 to study archaeology but didn’t stay long, but he returned in 1939. By 1950 he had become a registered architect with the State of Arizona and he designed residential  buildings, schools and other dwellings. These include the Adair Funeral Home, the Immaculate Heart Academy, Magee Jr. High, two A & W restaurants and many residential dwellings. The collection includes 110 projects and over 1000 drawings done between 1950-1978. 

Adair Funeral Home

Over time, since the closing of the School of Architecture Library, the Arizona Architectural Archives collection was moved to a variety of locations. The University of Arizona Libraries acquired the bulk of the collection in 2011, although some of it now resides at the Tucson division of the Arizona Historical society. (See library_Architectural-Drawing.pdf)

While inventories of the collections that are housed in Special Collections exist, they are not yet publicly available. However, they can be searched and viewed with assistance and advance notice. You can reach me at jrdiaz@email.arizona.edu or contact Special Collecions at: askspcoll@email.arizona.edu and I or one of my colleagues will be more than happy to help you.

NEW ADDITIONS:

The following collections are available to the public, and, with the exception of the Joesler drawings noted below, have finding aids that are available in Arizona Archives Online. They include:

Judith Chafee Papers MS 606: This collection includes a variety of materials pertaining to the life and work of architect Judith Chafee. The majority of the collection are project files and architectural plans corresponding to Chafee’s award winning designs, but it also includes photographs, artwork, poetry, publications, office documents, and teaching files from Chafee’s time as an architecture professor. A brand new book about Judith Chafee, titled Powerhouse: The Life and Work of Judith Chafee, written by Kathryn McGuire and Christopher Domin, is now available. A companion exhibit is also available for viewing at the School of Architecture.

Judith Chafee
Judith Chafee
Judith Chafee, The Ramada House, 1975.
Biographical profile of Judith Chafee produced by KUAT Television

Thomas Gist papers, 1918-2000 MS 655 “This collection consists of the personal and professional papers and drawings of Tucson architect, Tom Gist (1918-2000). His unique design and building style made his homes an important part of Tucson’s Historical Districts. The bulk of the material relate to his work as an architect and include his drawings, plans, contracts, and other important information pertaining to his work. The rest of the collection stems from his personal life and contains various awards, degrees, photos, scrapbooks, and journals including his work with the Tucson National History club.” (from the finding aid)

Thomas Gist and his wife
A Tom Gist home.

John W. Murphey records 1919-1972 (bulk 1920-1950)  MS 603 Along with Leo B. Keith and Helen Geyer Murphey , his wife, John W. Murphey  owned and operated a number of commercial ventures in Southern Arizona beginning in the 1920s. In 1928 the John W. Murphey  and Leo B. Keith Building Company was incorporated and Josias Joesler was hired as the firm’s architect. Fourteen years later, in 1942, the company was re-organized as the Murphey  and Keith partnership, at which time Josias Joesler sold his shares. Into the 1950s, Murphey and his associates constructed homes, performed renovations, sold property, and leased houses in the Tucson area. Large projects include whites-only housing developments such as the Catalina Foothills Estates and Broadway Village, commercial spaces at Broadway Village and St. Phillips Plaza, the Hacienda Del Sol hotel, and the El Conquistador hotel. After Joesler’s death in 1956, Murphey  began working with architects Blanton and Cole.

Josias Joesler: Born in Switzerland in 1895, Joesler was educated in various places throughout Europe. He moved to Los Angeles in 1926, and shortly thereafter met John and Helen Murphey. After settling in Tucson in 1927, Joesler worked with John Murphey for thirty years, until his death in 1956. Joesler designed over 400 projects, including commercial buildings, churches and residences. St. Phillips Plaza and St. Phillips in The Hills are among his many works that showcase his love for the Spanish neo-colonial style of architecture. Today, his Tucson homes are highly sought out and they command a hefty price. For more information see: Josias Joesler | Through Our Parents’ Eyes.

Josias Joesler
Broadway Village. Josias Joesler, architect.

The Joesler Collection of Architectural Drawings is available for viewing in Special Collections. Digital versions of these drawings are also available online at: https://content.library.arizona.edu/digital/collection/Joesler

Drawing by Josias Joesler

Backlog: Much of the material contained in the Library’s architectural collections has yet to be fully processed. Among these are:

  • Architecture One office files
  • Aros and Goldblatt office records and drawings
  • Atkinson drawings
  • Cain, Nelson and Wares office files and drawings
  • Cole drawings
  • Gourley office files and drawings
  • Green, Ellery office files and drawings
  • Hall drawings
  • Hockings  drawings
  • Lockard, Kirby drawings
  • Luepke, Gordon drawings
  • Sakellar, Nicholas office files and drawings
  • Wilde, Willam office files and drawings
  • Zube office files

While the above collections constitute the bulk of our backlog, there is more material available. If you have any questions or would like to find out more about our collections, please contact me at jrdiaz@email.arizona.edu.

Work is underway to acquire a handful of additional collections, but given that architectural drawings take up a lot of space, time will tell how much more material the Library will be able to accomodate as it is running out of storage space.

If you are interested in doing research in the areas of architecture, planning or landscape architecture , see the following subject guide. You may also contact me or my colleague Rachel Castro, (castro2@email.arizona.edu ), who is the departmental liaison for the College of Architecture, Planning and Landscape Architecture at the University of Arizona Libraries.